The author offers a pair of proposals for possible practice-led tactics for live electronic music research, both aimed at enhancing musical communication within the sub-discipline and based on activities that the author takes to be informally present in much of the conduct of musicians. By way of background, he first explains why improving musical communication is important in terms of its potential benefit to our disciplinary coherence and our collective ability to communicate fruitfully with each other and with researchers in allied disciplines.

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