Abstract
Fluxus is often understood as an avant-garde art movement led by George Maciunas in the 1960s. Such a narrative, however, is limiting as it overlooks the contribution of other prominent Fluxus artists. This article aims to challenge what is referred to as the Maciunas-based paradigm in its temporal scope and ideological homogeneity through the adoption of social network analysis.
Issue Section:
Statements
This content is only available as a PDF.
©2017 ISAST
You do not currently have access to this content.