Abstract

In this curatorial consideration, the author reveals factors that most essentially influenced the decision to present Ivor Diosi’s artwork Molding the Signifier, as part of the Trust Me, I’m an Artist EU project event in Prague (16–19 November 2015). It questions the notion of AI as it currently exists, suggesting that the ideas of “artificial,” “independent” or “higher” intelligence and existence are all too human (and from that point of view therefore dangerous). As curator of the event, the author argues that Molding the Signifier, although it does not confront existing legislation, does question the ethical core of the essential latent purposes of biotechnologies as a means of human creativity.

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