The author describes her artistic process and works exploring the recontextualization of recorded sounds into radically different environments, such as the ocean and the desert. Such unusual juxtapositions of place aim to stimulate awareness of technological mediation and the processes we rely on to build knowledge of environmental issues. The artworks do this by focusing on a physiological experience that combines the senses, thereby activating an experiential affect that may stimulate a sense of remote presence, empathy and curiosity to more fully understand distant and diverse ecologies that we cannot otherwise access.

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