Scientific Delirium Madness 5.0: Gallery

Wet 'n Wild Brushes, 4”x6”x.5”. Wet n Wild is a series of small objects that mimic human form, sometimes in the act of biological decay. Very small. If you want to get a good look at them, get close and personal and ping the notion of the sensate body. (© Artist and David Naugle photography)

Plasti Plast, 140 cast objects, 14"x6"x9", rocking and going nowhere. The Plasti project admits to existential anxiety. As in Beckett’s Rockaby, "Woman’s rocking chair" and "incongruous headdress" can only rock so long. Plaster, electrical wire, cleaning brush hair, rubber gaskets and other domestic services waste. They scrub the air. (© Artist and David Naugle photography)

Surface Tension 23'x17'x3.5'. 504 Unique cast glass 'drops', aluminum and light. 'Surface Tension' for the USU Life Sciences building deploys cast glass to evoke the materiality of water... water, because there is no biological system without it and it is therefore crucial to the study of life sciences. (© Artist and Adam Lefebvre photography)

The word event emerged as a hybrid of poem / score that guided me seeping into the site, physically and conceptually, and into myself, multi-dimensionally. Much gratitude to Eleanor Holmes for suggested edits and a careful read. (© Anya Yermakova)

Sebastian Perez (charango, quena); Dasha Lavrennikov (stones, body stomps); Kevin Kelsey (upright bass); Anya Yermakova (wooden blinds, clay flute, cello body, metal pipes, vocals); Redwood trees, crawling creatures, wind. Best experienced with noise-cancelling headphones. (© Anya Yermakova)