Abstract
In the 1970s, Richard Lowenberg embarked upon the first in a series of experimental artworks that were conceptualized as part of a lifelong body of works addressing aspects of our information environment as ecosystem. Creative works during this period were influenced by information theory and cybernetics, the electromagnetic spectrum, the nature of signal, feedback, sensing-communicating, language and emerging media technologies. Artistic milestones included video-audio synthesis, NASA arts collaborations, interactions with Koko the gorilla, creation of sequences for the Secret Life of Plants film and EEG-EMGEKG biotelemetric performances (“Bio-Dis-Plays”). Real life offered a number of unexpected opportunities and distractions that enriched this work and helped set a course for development and realization of subsequent projects along an intended ecocultural path.