The author addresses the place of visual representation in his body of work, focusing on the genesis of his interest in digital imaging and the relationship between digital imaging and photography. He also discusses the connection between photography and collage/montage, the extended imagination enabled by digital imaging, human-machine collaboration and the design of narrative structures, both of which are guided by the interplay between certainty and uncertainty. In addition, the author presents aspects of his creative and research processes, referring to some of his artworks and conceptual concerns. Using a retrospective and personal approach, the author’s analysis is unavoidably incomplete.

©2022 ISAST
2022
ISAST

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PhD thesis on visual arts: Carlos Fadon Vicente focuses on the imagery and ideas that inform his production, as well as on further developments prompted by his photography. The ramifications comprise the author’s body of work in electronic art / media art and in other visual media. Copyright Carlos Fadon Vicente.

- pdf file

The urban landscape, in its multiple facets, is the guiding subject of this exhibition, which comprises eleven photographic essays, 1980-2014, and an installation. Aesthetic, social, historical, and architectural aspects are examined from a poetic viewpoint, grounded on a particular life experience and an analytical, critical, and formal frame of mind. Copyright Carlos Fadon Vicente.

- pdf file

Desmemórias is a work composed of micro-essays elaborated through the interplay between photography, digital image and collage. Its leitmotif is the relationship between memory and representation. It comprises an image portfolio and, as a complement, an audiovisual montage. Copyright credit: Carlos Fadon Vicente.

- mp4 file
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