The era of collaboration between the Centro di Sonologia Computazionale (CSC) and the Venice Biennale in the early 1980s marked a real breakthrough in the development of technological art and computer music. Thanks to this collaboration, computer music, which in those years was confined to research laboratories with auditions for insiders, entered the global contemporary music scene. This interview by Sergio Canazza, current director of CSC, with two leading figures of that endeavor aims to bear witness to that creative turning point.

©2024 ISAST
2024
ISAST

Supplementary data

Consonantico

Concerts of the 1982 “Festival Numero e Suono - ICMC ’82” from Barbara Barbini and Alvise Vidolin, eds., Numero e Suono, (Venice: La Biennale di Venezia - ERI, 1982). © Sergio Canazza, Giovanni De Poli, Alvise Vidolin

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Appendices A-C

Appendix A: List of LIMB Committees ; Appendix B: Indexes LIMB Bulletins with Figures of Scan Cover + Index; Appendix C: Concerts of the 1982 “Festival Numero e Suono - ICMC ’82” from Barbara Barbini and Alvise Vidolin, eds., Numero e Suono, (Venice: La Biennale di Venezia - ERI, 1982). © Sergio Canazza, Giovanni De Poli, Alvise Vidolin

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