Abstract
In 1976, Pat Lehman screened her experimental video Video Vitae at the New York Women’s Video Festival. Lehman worked in Colorado, where she also started the first video program in the state’s college system. This article examines Video Vitae as an important example of image-processed video and early computer animation in the context of second-wave feminism. The author charts Lehman’s influences and access to the Scanimate computer used to produce Video Vitae, arguing that Lehman’s narrative about a woman’s autonomy is intertwined with her pleasure in the processing of electronic signals.
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© 2024 ISAST
2024
ISAST
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