ABSTRACT

The author began making films and installations in the early 1970s. Although he has worked across a range of media, he has always concentrated on one particular theme that he conceptualizes as a two-sided question: How do we see ourselves in relation to the natural world, and how should we position our selves and our technologies within it? This essay traces some of the threads of these seminal ideas through a selection of works made in the years between 1974 and 2009. The author concludes with a detailed description of Tree Studies, a large-scale new media installation powered by real-time data from weather stations around the planet.

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