Much has been said and written about the two-culture paradigm separating the world between artists and scientists. On one side of this debate are those who accept this cultural art/science divide. On the other side are those who reject it altogether to promote a better integration of artscience practices. In this paper, the author presents a network analysis of 40 papers submitted to the SEAD Network for Science, Engineering, Arts and Design and tests the hypothesis that the papers submitted by artists and scientists are disconnected in the corresponding graph, as predicted by the art/science separation. Rejecting this hypothesis will provide support for the alternative artscience integration.