Abstract

The article is about Antes del Arte, a vanguard Spanish art-group that existed from 1968 to 1969. The author explains the group’s history and theoretical basis as well as its artistic production through specific examples. Discussing the references taken from contemporary aesthetic scientific theories, the author analyzes the substantial theoretical framework that the art critic Aguilera introduced into the group’s manifestos. Finally, she addresses the specific role that the interactions between the artistic and the scientific fields had in the context of the Spanish Franco regime.

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