Abstract

This article explores the transitional and liminal nature of my work and examines the diverse theoretical foundations which inform my creative practice. The particular work discussed here, Wow&Flutter explores the intermedial relationships between that of ‘quotation’, ‘remediation’ and ‘plunderphonics’ within turntable art using acetate vinyl. This work was presented in the Irish Museum of Modern Art, (IMMA) and The National Concert Hall, Ireland, (NCH) between 2014 and 2018.

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