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Issues

Volume 58, Issue 2
April 2025
Leonardo Cover Image for Volume 58, Issue 2
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  • Cover Image

    Cover Image

    Issue cover image

    Front cover: Hilma af Klint, Group IX/SUW, The Swan, No. 17, oil on canvas, 150.5 × 151 cm, 1915. Courtesy of the Hilma af Klint Foundation. Photo: Moderna Museet, Stockholm.

    Back cover: Coppice, 360° visual point of view of the binaural ears that captured the Coppice Sonic Observation performance at Elastic Arts, Chicago, 8 July 2022. Still image from Coppice’s retrospective video showtimecapsule (2023): https://youtu.be/BQIahQXtSAk. (© Future Vessel) See the article in this issue by Noé Cuellar and Joseph Kramer.

  • PDF Icon PDF LinkTable of Contents
ISSN 0024-094X
EISSN 1530-9282

Issue Welcome

ISSUE WELCOME
Leonardo Staff
Leonardo (2025) 58 (2): 114.
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Leonardo Reflections

A Moment to Speak
Diana Ayton-Shenker
Leonardo (2025) 58 (2): 116.
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Leosphere in Action

Remembering Dick Land (1932–2024)
Pierre J. Pernuit
Leonardo (2025) 58 (2): 117.
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In Focus

Resonant Realms: Cross-Disciplinary Exploration of Sound
JD Talasek
Leonardo (2025) 58 (2): 118.
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Into the Here and Now: Explorations within a New Acoustic Virtual Reality
Laurence Cliffe
Leonardo (2025) 58 (2): 119–125.
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Lightyears: Auditory Navigation through Coppice’s Draw Agreement
Noé Cuéllar, Joseph Kramer
Leonardo (2025) 58 (2): 126–134.
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The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions Moments of Liberty I–IV
Dimitrios Savva
Leonardo (2025) 58 (2): 135–141.
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Work Bench

The Splendor of Plainness: A Transformation of the Process of Qi as Expressed in the Generative Artwork UKON
Chi-Min Hsieh, Hsiao-Ching Chou
Leonardo (2025) 58 (2): 142–148.
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Mimetic Possibilities: Collaboration through Movement in Multimedia Opera
Kurt Mikolajczyk, Austin Oting Har, Laura Wachsmann, Oliver Bown, Samuel Ferguson
Leonardo (2025) 58 (2): 149–156.
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Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist
Marina Tsaplina, Leonard E. White
Leonardo (2025) 58 (2): 157–161.
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Breathing Life into Slime: The Creation of Kinetic Sculptures from Non-Newtonian Fluids
Yuan-Shao Wu, Chun-Cheng Hsu, Wei-Chen Yen, Chiao-Ni Hsu, Kuan-Ju Wu
Leonardo (2025) 58 (2): 162–170.
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Showcase

Metabolic Arts Gathering: Curatorial Notes
Hannah Star Rogers, Adam Bencard
Leonardo (2025) 58 (2): 171–173.
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Gallery Artists
Baum & Leahy, Hege Tapio, Adam Dickinson, Kira O’Reilly, Kathy High
Leonardo (2025) 58 (2): 174–182.
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Contemporary Scholarship

Musical Color Harmony: Application of the Principles of Musical Harmony to Produce Color Hue Sets
Philip J Cianci
Leonardo (2025) 58 (2): 187–193.
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Sight-x-Site
Eugene Han
Leonardo (2025) 58 (2): 194–199.
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Action at a Distance: Did Physicist Thomas Young’s 1807 Lectures Inspire Some of the Earliest Examples of Abstract Art?
Britt Lundgren
Leonardo (2025) 58 (2): 200–208.
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Leonardo Reviews

The Edge of Sentience: Risk and Precaution in Humans, other Animals, and AI
Gregory F. Tague
Leonardo (2025) 58 (2): 209–211.
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Fragmentary Forms: a New History of Collage
Jan Baetens
Leonardo (2025) 58 (2): 211–212.
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The Line: AI and the Future of Personhood
Hannah Drayson
Leonardo (2025) 58 (2): 212–214.
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Paris Pataphysique—L’Art des Solutions Imaginaires
Edith Doove
Leonardo (2025) 58 (2): 214–215.
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Performing by the Book? Musical Negotiations Between Text and Act
Lucinda Guy
Leonardo (2025) 58 (2): 215–216.
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Sonic Faction: Audio Essay as Medium and Method
Mark Leahy
Leonardo (2025) 58 (2): 216–217.
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