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Volume 32, Issue 2

April 1999

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Cover Image

Cover Image

ISSN 0024-094X

EISSN 1530-9282

In this Issue

Artist's Note
Artists' Statements
Special Section: Virtual Africa
Historical Perspectives on the Arts, Sciences and Technology
Document
Design Languages
Leonardo Reviews
Endnote

Artist's Note

Philosophy and Visual Representation: Imaging the Impossible

Carl Francis DiSalvo

Leonardo (1999) 32 (2): 83–86.

Artists' Statements

Crinklage: A New Art Process

Chris Foster

Leonardo (1999) 32 (2): 87–88.

The Laser Beam As an Artist's Tool

Rashid G. Tukhvatullin

Leonardo (1999) 32 (2): 88–89.

Globe Theater: Robotic Pageants

Adrianne Wortzel

Leonardo (1999) 32 (2): 89–90.

Special Section: Virtual Africa

Virtual Cairo: An Urban Historian's View of Computer Simulation

Nezar AlSayyad

Leonardo (1999) 32 (2): 93–100.

The National Museums of Kenya: A Brief Overview

Lorna Abungu

Leonardo (1999) 32 (2): 101.

Historical Perspectives on the Arts, Sciences and Technology

The Old Testament Trinity of Andrey Rublyov: Geometry and Philosophy

Alexander V. Voloshinov

Leonardo (1999) 32 (2): 103–112.

Document

The Large Glass Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp's “Hilarious Picture”

Linda Dalrymple Henderson

Leonardo (1999) 32 (2): 113–126.

Design Languages

On the Need for Visual Formalisms in Music Processing

Mira Balaban, Michael Elhadad

Leonardo (1999) 32 (2): 127–134.

Leonardo On-Line Bibliographies

Leonardo (1999) 32 (2): 135–136.

Commentaries

Adelheid Mers, Simone Osthoff, Philip Steadman, Allan A. Mills

Leonardo (1999) 32 (2): 137–141.

Leonardo Reviews

The Panorama: History of a Mass Medium

Oliver Grau

Leonardo (1999) 32 (2): 143–144.

Perception and Imaging

Roy Behrens

Leonardo (1999) 32 (2): 144.

Bodies of Subversion: A Secret History of Women and Tattoo

Mike Mosher

Leonardo (1999) 32 (2): 144–145.

To Light Such a Candle: Chapters in The History of Science and Technology

Wilfred Niels Arnold

Leonardo (1999) 32 (2): 145–146.

Hyperkult: Geschichte, Theorie und Kontext Digitaler Medien (Hypercult: History, Theory and Context of Digital Media)

Yvonne Spielmann

Leonardo (1999) 32 (2): 146–147.

Les Particules Elementaires

Roger F. Malina

Leonardo (1999) 32 (2): 147–148.

Materials Received

Leonardo (1999) 32 (2): 148.

Endnote

The House as a Place to Share

Gianni Romano

Leonardo (1999) 32 (2): 149–151.

Leonardo/ISAST NEWS

Andrea Blum

Leonardo (1999) 32 (2): 153–158.

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