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Issues

Volume 32, Issue 2
April 1999
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282

Artist's Note

Philosophy and Visual Representation: Imaging the Impossible
Carl Francis DiSalvo
Leonardo (1999) 32 (2): 83–86.
View articletitled, Philosophy and Visual Representation: Imaging the Impossible
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Artists' Statements

Crinklage: A New Art Process
Chris Foster
Leonardo (1999) 32 (2): 87–88.
View articletitled, Crinklage: A New Art Process
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The Laser Beam As an Artist's Tool
Rashid G. Tukhvatullin
Leonardo (1999) 32 (2): 88–89.
View articletitled, The Laser Beam As an Artist's Tool
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Globe Theater: Robotic Pageants
Adrianne Wortzel
Leonardo (1999) 32 (2): 89–90.
View articletitled, Globe Theater: Robotic Pageants
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Special Section: Virtual Africa

Virtual Cairo: An Urban Historian's View of Computer Simulation
Nezar AlSayyad
Leonardo (1999) 32 (2): 93–100.
View articletitled, Virtual Cairo: An Urban Historian's View of Computer Simulation
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The National Museums of Kenya: A Brief Overview
Lorna Abungu
Leonardo (1999) 32 (2): 101.
View articletitled, The National Museums of Kenya: A Brief Overview
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Historical Perspectives on the Arts, Sciences and Technology

The Old Testament Trinity of Andrey Rublyov: Geometry and Philosophy
Alexander V. Voloshinov
Leonardo (1999) 32 (2): 103–112.
View articletitled, <em>The Old Testament Trinity</em> of Andrey Rublyov: Geometry and Philosophy
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Document

The Large Glass Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp's “Hilarious Picture”
Linda Dalrymple Henderson
Leonardo (1999) 32 (2): 113–126.
View articletitled, The <em>Large Glass</em> Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp's “Hilarious Picture”
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Design Languages

On the Need for Visual Formalisms in Music Processing
Mira Balaban, Michael Elhadad
Leonardo (1999) 32 (2): 127–134.
View articletitled, On the Need for Visual Formalisms in Music Processing
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Leonardo On-Line Bibliographies
Leonardo (1999) 32 (2): 135–136.
View articletitled, Leonardo On-Line Bibliographies
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Commentaries
Adelheid Mers, Simone Osthoff, Philip Steadman, Allan A. Mills
Leonardo (1999) 32 (2): 137–141.
View articletitled, Commentaries
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Leonardo Reviews

The Panorama: History of a Mass Medium
Oliver Grau
Leonardo (1999) 32 (2): 143–144.
View articletitled, The Panorama: History of a Mass Medium
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Perception and Imaging
Roy Behrens
Leonardo (1999) 32 (2): 144.
View articletitled, Perception and Imaging
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Bodies of Subversion: A Secret History of Women and Tattoo
Mike Mosher
Leonardo (1999) 32 (2): 144–145.
View articletitled, Bodies of Subversion: A Secret History of Women and Tattoo
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To Light Such a Candle: Chapters in The History of Science and Technology
Wilfred Niels Arnold
Leonardo (1999) 32 (2): 145–146.
View articletitled, To Light Such a Candle: Chapters in The History of Science and Technology
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Hyperkult: Geschichte, Theorie und Kontext Digitaler Medien (Hypercult: History, Theory and Context of Digital Media)
Yvonne Spielmann
Leonardo (1999) 32 (2): 146–147.
View articletitled, Hyperkult: Geschichte, Theorie und Kontext Digitaler Medien (Hypercult: History, Theory and Context of Digital Media)
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Les Particules Elementaires
Roger F. Malina
Leonardo (1999) 32 (2): 147–148.
View articletitled, Les Particules Elementaires
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Materials Received
Leonardo (1999) 32 (2): 148.
View articletitled, Materials Received
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Endnote

The House as a Place to Share
Gianni Romano
Leonardo (1999) 32 (2): 149–151.
View articletitled, The House as a Place to Share
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Leonardo/ISAST NEWS
Andrea Blum
Leonardo (1999) 32 (2): 153–158.
View articletitled, Leonardo/ISAST NEWS
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