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Volume 32, Issue 5

October 1999

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Cover Image

ISSN 0024-094X

EISSN 1530-9282

In this Issue

Digital Salon Essays
Special Section: Synesthesia
Digital Salong Catalog
Artists' Statements

Digital Salon Chair's Statement Digital Art: A Glass Bead Game?

Bruce Wands

Leonardo (1999) 32 (5): 349–351.

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Digital Salon Essays

Hypermedia, Eternal Life, and the Impermanence Agent

Noah Wardrip-Fruin

Leonardo (1999) 32 (5): 353–358.

Abstract

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Life and Death in the Digital World of the Plaintext Players

Marlena Corcoran

Leonardo (1999) 32 (5): 359–364.

Abstract

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Into the Belly of the Image: Historical Aspects of Virtual Reality

Oliver Grau

Leonardo (1999) 32 (5): 365–371.

Abstract

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The Growing Brain, The Shrinking Ego: Self and Identity Redefined in the New Media Age

Teresa Wennberg

Leonardo (1999) 32 (5): 373–378.

Abstract

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From the Back of the Eyelids: Public and Private Space in an Interactive Installation

Juliet Conlon

Leonardo (1999) 32 (5): 379–382.

Abstract

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The Corporeal Stenographer: Language, Gesture, and Cyberspace

Tiffany Holmes

Leonardo (1999) 32 (5): 383–389.

Abstract

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Special Section: Synesthesia

Introduction: Synesthetic Fusion in the Digital Age

Jack Ox

Leonardo (1999) 32 (5): 391–392.

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The Dichromaccord: Reinventing the Elusive Color Organ

Daniel Conrad

Leonardo (1999) 32 (5): 393–398.

Abstract

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Synesthetic Art— An Imaginary Number?

Paul Hertz

Leonardo (1999) 32 (5): 399–404.

Abstract

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Active Vision: Controlling Sound with Eye Movements

Andrea Polli

Leonardo (1999) 32 (5): 405–411.

Abstract

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Digital Salong Catalog

Digital Director's Statement: The Digital and the Physical

Kirsten Solberg

Leonardo (1999) 32 (5): 412.

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Exhibiting Artists

Leonardo (1999) 32 (5): 413–414.

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Gallery Artworks

Synthetic Characters Group, Roz Dimon, Alejandro Dron, Alan Dunning, Paul Woodrow ...

Leonardo (1999) 32 (5): 415–436.

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Computer Animations

Gabe Portnoff, Joel Sevilla, Stephen Gressak, Merlin Lembong, Geoffrey Moehl, II ...

Leonardo (1999) 32 (5): 437–448.

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Net Works

Timothy Weaver, Jacqueline Goss, Andy Deck, Joe Dellinger, Ron Saito ...

Leonardo (1999) 32 (5): 449–455.

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Artists' Statements

Artificial Time, 1998–99

Ana Giron

Leonardo (1999) 32 (5): 457.

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Prima Materia, 1999

Timothy Weaver

Leonardo (1999) 32 (5): 458.

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The CyberRosary, 1999

Loretta Skeddle

Leonardo (1999) 32 (5): 459.

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The Kiss, 1999

Sabina Daley

Leonardo (1999) 32 (5): 460–461.

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sand:stone, 1999

Synthetic Characters Group, MIT Media Laboratory

Leonardo (1999) 32 (5): 462–463.

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Jury

Leonardo (1999) 32 (5): 464.

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Leonardo/ISAST News

Leonardo (1999) 32 (5): 465–467.

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Digital Salon Chair's Statement Digital Art: A Glass Bead Game?

Digital Salon Essays

Hypermedia, Eternal Life, and the Impermanence Agent

Life and Death in the Digital World of the Plaintext Players

Into the Belly of the Image: Historical Aspects of Virtual Reality

The Growing Brain, The Shrinking Ego: Self and Identity Redefined in the New Media Age

From the Back of the Eyelids: Public and Private Space in an Interactive Installation

The Corporeal Stenographer: Language, Gesture, and Cyberspace

Special Section: Synesthesia

Introduction: Synesthetic Fusion in the Digital Age

The Dichromaccord: Reinventing the Elusive Color Organ

Synesthetic Art— An Imaginary Number?

Active Vision: Controlling Sound with Eye Movements

Digital Salong Catalog

Digital Director's Statement: The Digital and the Physical

Exhibiting Artists

Gallery Artworks

Computer Animations

Net Works

Artists' Statements

Artificial Time, 1998–99

Prima Materia, 1999

The CyberRosary, 1999

The Kiss, 1999

sand:stone, 1999

Jury

Leonardo/ISAST News

Email alerts

RSS Feeds

A product of The MIT Press

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Issues

Cover Image

Digital Salon Essays

Special Section: Synesthesia

Digital Salong Catalog

Artists' Statements

Product(s) added to cart

Email alerts

RSS Feeds

A product of The MIT Press

Browse

Resources

MIT Press Links

Contact Us

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