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Volume 32, Issue 5
October 1999
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282
Digital Salon Chair's Statement Digital Art: A Glass Bead Game?
Bruce Wands
Leonardo (1999) 32 (5): 349–351.
View articletitled, Digital Salon Chair's Statement Digital Art: A Glass Bead Game?
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Digital Salon Essays

Hypermedia, Eternal Life, and the Impermanence Agent
Noah Wardrip-Fruin
Leonardo (1999) 32 (5): 353–358.
View articletitled, Hypermedia, Eternal Life, and the Impermanence Agent
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Life and Death in the Digital World of the Plaintext Players
Marlena Corcoran
Leonardo (1999) 32 (5): 359–364.
View articletitled, Life and Death in the Digital World of the Plaintext Players
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Into the Belly of the Image: Historical Aspects of Virtual Reality
Oliver Grau
Leonardo (1999) 32 (5): 365–371.
View articletitled, Into the Belly of the Image: Historical Aspects of Virtual Reality
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The Growing Brain, The Shrinking Ego: Self and Identity Redefined in the New Media Age
Teresa Wennberg
Leonardo (1999) 32 (5): 373–378.
View articletitled, The Growing Brain, The Shrinking Ego: Self and Identity Redefined in the New Media Age
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From the Back of the Eyelids: Public and Private Space in an Interactive Installation
Juliet Conlon
Leonardo (1999) 32 (5): 379–382.
View articletitled, <em>From the Back of the Eyelids</em>: Public and Private Space in an Interactive Installation
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The Corporeal Stenographer: Language, Gesture, and Cyberspace
Tiffany Holmes
Leonardo (1999) 32 (5): 383–389.
View articletitled, The Corporeal Stenographer: Language, Gesture, and Cyberspace
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Special Section: Synesthesia

Introduction: Synesthetic Fusion in the Digital Age
Jack Ox
Leonardo (1999) 32 (5): 391–392.
View articletitled, Introduction: Synesthetic Fusion in the Digital Age
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The Dichromaccord: Reinventing the Elusive Color Organ
Daniel Conrad
Leonardo (1999) 32 (5): 393–398.
View articletitled, The Dichromaccord: Reinventing the Elusive Color Organ
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Synesthetic Art— An Imaginary Number?
Paul Hertz
Leonardo (1999) 32 (5): 399–404.
View articletitled, Synesthetic Art— An Imaginary Number?
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Active Vision: Controlling Sound with Eye Movements
Andrea Polli
Leonardo (1999) 32 (5): 405–411.
View articletitled, Active Vision: Controlling Sound with Eye Movements
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Digital Salong Catalog

Digital Director's Statement: The Digital and the Physical
Kirsten Solberg
Leonardo (1999) 32 (5): 412.
View articletitled, Digital Director's Statement: The Digital and the Physical
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Exhibiting Artists
Leonardo (1999) 32 (5): 413–414.
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Gallery Artworks
Synthetic Characters Group, Roz Dimon, Alejandro Dron, Alan Dunning, Paul Woodrow ...
Leonardo (1999) 32 (5): 415–436.
View articletitled, Gallery Artworks
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Computer Animations
Gabe Portnoff, Joel Sevilla, Stephen Gressak, Merlin Lembong, Geoffrey Moehl, II ...
Leonardo (1999) 32 (5): 437–448.
View articletitled, Computer Animations
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Net Works
Timothy Weaver, Jacqueline Goss, Andy Deck, Joe Dellinger, Ron Saito ...
Leonardo (1999) 32 (5): 449–455.
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Artists' Statements

Artificial Time, 1998–99
Ana Giron
Leonardo (1999) 32 (5): 457.
View articletitled, Artificial Time, 1998–99
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Prima Materia, 1999
Timothy Weaver
Leonardo (1999) 32 (5): 458.
View articletitled, Prima Materia, 1999
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The CyberRosary, 1999
Loretta Skeddle
Leonardo (1999) 32 (5): 459.
View articletitled, The CyberRosary, 1999
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The Kiss, 1999
Sabina Daley
Leonardo (1999) 32 (5): 460–461.
View articletitled, The Kiss, 1999
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sand:stone, 1999
Synthetic Characters Group, MIT Media Laboratory
Leonardo (1999) 32 (5): 462–463.
View articletitled, sand:stone, 1999
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Jury
Leonardo (1999) 32 (5): 464.
View articletitled, Jury
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Leonardo/ISAST News
Leonardo (1999) 32 (5): 465–467.
View articletitled, Leonardo/ISAST News
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