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Volume 35, Issue 1

February 2002

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Cover Image

Cover Image

ISSN 0024-094X

EISSN 1530-9282

In this Issue

Editorial
The Leonardo Gallery
Artists' Articles
General Article
General Note
Historical Perspective
Special Section: Creativity and Cognition
Special Section: SIGGRAPH Educators Program
New Media Dictionary
Leonardo Reviews
Endnote

Editorial

Can Ideas and Words Be Useful?

Michele Emmer

Leonardo (2002) 35 (1): 1–3.

View articletitled, Can Ideas and Words Be Useful?

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The Leonardo Gallery

SHIFT-CTRL

Antoinette Lafarge, Robert Nideffer, Natalie Bookchin, Lev Manovich, Norman Klein ...

Leonardo (2002) 35 (1): 5–13.

View articletitled, SHIFT-CTRL

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Artists' Articles

The Community Is Watching, and Replying: Art in Public Places and Spaces

Anne Bray

Leonardo (2002) 35 (1): 15–21.

Abstract

View articletitled, The Community Is Watching, and Replying: Art in Public Places and Spaces

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Analytical Photography: Portraiture, from the Index to the Epidermis

Ken Gonzales-Day

Leonardo (2002) 35 (1): 23–30.

Abstract

View articletitled, Analytical Photography: Portraiture, from the Index to the Epidermis

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General Article

Dance-Making on the Internet: Can On-Line Choreographic Projects Foster Creativity in the User-Participant?

Sita Popat, Jacqueline Smith-Autard

Leonardo (2002) 35 (1): 31–36.

Abstract

View articletitled, Dance-Making on the Internet: Can On-Line Choreographic Projects Foster Creativity in the User-Participant?

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General Note

Is One Eye Better Than Two When Viewing Pictorial Art?

Kenneth J. Ciuffreda, Kimberly Engber

Leonardo (2002) 35 (1): 37–40.

Abstract

View articletitled, Is One Eye Better Than Two When Viewing Pictorial Art?

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Historical Perspective

Ancient Images and New Technologies: The Semiotics of the Web

Philippe Codognet

Leonardo (2002) 35 (1): 41–49.

Abstract

View articletitled, Ancient Images and New Technologies: The Semiotics of the Web

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Color Plates

Leonardo (2002) 35 (1): 51–52.

View articletitled, Color Plates

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Special Section: Creativity and Cognition

Introduction: Creativity and Cognition Part I: Perspectives from the Third Symposium

Linda Candy

Leonardo (2002) 35 (1): 55–57.

View articletitled, Introduction: Creativity and Cognition Part I: Perspectives from the Third Symposium

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A Self-Defining Game for One Player: On the Nature of Creativity and the Possibility of Creative Computer Programs

Harold Cohen

Leonardo (2002) 35 (1): 59–64.

Abstract

View articletitled, A Self-Defining Game for One Player: On the Nature of Creativity and the Possibility of Creative Computer Programs

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Structure in Art Practice: Technology as an Agent for Concept Development

Ernest Edmonds

Leonardo (2002) 35 (1): 65–71.

Abstract

View articletitled, Structure in Art Practice: Technology as an Agent for Concept Development

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Drawing as a Gateway to Computer-Human Integration

Michael Quantrill

Leonardo (2002) 35 (1): 73–78.

Abstract

View articletitled, Drawing as a Gateway to Computer-Human Integration

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Special Section: SIGGRAPH Educators Program

Special Section Introduction

Valerie Miller

Leonardo (2002) 35 (1): 81.

View articletitled, Special Section Introduction

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A Collaborative and Interdisciplinary Computer Animation Course

David S. Ebert, Dan Bailey

Leonardo (2002) 35 (1): 83–86.

Abstract

View articletitled, A Collaborative and Interdisciplinary Computer Animation Course

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Interaction in an IVR Museum of Color: Constructivism Meets Virtual Reality

Anne Morgan Spalter, Philip Andrew Stone, Barbara J. Meier, Timothy S. Miller, Rosemary Michelle Simpson

Leonardo (2002) 35 (1): 87–90.

Abstract

View articletitled, Interaction in an IVR Museum of Color: Constructivism Meets Virtual Reality

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New Media Dictionary

Part V: Copy Art

Louise Poissant

Leonardo (2002) 35 (1): 91–98.

View articletitled, Part V: Copy Art

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Leonardo Reviews

Marcel Duchamp

Sean Cubitt

Leonardo (2002) 35 (1): 99–100.

View articletitled, Marcel Duchamp

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Global Interests: Renaissance Art Between East and West

Robert Pepperell

Leonardo (2002) 35 (1): 100.

View articletitled, Global Interests: Renaissance Art Between East and West

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Why Art Cannot Be Taught: A Handbook for Art Students

Roy R. Behrens

Leonardo (2002) 35 (1): 100–101.

View articletitled, Why Art Cannot Be Taught: A Handbook for Art Students

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Robosapiens: Evolution of a New Species

Annick Bureaud

Leonardo (2002) 35 (1): 101.

View articletitled, Robosapiens: Evolution of a New Species

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Multimedia, From Wagner to Virtual Reality

Annick Bureaud

Leonardo (2002) 35 (1): 101.

View articletitled, Multimedia, From Wagner to Virtual Reality

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The Eye's Mind: Literary Modernism and Visual Culture

Wilfred Niels Arnold

Leonardo (2002) 35 (1): 102.

View articletitled, The Eye's Mind: Literary Modernism and Visual Culture

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Vermeer's Camera: Uncovering the Truth Behind the Masterpieces

Wilfred Niels Arnold

Leonardo (2002) 35 (1): 102–103.

View articletitled, Vermeer's Camera: Uncovering the Truth Behind the Masterpieces

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Stargazing: Astronomy Without a Telescope

David Topper

Leonardo (2002) 35 (1): 103.

View articletitled, Stargazing: Astronomy Without a Telescope

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New Wombs: Electronic Bodies and Architectural Disorders

Robert Pepperell

Leonardo (2002) 35 (1): 103–104.

View articletitled, New Wombs: Electronic Bodies and Architectural Disorders

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Art and Technology in the Nineteenth and Twentieth Centuries

Sean Cubitt

Leonardo (2002) 35 (1): 104–105.

View articletitled, Art and Technology in the Nineteenth and Twentieth Centuries

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Structure in Science and Art

David Topper

Leonardo (2002) 35 (1): 105.

View articletitled, Structure in Science and Art

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The Life of a Style: Beginnings and Endings in the Narrative History of Art

Robert Pepperell

Leonardo (2002) 35 (1): 105–106.

View articletitled, The Life of a Style: Beginnings and Endings in the Narrative History of Art

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1000 Extra/Ordinary Objects

Roy R. Behrens

Leonardo (2002) 35 (1): 106–107.

View articletitled, 1000 Extra/Ordinary Objects

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The Universe Unveiled: Instruments and Images Through History

David Topper

Leonardo (2002) 35 (1): 107.

View articletitled, The Universe Unveiled: Instruments and Images Through History

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Sullivan's City: The Meaning of Ornament for Louis Sullivan

Roy R. Behrens

Leonardo (2002) 35 (1): 107.

View articletitled, Sullivan's City: The Meaning of Ornament for Louis Sullivan

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Observer/Observed and other works of Video Semiology; Takahiko Iimura—Retrospective de films et de video, SEEING Catalogue

Mike Leggett

Leonardo (2002) 35 (1): 107–108.

View articletitled, Observer/Observed and other works of Video Semiology; Takahiko Iimura—Retrospective de films et de video, SEEING Catalogue

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Whole Earth Review

Mike Mosher

Leonardo (2002) 35 (1): 108.

View articletitled, Whole Earth Review

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Materials Received

Leonardo (2002) 35 (1): 109–112.

View articletitled, Materials Received

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Leonardo/ISAST News. The Newsletter of the International Society for the Arts, Sciences and Technology

Leonardo (2002) 35 (1): 113–116.

View articletitled, Leonardo/ISAST News. The Newsletter of the International Society for the Arts, Sciences and Technology

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Endnote

A Response to William Mitchell on “The Death of Drawing”

Leonardo (2002) 35 (1): 117–118.

View articletitled, A Response to William Mitchell on “The Death of Drawing”

Issues

Cover Image

Editorial

The Leonardo Gallery

Artists' Articles

General Article

General Note

Historical Perspective

Special Section: Creativity and Cognition

Special Section: SIGGRAPH Educators Program

New Media Dictionary

Leonardo Reviews

Endnote

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