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Issues

Volume 35, Issue 1
February 2002
Leonardo Cover Image for Volume 35, Issue 1
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

Can Ideas and Words Be Useful?
Michele Emmer
Leonardo (2002) 35 (1): 1–3.
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The Leonardo Gallery

SHIFT-CTRL
Antoinette Lafarge, Robert Nideffer, Natalie Bookchin, Lev Manovich, Norman Klein ...
Leonardo (2002) 35 (1): 5–13.
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Artists' Articles

The Community Is Watching, and Replying: Art in Public Places and Spaces
Anne Bray
Leonardo (2002) 35 (1): 15–21.
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Analytical Photography: Portraiture, from the Index to the Epidermis
Ken Gonzales-Day
Leonardo (2002) 35 (1): 23–30.
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General Article

Dance-Making on the Internet: Can On-Line Choreographic Projects Foster Creativity in the User-Participant?
Sita Popat, Jacqueline Smith-Autard
Leonardo (2002) 35 (1): 31–36.
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General Note

Is One Eye Better Than Two When Viewing Pictorial Art?
Kenneth J. Ciuffreda, Kimberly Engber
Leonardo (2002) 35 (1): 37–40.
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Historical Perspective

Ancient Images and New Technologies: The Semiotics of the Web
Philippe Codognet
Leonardo (2002) 35 (1): 41–49.
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Color Plates
Leonardo (2002) 35 (1): 51–52.
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Special Section: Creativity and Cognition

Introduction: Creativity and Cognition Part I: Perspectives from the Third Symposium
Linda Candy
Leonardo (2002) 35 (1): 55–57.
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A Self-Defining Game for One Player: On the Nature of Creativity and the Possibility of Creative Computer Programs
Harold Cohen
Leonardo (2002) 35 (1): 59–64.
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Structure in Art Practice: Technology as an Agent for Concept Development
Ernest Edmonds
Leonardo (2002) 35 (1): 65–71.
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Drawing as a Gateway to Computer-Human Integration
Michael Quantrill
Leonardo (2002) 35 (1): 73–78.
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Special Section: SIGGRAPH Educators Program

Special Section Introduction
Valerie Miller
Leonardo (2002) 35 (1): 81.
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A Collaborative and Interdisciplinary Computer Animation Course
David S. Ebert, Dan Bailey
Leonardo (2002) 35 (1): 83–86.
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Interaction in an IVR Museum of Color: Constructivism Meets Virtual Reality
Anne Morgan Spalter, Philip Andrew Stone, Barbara J. Meier, Timothy S. Miller, Rosemary Michelle Simpson
Leonardo (2002) 35 (1): 87–90.
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New Media Dictionary

Part V: Copy Art
Louise Poissant
Leonardo (2002) 35 (1): 91–98.
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Leonardo Reviews

Marcel Duchamp
Sean Cubitt
Leonardo (2002) 35 (1): 99–100.
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Global Interests: Renaissance Art Between East and West
Robert Pepperell
Leonardo (2002) 35 (1): 100.
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Why Art Cannot Be Taught: A Handbook for Art Students
Roy R. Behrens
Leonardo (2002) 35 (1): 100–101.
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Robosapiens: Evolution of a New Species
Annick Bureaud
Leonardo (2002) 35 (1): 101.
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Multimedia, From Wagner to Virtual Reality
Annick Bureaud
Leonardo (2002) 35 (1): 101.
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The Eye's Mind: Literary Modernism and Visual Culture
Wilfred Niels Arnold
Leonardo (2002) 35 (1): 102.
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Vermeer's Camera: Uncovering the Truth Behind the Masterpieces
Wilfred Niels Arnold
Leonardo (2002) 35 (1): 102–103.
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Stargazing: Astronomy Without a Telescope
David Topper
Leonardo (2002) 35 (1): 103.
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New Wombs: Electronic Bodies and Architectural Disorders
Robert Pepperell
Leonardo (2002) 35 (1): 103–104.
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Art and Technology in the Nineteenth and Twentieth Centuries
Sean Cubitt
Leonardo (2002) 35 (1): 104–105.
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Structure in Science and Art
David Topper
Leonardo (2002) 35 (1): 105.
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The Life of a Style: Beginnings and Endings in the Narrative History of Art
Robert Pepperell
Leonardo (2002) 35 (1): 105–106.
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1000 Extra/Ordinary Objects
Roy R. Behrens
Leonardo (2002) 35 (1): 106–107.
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The Universe Unveiled: Instruments and Images Through History
David Topper
Leonardo (2002) 35 (1): 107.
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Sullivan's City: The Meaning of Ornament for Louis Sullivan
Roy R. Behrens
Leonardo (2002) 35 (1): 107.
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Observer/Observed and other works of Video Semiology; Takahiko Iimura—Retrospective de films et de video, SEEING Catalogue
Mike Leggett
Leonardo (2002) 35 (1): 107–108.
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Whole Earth Review
Mike Mosher
Leonardo (2002) 35 (1): 108.
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Materials Received
Leonardo (2002) 35 (1): 109–112.
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Leonardo/ISAST News. The Newsletter of the International Society for the Arts, Sciences and Technology
Leonardo (2002) 35 (1): 113–116.
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Endnote

A Response to William Mitchell on “The Death of Drawing”
Leonardo (2002) 35 (1): 117–118.
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