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Volume 35, Issue 2

April 2002

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Cover Image

ISSN 0024-094X

EISSN 1530-9282

In this Issue

Human Consciousness and the Postdigital Analogue

Michael Punt

Leonardo (2002) 35 (2): 119–120.

View articletitled, Human Consciousness and the Postdigital Analogue

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Genetic Art and the Aesthetics of Biology

Steve Tomasula

Leonardo (2002) 35 (2): 137–144.

Abstract

View articletitled, Genetic Art and the Aesthetics of Biology

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Modeling the Emergence of Complexity: Complex Systems, the Origin of Life and Interactive On-Line Art

Christa Sommerer, Laurent Mignonneau

Leonardo (2002) 35 (2): 161–169.

Abstract

View articletitled, Modeling the Emergence of Complexity: Complex Systems, the Origin of Life and Interactive On-Line Art

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The Cosmophone: Toward a Sensuous Insight into Hidden Reality

Claude Vallée

Leonardo (2002) 35 (2): 129.

View articletitled, The Cosmophone: Toward a Sensuous Insight into Hidden Reality

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ArTbitration: Human-Machine Interaction in Artistic Domains

Artemis Moroni, Fernando Von Zuben, Jônatas Manzolli

Leonardo (2002) 35 (2): 185–188.

Abstract

View articletitled, ArTbitration: Human-Machine Interaction in Artistic Domains

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Relazioni Emergenti: Experiments with the Art of Emergence

Mauro Annunziato, Piero Pierucci

Leonardo (2002) 35 (2): 147–152.

Abstract

View articletitled, Relazioni Emergenti: Experiments with the Art of Emergence

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Color Plates

Leonardo (2002) 35 (2): 171–172.

View articletitled, Color Plates

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SBART 2.4: An IEC Tool for Creating Two-Dimensional Images, Movies and Collages

Tatsuo Unemi

Leonardo (2002) 35 (2): 189–191.

Abstract

View articletitled, SBART 2.4: An IEC Tool for Creating Two-Dimensional Images, Movies and Collages

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Mnemonic Notations: A Decade of Art Practice within a Digital Environment

Phillip George

Leonardo (2002) 35 (2): 121–127.

Abstract

View articletitled, Mnemonic Notations: A Decade of Art Practice within a Digital Environment

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Fugitive and Archival: The Disappearing Print and the Drawing Left Behind

Ronald Warunek

Leonardo (2002) 35 (2): 129–130.

View articletitled, Fugitive and Archival: The Disappearing Print and the Drawing Left Behind

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Synthetic Harmonies: An Approach to Musical Semiosis by Means of Cellular Automata

Eleonora Bilotta, Pietro Pantano

Leonardo (2002) 35 (2): 153–159.

Abstract

View articletitled, Synthetic Harmonies: An Approach to Musical Semiosis by Means of Cellular Automata

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THE LIBRARY

Nancy Paterson

Leonardo (2002) 35 (2): 128–129.

View articletitled, THE LIBRARY

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Evolutionary Cooperative Design Methodology: The Genetic Sculpture Park

Duncan Rowland, Frank Biocca

Leonardo (2002) 35 (2): 193–196.

Abstract

View articletitled, Evolutionary Cooperative Design Methodology: The Genetic Sculpture Park

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Genetic Algorithms in Visual Art and Music

Colin G. Johnson, Juan Jesús Romero Cardalda

Leonardo (2002) 35 (2): 175–184.

View articletitled, Genetic Algorithms in Visual Art and Music

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The Ecological Imperative: Elements of Nature in Late Twentieth-Century Art

Aleksandra Mańczak

Leonardo (2002) 35 (2): 131–136.

Abstract

View articletitled, The Ecological Imperative: Elements of Nature in Late Twentieth-Century Art

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Entropy and Stability in Painting: An Information Approach to the Mechanisms of Artistic Creativity

Vladimir M. Petrov

Leonardo (2002) 35 (2): 197–202.

Abstract

View articletitled, Entropy and Stability in Painting: An Information Approach to the Mechanisms of Artistic Creativity

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How to Build a Mind: Toward Machines with Imagination

Curtis E. A. Karnow

Leonardo (2002) 35 (2): 214.

View articletitled, How to Build a Mind: Toward Machines with Imagination

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Harry Partch: An Anthology of Critical Perspectives

Robert Coburn

Leonardo (2002) 35 (2): 209–210.

View articletitled, Harry Partch: An Anthology of Critical Perspectives

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Visualizations: The Nature Book of Art and Science

Wilfred Niels Arnold

Leonardo (2002) 35 (2): 212.

View articletitled, Visualizations: The Nature Book of Art and Science

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N

Mike Leggett

Leonardo (2002) 35 (2): 210–211.

View articletitled, N

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Leonardo/ISAST News

Leonardo (2002) 35 (2): 224–227.

View articletitled, Leonardo/ISAST News

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The Construction of Jackson Pollock's Fractal Drip Paintings

Richard P. Taylor, Adam P. Micolich, David Jonas

Leonardo (2002) 35 (2): 203–207.

Abstract

View articletitled, The Construction of Jackson Pollock's Fractal Drip Paintings

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How to Build a Mind: Toward Machines with Imagination

Robert Pepperell

Leonardo (2002) 35 (2): 214–216.

View articletitled, How to Build a Mind: Toward Machines with Imagination

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The Role of Artists and Scientists in Times of War

Matjusška Teja Krasšek

Leonardo (2002) 35 (2): 228–230.

View articletitled, The Role of Artists and Scientists in Times of War

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Was El Greco Astigmatic?

Stuart Anstis

Leonardo (2002) 35 (2): 208.

View articletitled, Was El Greco Astigmatic?

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Art, Technology, Consciousness: Mind@Large

Paul Hertz

Leonardo (2002) 35 (2): 216–217.

View articletitled, Art, Technology, Consciousness: Mind@Large

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Spacefaring: The Human Dimension

Cliff Pickover

Leonardo (2002) 35 (2): 217.

View articletitled, Spacefaring: The Human Dimension

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I Levitate. What's Next

Robert Pepperell

Leonardo (2002) 35 (2): 213–214.

View articletitled, I Levitate. What's Next

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8 Pieces; Happily Ever After

Mike Mosher

Leonardo (2002) 35 (2): 219.

View articletitled, 8 Pieces; Happily Ever After

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Prometheus-2000: International Conference on the Destiny of Light-Music at the Threshold of the New Century

V. Basov

Leonardo (2002) 35 (2): 221.

View articletitled, Prometheus-2000: International Conference on the Destiny of Light-Music at the Threshold of the New Century

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Winded: Works for Organ and Tape by, of and for Kenneth Gaburo

Robert Coburn

Leonardo (2002) 35 (2): 217–218.

View articletitled, Winded: Works for Organ and Tape by, of and for Kenneth Gaburo

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Locus Solus—Site, Identity, Technology and Contemporary Art

Mike Leggett

Leonardo (2002) 35 (2): 219–220.

View articletitled, Locus Solus—Site, Identity, Technology and Contemporary Art

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Playtime; Barcode Music

Robert Pepperell

Leonardo (2002) 35 (2): 218.

View articletitled, Playtime; Barcode Music

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Light, Darkness, and Colors

Roy R. Behrens

Leonardo (2002) 35 (2): 221–222.

View articletitled, Light, Darkness, and Colors

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Ars Electronica 2001

Michael Punt

Leonardo (2002) 35 (2): 220–221.

View articletitled, Ars Electronica 2001

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Materials Received

Leonardo (2002) 35 (2): 222–223.

View articletitled, Materials Received

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