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Volume 35, Issue 4
August 2002
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282
In this Issue
Frank Malina and UNESCO: Yesterday, Today and Tomorrow
John E. Fobes
Leonardo (2002) 35 (4): 351–352.
View articletitled, Frank Malina and UNESCO: Yesterday, Today and Tomorrow
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Artificial Life and Philosophy
Alvaro Moreno
Leonardo (2002) 35 (4): 401–405.
View articletitled, Artificial Life and Philosophy
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Growing Semi-Living Sculptures: The Tissue Culture Art Project
Oron Catts, Ionat Zurr
Leonardo (2002) 35 (4): 365–370.
View articletitled, Growing Semi-Living Sculptures: The Tissue Culture Art Project
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Aesthetic Programming: Crafting Personalized Software
Paul A. Fishwick
Leonardo (2002) 35 (4): 383–390.
View articletitled, Aesthetic Programming: Crafting Personalized Software
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Drawing with the Hand in Free Space: Creating 3D Shapes with Gesture in a Semi-Immersive Environment
Steven Schkolne
Leonardo (2002) 35 (4): 371–375.
View articletitled, Drawing with the Hand in Free Space: Creating 3D Shapes with Gesture in a Semi-Immersive Environment
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Iannis Xenakis: 1922-2001
Roger Reynolds
Leonardo (2002) 35 (4): 353–354.
View articletitled, Iannis Xenakis: 1922-2001
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A Kantian Prescription for Artificial Conscious Experience
Susan A.J. Stuart, Chris Dobbyn
Leonardo (2002) 35 (4): 407–411.
View articletitled, A Kantian Prescription for Artificial Conscious Experience
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Applying Galois Lattices to the Interactions of the Virgin and Child in Bellini's Paintings
Arnaud Santolini, AgnÈs Danis, Charles Tijus, Sébastien Poitrenaud
Leonardo (2002) 35 (4): 391–392.
View articletitled, Applying Galois Lattices to the Interactions of the Virgin and Child in Bellini's Paintings
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The Continuous Line In Space and Time.
Leonardo (2002) 35 (4): 379–381.
View articletitled, The Continuous Line In Space and Time.
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Art and Culture Papers from N-Space: The SIGGRAPH 2001 Art Gallery
Dena Eber
Leonardo (2002) 35 (4): 415–416.
View articletitled, Art and Culture Papers from N-Space: The SIGGRAPH 2001 Art Gallery
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Peruvian Video/Electronic Art
José-Carlos MariÁtegui
Leonardo (2002) 35 (4): 355–363.
View articletitled, Peruvian Video/Electronic Art
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The Scientific and Philosophical Scope of Artificial Life
Mark Bedau
Leonardo (2002) 35 (4): 395–400.
View articletitled, The Scientific and Philosophical Scope of Artificial Life
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What Does a Very Large-Scale Conversation Look Like? Artificial Dialectics and the Graphical Summarization of Large Volumes of E-Mail
Warren Sack
Leonardo (2002) 35 (4): 417–426.
View articletitled, What Does a Very Large-Scale Conversation Look Like? Artificial Dialectics and the Graphical Summarization of Large Volumes of E-Mail
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Part VI: Telematics
Louise Poissant
Leonardo (2002) 35 (4): 439–443.
View articletitled, Part VI: Telematics
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Reply to Roger Malina
John Jupe
Leonardo (2002) 35 (4): 446.
View articletitled, Reply to Roger Malina
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Leonardo/ISAST NEWS
Leonardo (2002) 35 (4): 459–460.
View articletitled, Leonardo/ISAST NEWS
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Art as Information
Anna Ursyn
Leonardo (2002) 35 (4): 445–446.
View articletitled, Art as Information
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The Dream Drugstore: Chemically Altered States of Consciousness
Wilfred Niels Arnold
Leonardo (2002) 35 (4): 448.
View articletitled, The Dream Drugstore: Chemically Altered States of Consciousness
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Abstraction, Action Painting, Ready-Mades and All That
Leonardo (2002) 35 (4): 461–462.
View articletitled, Abstraction, Action Painting, Ready-Mades and All That
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Schizophrenia and Narrative in Artificial Agents
Phoebe Sengers
Leonardo (2002) 35 (4): 427–431.
View articletitled, Schizophrenia and Narrative in Artificial Agents
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Secret Knowledge: Rediscovering The Lost Techniques of the Old Masters
Roy R. Behrens
Leonardo (2002) 35 (4): 447.
View articletitled, Secret Knowledge: Rediscovering The Lost Techniques of the Old Masters
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Uplifted Spirits, Earthbound Machines: Studies on Artists and the Dream of Flight, 1900–1935
Mike Mosher
Leonardo (2002) 35 (4): 448.
View articletitled, Uplifted Spirits, Earthbound Machines: Studies on Artists and the Dream of Flight, 1900–1935
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Art in the Information Age: Technology and Conceptual Art
Edward A. Shanken
Leonardo (2002) 35 (4): 433–438.
View articletitled, Art in the Information Age: Technology and Conceptual Art
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Bootstrapping: Douglas Engelbart, Coevolution and the Origins of Personal Computing
Mike Mosher
Leonardo (2002) 35 (4): 449–450.
View articletitled, Bootstrapping: Douglas Engelbart, Coevolution and the Origins of Personal Computing
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Maya Deren and the American Avant-Garde
Mike Mosher
Leonardo (2002) 35 (4): 452–453.
View articletitled, Maya Deren and the American Avant-Garde
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Materials Received
Leonardo (2002) 35 (4): 457–458.
View articletitled, Materials Received
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Art, Science, Technology: A New Step in St. Petersburg
Mikhail S. Zalivadny
Leonardo (2002) 35 (4): 454–455.
View articletitled, Art, Science, Technology: A New Step in St. Petersburg
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Leonardo on Painting
David Topper
Leonardo (2002) 35 (4): 451.
View articletitled, Leonardo on Painting
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The Body/Body Problem: Selected Essays
Robert Pepperell
Leonardo (2002) 35 (4): 453–454.
View articletitled, The Body/Body Problem: Selected Essays
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Spectacular Bodies: The Art and Science of the Human Body From Leonardo to Now
Frieder Nake
Leonardo (2002) 35 (4): 455.
View articletitled, Spectacular Bodies: The Art and Science of the Human Body From Leonardo to Now
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La Rioja
Claire Barliant
Leonardo (2002) 35 (4): 454.
View articletitled, La Rioja
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La seconde chance d'Icare. Pour une éthique de l'Espace
Julien Knebusch
Leonardo (2002) 35 (4): 451–452.
View articletitled, La seconde chance d'Icare. Pour une éthique de l'Espace
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Hans Bellmer: The Anatomy of Anxiety; Myth and Metamorphosis: Picasso's Classical Prints of the 1930s
Robert Pepperell
Leonardo (2002) 35 (4): 455–457.
View articletitled, Hans Bellmer: The Anatomy of Anxiety; Myth and Metamorphosis: Picasso's Classical Prints of the 1930s
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  • Online ISSN 1530-9282
  • Print ISSN 0024-094X
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