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Issues

Volume 37, Issue 2
April 2004
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282
In this Issue
An Aesthetic of Emptiness
Christophe Luxereau
Leonardo (2004) 37 (2): 102–103.
View articletitled, An Aesthetic of Emptiness
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Planetary Technoetics: Art, Technology and Consciousness
Roy Ascott
Leonardo (2004) 37 (2): 111–116.
View articletitled, Planetary Technoetics: Art, Technology and Consciousness
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Introduction: @rt Outsiders Festival: The New Alchemists of Creation
Jean-Luc Soret
Leonardo (2004) 37 (2): 100.
View articletitled, Introduction: @rt Outsiders Festival: The New Alchemists of Creation
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You Think, Therefore I Am (Following You) (Tu Penses Donc Je Te Suis)
Magali Desbazeille, Siegfried Canto, Christine Beigel
Leonardo (2004) 37 (2): 102.
View articletitled, <em>You Think, Therefore I Am (Following You) (Tu Penses Donc Je Te Suis)</em>
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FlÁvio de Carvalho: Media Artist Avant la Lettre
Rui Moreira Leite
Leonardo (2004) 37 (2): 150–158.
View articletitled, FlÁvio de Carvalho: Media Artist Avant la Lettre
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Film and Authorship; The Visual Turn: Classical Film Theory and Art History
Michael R. (Mike) Mosher
Leonardo (2004) 37 (2): 164.
View articletitled, Film and Authorship; The Visual Turn: Classical Film Theory and Art History
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ArtScience: The Essential Connection
Robert Root-Bernstein
Leonardo (2004) 37 (2): 93–94.
View articletitled, ArtScience: The Essential Connection
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Plants, Patents and the Historian: (Re)membering in the Age of Genetic Engineering
Stefaan Van Ryssen
Leonardo (2004) 37 (2): 162.
View articletitled, Plants, Patents and the Historian: (Re)membering in the Age of Genetic Engineering
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15 seconds of fame
Franc Solina
Leonardo (2004) 37 (2): 105–110.
View articletitled, 15 seconds of fame
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Introduction: From Aesthetics of Communication to Net Art: The Artmedia VIII Symposium
Annick Bureaud
Leonardo (2004) 37 (2): 139–140.
View articletitled, Introduction: From Aesthetics of Communication to Net Art: The Artmedia VIII Symposium
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The SMSMS Project: Collective Intelligence Machines in the Digital City
Maurizio Bolognini
Leonardo (2004) 37 (2): 147–149.
View articletitled, The <em>SMSMS</em> Project: Collective Intelligence Machines in the Digital City
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Matters of Gravity: Special Effects and Supermen in the 20th Century
Dene Grigar
Leonardo (2004) 37 (2): 164–165.
View articletitled, Matters of Gravity: Special Effects and Supermen in the 20th Century
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Photography's Other Histories
Amy Ione
Leonardo (2004) 37 (2): 159–160.
View articletitled, Photography's Other Histories
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Leonardo Network News
Leonardo (2004) 37 (2): 172–174.
View articletitled, Leonardo Network News
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T2000
Choy Kok Kee
Leonardo (2004) 37 (2): 135.
View articletitled, <em>T2000</em>
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Fluxus Experience
Roy R. Behrens
Leonardo (2004) 37 (2): 162–163.
View articletitled, Fluxus Experience
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Intellectual Property: A Chronological Compendium of Intersections between Contemporary Art and Utility Patents
Robert Thill
Leonardo (2004) 37 (2): 117–124.
View articletitled, Intellectual Property: A Chronological Compendium of Intersections between Contemporary Art and Utility Patents
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Color Intervals: Applying Concepts of Musical Consonance and Dissonance to Color
Katherine Lubar
Leonardo (2004) 37 (2): 127–132.
View articletitled, Color Intervals: Applying Concepts of Musical Consonance and Dissonance to Color
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Color Plates
Leonardo (2004) 37 (2): 125–126.
View articletitled, Color Plates
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BioWall—An Electronic Tissue That Pulsates Like Skin
Daniel Mange, Gianluca Tempesti
Leonardo (2004) 37 (2): 103–104.
View articletitled, BioWall—An Electronic Tissue That Pulsates Like Skin
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Cognition et Création, Explorations Cognitives des Processus de Conception
Stefaan Van Ryssen
Leonardo (2004) 37 (2): 165–166.
View articletitled, Cognition et Création, Explorations Cognitives des Processus de Conception
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Artistic Practice as Construction and Cultivation of Knowledge Space
Wolfgang Strauss, Monika Fleischmann
Leonardo (2004) 37 (2): 141–146.
View articletitled, Artistic Practice as Construction and Cultivation of Knowledge Space
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Index Architecture
Dennis Dollens
Leonardo (2004) 37 (2): 163.
View articletitled, Index Architecture
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Kandinsky's Color-Form Correspondence And The Bauhaus Colors: An Empirical View
Thomas Jacobsen
Leonardo (2004) 37 (2): 135–136.
View articletitled, Kandinsky's Color-Form Correspondence And The Bauhaus Colors: An Empirical View
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Potential Images: Ambiguity and Indeterminacy in Modern Art
Robert Pepperell
Leonardo (2004) 37 (2): 168–169.
View articletitled, Potential Images: Ambiguity and Indeterminacy in Modern Art
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Invention of Hysteria: Charcot and the Photographic Iconography of the SalpêtriÈre
Allan Graubard
Leonardo (2004) 37 (2): 166.
View articletitled, Invention of Hysteria: Charcot and the Photographic Iconography of the SalpêtriÈre
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The Mayne Inheritance
Wilfred Niels Arnold
Leonardo (2004) 37 (2): 166–167.
View articletitled, The Mayne Inheritance
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Seeing/Hearing/Speaking
Fred Andersson
Leonardo (2004) 37 (2): 169.
View articletitled, Seeing/Hearing/Speaking
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Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness
Sean Cubitt
Leonardo (2004) 37 (2): 160–162.
View articletitled, Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness
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Materials Received
Leonardo (2004) 37 (2): 169–171.
View articletitled, Materials Received
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The Imagined World Made Real: Towards a Natural Science of Culture
Rob Harle
Leonardo (2004) 37 (2): 167–168.
View articletitled, The Imagined World Made Real: Towards a Natural Science of Culture
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  • Online ISSN 1530-9282
  • Print ISSN 0024-094X
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