Issues

Color Plates

Leonardo (2009) 42 (1): 5–9.

Artists' Articles

Patterns That Connect

Dawn Whitehand

Leonardo (2009) 42 (1): 10–15.

Abstract

Without Visible Scars: Digital Art and the Memory of War

Lanfranco Aceti

Leonardo (2009) 42 (1): 16–26.

Abstract

Intimate Distances: Mediating Mutuality, Contestation and Exchange between Bodies

Phillip Warnell

Leonardo (2009) 42 (1): 28–35.

Abstract

General Articles

Campaigners for Camouflage: Abbott H. Thayer and William J. Dakin

Ann Elias

Leonardo (2009) 42 (1): 36–41.

Abstract

Hindu Tree Veneration as a Mode of Environmental Encounter

Louise Fowler-Smith

Leonardo (2009) 42 (1): 43–51.

Abstract

Fact and Fantasy in Nanotech Imagery

David S. Goodsell

Leonardo (2009) 42 (1): 52–57.

Abstract

Scoring the Work: Documenting Practice and Performance in Variable Media Art

Corina MacDonald

Leonardo (2009) 42 (1): 59–63.

Abstract

Theoretical Perspective

Kinetic Architectural Skins and the Computational Sublime

Jules Moloney

Leonardo (2009) 42 (1): 65–70.

Abstract

Document

New Criteria for New Media

Jon Ippolito, Joline Blais, Owen F. Smith, Steve Evans, Nathan Stormer

Leonardo (2009) 42 (1): 71–75.

Abstract

Leonardo Reviews Multimedia

Flatland: The Movie Edition by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland (Book and DVD). Princeton University Press, Princeton, NJ, U.S.A., 2008. 168 pp., illus. Hardcover. ISBN: 978-0-691-13657-8

Rob Harle

Leonardo (2009) 42 (1): 77–78.

Leonardo Reviews Journal

YLEM Journal: Artists Using Science Technology edited by Loren Means. Vol. 27, Nos. 10 12, “The Dichotomy of Reality,” Rob Harle, Guest Editor, September/December 2007. 31 pp., illus. Journal web site: (http://www.ylem.org)

Eugenia Fratzeskou

Leonardo (2009) 42 (1): 78.

Leonardo Reviews Books

Charles Ives Reconsidered by Gayle Sherwood Magee. University of Illinois Press, Urbana and Chicago, 2008. 256 pp., illus. Paper. ISBN: 978-0-252-03326-1

Katharina Blassnigg

Leonardo (2009) 42 (1): 78–80.

Philosophies of Nature after Schelling by Iain Hamilton Grant. Continuum, London, U.K., 2006. 256 pp. Trade, paper. ISBN: 0-8264-7902-2; ISBN: 1-8470-6432-9

Eugene Thacker

Leonardo (2009) 42 (1): 80–81.

Riding the Waves: A Life in Sound, Science, and Industry by Leo Beranek. MIT Press, Cambridge, MA, 2008. 256 pp., illus. Trade. ISBN: 978-0-262-02629-1

Stefaan Van Ryssen

Leonardo (2009) 42 (1): 81–82.

Notes on the Underground, New Edition: An Essay on Technology, Society, and the Imagination by Rosalind Williams. MIT Press, Cambridge, MA, U.S.A., 2008. 283 pp., illus. Paper. ISBN: 0-262-73190-8

Jan Baetens

Leonardo (2009) 42 (1): 82–83.

Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective by Lyle Massey. Pennsylvania State University Press, University Park, PA, 2007. 192 pp., illus. Trade. ISBN: 978-0-271-02980-1

Amy Ione

Leonardo (2009) 42 (1): 83–85.

The Cult of Statistical Significance by Stephen T. Ziliak and Deirdre N. McCloskey. University of Michigan Press, Ann Arbor, MI, U.S.A., 2008. 384 pp. Trade, paper. ISBN: 978-0-472-07007-7; ISBN: 978-0-472-05007-9

Wilfred Niels Arnold

Leonardo (2009) 42 (1): 85.

Topologies: The Urban Utopia in France, 1960–1970 by Larry Busbea. MIT Press, Cambridge, MA, U.S.A., 2007. 320 pp., illus. Trade. ISBN: 978-0-262-02611-6

Jennifer Ferng

Leonardo (2009) 42 (1): 85–86.

Frameworks, Artworks, Place: The Space of Perception in the Modern World edited by Tim Mehigan. Consciousness, Literature and the Arts Series No. 11. Rodopi Press, Amsterdam, the Netherlands, 2008. 260 pp., illus. Trade. ISBN: 978-90-420-2362-8

Eugenia Fratzeskou

Leonardo (2009) 42 (1): 86–87.

Two Regimes of Madness: Texts and Interviews 1975–1995 by Gilles Deleuze; edited by David Lapoujade; translated by Ames Hodges and Mike Taormina. MIT Press, Cambridge, MA, U.S.A., 2008. 424 pp. Paper. ISBN-13: 978-1-58435-062-0

Martha Blassnigg

Leonardo (2009) 42 (1): 87–88.

Leonardo Reviews Leonardo Reviews On-Line

Leonardo Reviews On-Line

Leonardo (2009) 42 (1): 88–89.

Transactions

Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics

Ilias Bergstrom, R. Beau Lotto

Leonardo (2009) 42 (1): 92–93.

Widening Unequal Tempered Microtonal Pitch Space for Metaphoric and Cognitive Purposes with New Prime Number Scales

Roger T. Dean

Leonardo (2009) 42 (1): 94–95.

Abstract

Augmenting Creative Realities: The Second Life Performance Project

Kathryn Farley, Michael Nitsche, Jay Bolter, Blair MacIntyre

Leonardo (2009) 42 (1): 96–97.

Abstract

Flow—A Flowing Information Interactive Art

Yu-Chuan Tseng, Chia-Hsiang Lee, Ding-Ming Wang

Leonardo (2009) 42 (1): 98–99.

Abstract

Leonardo Network News

Leonardo (2009) 42 (1): 100–101.

Endnote

When Does Art Become Science and Science Art?

Y.A. Grillo

Leonardo (2009) 42 (1): 103–104.