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Issues

Volume 43, Issue 1
February 2010
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

A 21st-Century Pedagogical Plan for Artists: How Should We Be Training Artists for Today?
Jack Ox
Leonardo (2010) 43 (1): 2.
View articletitled, A 21st-Century Pedagogical Plan for Artists: How Should We Be Training Artists for Today?
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After Midnight

Space-Run Artists: Cultural Activism in Contemporary Barcelona
Jeffrey Swartz
Leonardo (2010) 43 (1): 6–7.
View articletitled, Space-Run Artists: Cultural Activism in Contemporary Barcelona
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Leonardo Gallery

The Leonardo/ISAST Student Art Contest
Tami I. Spector
Leonardo (2010) 43 (1): 8–9.
View articletitled, The Leonardo/ISAST Student Art Contest
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Circadian Capital
Margarita Benitez, Markus Vogl
Leonardo (2010) 43 (1): 10.
View articletitled, Circadian Capital
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Telematic Drum Circle
Byeong Sam Jeon
Leonardo (2010) 43 (1): 11.
View articletitled, Telematic Drum Circle
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Open Space 2.0
Hung-Lin Hsu, Cheng-I Tsai
Leonardo (2010) 43 (1): 12.
View articletitled, Open Space 2.0
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Oberhausen Requiem
Hiroki Nishino
Leonardo (2010) 43 (1): 13.
View articletitled, Oberhausen Requiem
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A Reward-Driven Process for Local, Noospheric, and Computational Detection of Stochastic Deviation Fields
Cheth Rowe
Leonardo (2010) 43 (1): 14.
View articletitled, A Reward-Driven Process for Local, Noospheric, and Computational Detection of Stochastic Deviation Fields
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Afterimage—Mind Frame
Jaewook Shin
Leonardo (2010) 43 (1): 15.
View articletitled, Afterimage—Mind Frame
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Where Are You?
Michiko Tsuda
Leonardo (2010) 43 (1): 16.
View articletitled, Where Are You?
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Color Plates

Color Plates
Leonardo (2010) 43 (1): 17–23.
View articletitled, Color Plates
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Articles

From Router to Front Row: Lubricious Transfer and the Aesthetics of Telematic Performance
Bob Giges, Edward C. Warburton
Leonardo (2010) 43 (1): 24–32.
View articletitled, From Router to Front Row: <em>Lubricious Transfer</em> and the Aesthetics of Telematic Performance
Supplementary data
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A Novel Use of 3D Motion Capture: Creating Conceptual Links between Technology and Representation of Human Gesture in the Visual Arts
Gongbing Shan, Peter Visentin, Tanya Harnett
Leonardo (2010) 43 (1): 34–42.
View articletitled, A Novel Use of 3D Motion Capture: Creating Conceptual Links between Technology and Representation of Human Gesture in the Visual Arts
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Image Contour Fidelity Analysis of Mechanically Aided Enlargements of Jan van Eyck's Albergati Portrait
Marco F. Duarte, David G. Stork
Leonardo (2010) 43 (1): 43–50.
View articletitled, Image Contour Fidelity Analysis of Mechanically Aided Enlargements of Jan van Eyck's Albergati Portrait
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Digital Art and Experimental Color Systems at Bell Laboratories, 1965–1984: Restoring Interdisciplinary Innovations to Media History
Carolyn L. Kane
Leonardo (2010) 43 (1): 53–58.
View articletitled, Digital Art and Experimental Color Systems at Bell Laboratories, 1965–1984: Restoring Interdisciplinary Innovations to Media History
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Special Section: ArtScience: The Essential Connection

Similarities and Contrasts in the Creative Processes of the Sciences and the Arts
Roger Guillemin
Leonardo (2010) 43 (1): 59–62.
View articletitled, Similarities and Contrasts in the Creative Processes of the Sciences and the Arts
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Special Section: Leonardo Celebrates Leonardo da Vinci

“On the Hand from Within”: Palms, Selfhood and Generation in Leonardo's Anatomical Project
Lea Dovev
Leonardo (2010) 43 (1): 63–69.
View articletitled, “On the Hand from Within”: Palms, Selfhood and Generation in Leonardo's Anatomical Project
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Leonardo Reviews Exhibition

Continental Rifts: Contemporary Time-Based Works of Africa Fowler Museum, University of California Los Angeles, 22 February–14 June 2009. Curated by Mary (Polly) Nooter Roberts
Aparna Sharma
Leonardo (2010) 43 (1): 71–72.
View articletitled, <em>Continental Rifts: Contemporary Time-Based Works of Africa</em> Fowler Museum, University of California Los Angeles, 22 February–14 June 2009. Curated by Mary (Polly) Nooter Roberts
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Leonardo Reviews Films

Between Madness and Art: The Prinzhorn Collection by Christian Beetz, director. Icarus Films, Brooklyn, NY, U.S.A. Release, 2008; copyright, 2007. DVD, 75 min. Distributor's web site: (icarusfilms.com/new2008/madn.html)
Boris Jardine
Leonardo (2010) 43 (1): 72.
View articletitled, <em>Between Madness and Art: The Prinzhorn Collection</em> by Christian Beetz, director. Icarus Films, Brooklyn, NY, U.S.A. Release, 2008; copyright, 2007. DVD, 75 min. Distributor's web site: (icarusfilms.com/new2008/madn.html)
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Mechanical Love by Phie Ambo, director. 52 min, 2007. Distributed by Icarus Films, New York, U.S.A., 2009. (www.icarusfilms.com)
Martha Blassnigg
Leonardo (2010) 43 (1): 73–74.
View articletitled, <em>Mechanical Love</em> by Phie Ambo, director. 52 min, 2007. Distributed by Icarus Films, New York, U.S.A., 2009. (www.icarusfilms.com)
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Afghan Muscles by Andreas M. Dalsgaard, director. A Cinema Guild Release, New York, NY, 2007. DVD, 60 min. Distributor's web site: (www.cinemaguild.com)
Jonathan Zilberg
Leonardo (2010) 43 (1): 74.
View articletitled, <em>Afghan Muscles</em> by Andreas M. Dalsgaard, director. A Cinema Guild Release, New York, NY, 2007. DVD, 60 min. Distributor's web site: (www.cinemaguild.com)
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Leonardo Reviews Books

Weather by the Numbers: The Genesis of Modern Meteorology by Kristine C. Harper. MIT Press, Cambridge, MA, U.S.A., 2008. 308 pp., illus. Trade. ISBN: 978-0-262-08378-2
Jennifer Ferng
Leonardo (2010) 43 (1): 75–76.
View articletitled, <em>Weather by the Numbers: The Genesis of Modern Meteorology</em> by Kristine C. Harper. MIT Press, Cambridge, MA, U.S.A., 2008. 308 pp., illus. Trade. ISBN: 978-0-262-08378-2
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Systematics as Cyberscience: Computers, Change, and Continuity in Science by Christine Hine. MIT Press, Cambridge, MA, U.S.A., 2008. 320 pp., illus. Trade. ISBN: 0-262-08371-X
Amy Ione
Leonardo (2010) 43 (1): 76–77.
View articletitled, <em>Systematics as Cyberscience: Computers, Change, and Continuity in Science</em> by Christine Hine. MIT Press, Cambridge, MA, U.S.A., 2008. 320 pp., illus. Trade. ISBN: 0-262-08371-X
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On Landscapes by Susan Herrington. Thinking in Action series (editors Simon Critchley and Richard Kearney). Routledge, Taylor Francis, New York and London, 2009. 150 pp., illus. Trade, paper. ISBN: 0-415-99124-2; ISBN: 0-415-99125-0
Mike Leggett
Leonardo (2010) 43 (1): 77–78.
View articletitled, <em>On Landscapes</em> by Susan Herrington. Thinking in Action series (editors Simon Critchley and Richard Kearney). Routledge, Taylor Francis, New York and London, 2009. 150 pp., illus. Trade, paper. ISBN: 0-415-99124-2; ISBN: 0-415-99125-0
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The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI by John Johnston. MIT Press, Cambridge, MA, U.S.A., 2008. 494 pp., illus. Trade. ISBN: 978-0-262-10126-4
Jussi Parikka
Leonardo (2010) 43 (1): 78–79.
View articletitled, <em>The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI</em> by John Johnston. MIT Press, Cambridge, MA, U.S.A., 2008. 494 pp., illus. Trade. ISBN: 978-0-262-10126-4
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I Am a Monument: On Learning from Las Vegas by Aron Vinegar. MIT Press, Cambridge, MA, 2008, U.S.A. 208 pp., illus. Trade. ISBN: 978-0-262-22082-8
Chris Speed
Leonardo (2010) 43 (1): 79–80.
View articletitled, <em>I Am a Monument: On Learning from Las Vegas</em> by Aron Vinegar. MIT Press, Cambridge, MA, 2008, U.S.A. 208 pp., illus. Trade. ISBN: 978-0-262-22082-8
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TV by Design: Modern Art and the Rise of Network Television by Lynn Spigel. University of Chicago Press, Chicago and London, 2009. 402 pp., illus. Trade. ISBN: 978-0-226-76968-4
Jan Baetens
Leonardo (2010) 43 (1): 80–81.
View articletitled, <em>TV by Design: Modern Art and the Rise of Network Television</em> by Lynn Spigel. University of Chicago Press, Chicago and London, 2009. 402 pp., illus. <strong>Trade</strong>. ISBN: 978-0-226-76968-4
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New Media in the White Cube and Beyond: Curatorial Models for Digital Art edited by Christiane Paul. University of California Press, Berkeley, CA, U.S.A., 2008. 273 pp., illus. Trade, paper. ISBN: 978-0-520-4397-2; ISBN: 978-0-520-25597-5
Helen Levin
Leonardo (2010) 43 (1): 81–82.
View articletitled, <em>New Media in the White Cube and Beyond: Curatorial Models for Digital Art</em> edited by Christiane Paul. University of California Press, Berkeley, CA, U.S.A., 2008. 273 pp., illus. Trade, paper. ISBN: 978-0-520-4397-2; ISBN: 978-0-520-25597-5
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Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America by Molly McGarry. University of California Press, Berkeley, CA, U.S.A., 2008. 288 pp., illus. Trade. ISBN: 978-0-520-25260-8
Anthony Enns
Leonardo (2010) 43 (1): 82–83.
View articletitled, <em>Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America</em> by Molly McGarry. University of California Press, Berkeley, CA, U.S.A., 2008. 288 pp., illus. Trade. ISBN: 978-0-520-25260-8
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Inventing Marcel Duchamp: The Dynamics of Portraiture edited by Anne Collins Goodyear and James McManus. National Portrait Gallery, Smithsonian Institution, Washington, D.C., co-published with MIT Press, Cambridge, MA, 2009. 308 pp., illus. Trade. ISBN: 978-0-262-01300-0
Kieran Lyons
Leonardo (2010) 43 (1): 83–84.
View articletitled, <em>Inventing Marcel Duchamp: The Dynamics of Portraiture</em> edited by Anne Collins Goodyear and James McManus. National Portrait Gallery, Smithsonian Institution, Washington, D.C., co-published with MIT Press, Cambridge, MA, 2009. 308 pp., illus. Trade. ISBN: 978-0-262-01300-0
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Leonardo Reviews Leonardo Reviews On-Line

Leonardo Reviews On-Line
Leonardo (2010) 43 (1): 84–85.
View articletitled, Leonardo Reviews On-Line
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Transactions

Computational Aesthetics as a Negotiated Boundary
Alan F. Blackwell, Neil A. Dodgson
Leonardo (2010) 43 (1): 88–89.
View articletitled, Computational Aesthetics as a Negotiated Boundary
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Riders Have Spoken: Replaying and Archiving Pervasive Performances
Alan Chamberlain, Duncan Rowland, Jonathan Foster, Gabriella Giannachi
Leonardo (2010) 43 (1): 90–91.
View articletitled, Riders Have Spoken: Replaying and Archiving Pervasive Performances
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What's Up Prof? Current Issues in the Visual Effects Post-Production Industry
Neil Dodgson, John Patterson, Phil Willis
Leonardo (2010) 43 (1): 92–93.
View articletitled, What's Up Prof? Current Issues in the Visual Effects Post-Production Industry
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We Don't Do Google, We Do Massive Attacks: Notes on Creative RD Collaborations
Jonathan Foster, Angela Lin, Ernest Edmonds
Leonardo (2010) 43 (1): 94–95.
View articletitled, We Don't Do Google, We Do Massive Attacks: Notes on Creative RD Collaborations
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Rethinking Business Models as Value Creating Systems
Ted Fuller, Lorraine Warren, Sarah Thelwall, Fizza Alamdar, David Rae
Leonardo (2010) 43 (1): 96–97.
View articletitled, Rethinking Business Models as Value Creating Systems
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Creative Assemblages: Organisation and Outputs of Practice-Led Research
Alex Wilkie, William Gaver, Drew Hemment, Gabriella Giannachi
Leonardo (2010) 43 (1): 98–99.
View articletitled, Creative Assemblages: Organisation and Outputs of Practice-Led Research
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Leonardo Network News
Leonardo (2010) 43 (1): 100–101.
View articletitled, Leonardo Network News
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