Issues

Articles and Notes

The Art of Finance: An Artist Uses Financial Economics as Inspiration

Christophe Schinckus

Leonardo (2011) 44 (3): 195–198.

Abstract

Transmissions between Memory and Amnesia: The Radio Memorial in a New Media Age

Sarah Kanouse

Leonardo (2011) 44 (3): 200–206.

Abstract

Live Coding of Consequence

Nick Collins

Leonardo (2011) 44 (3): 207–211.

Abstract

Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives

Neil C.M. Brown, Timothy S. Barker, Dennis Del Favero

Leonardo (2011) 44 (3): 212–219.

Abstract

Fertilization Narratives in the Art of Gustav Klimt, Diego Rivera and Frida Kahlo: Repression, Domination and Eros among Cells

Scott F. Gilbert, Sabine Brauckmann

Leonardo (2011) 44 (3): 221–227.

Abstract

The Implicit Body as Performance: Analyzing Interactive Art

Nathaniel Stern

Leonardo (2011) 44 (3): 233–238.

Abstract

Color Plates

Leonardo (2011) 44 (3): 229–232.

Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks

Networks of Photos, Landmarks, and People

David Crandall, Noah Snavely

Leonardo (2011) 44 (3): 240–243.

Abstract

Evolution of Romance Language in Written Communication: Network Analysis of Late Latin and Early Romance Corpora

Alexander Mehler, Nils Diewald, Ulli Waltinger, Rüdiger Gleim, Dietmar Esch ...

Leonardo (2011) 44 (3): 244–245.

Abstract

The Social Network of Dante's Inferno

Amedeo Cappelli, Michele Coscia, Fosca Giannotti, Dino Pedreschi, Salvo Rinzivillo

Leonardo (2011) 44 (3): 246–247.

Abstract

Building Network Visualization Tools to Facilitate Metacognition in Complex Analysis

Barbara Mirel

Leonardo (2011) 44 (3): 248–249.

Abstract

Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story

Michele Graffieti, Gaia Scagnetti, Donato Ricci, Luca Masud, Mario Porpora

Leonardo (2011) 44 (3): 250–251.

Abstract

Narcotic of the Narrative

Ward Shelley

Leonardo (2011) 44 (3): 252–255.

Abstract

Net-Working with Maciunas

Astrit Schmidt-Burkhardt

Leonardo (2011) 44 (3): 256–257.

Abstract

Documenting Artistic Networks: Anna Oppermann's Ensembles Are Complex Networks!

Martin Warnke, Carmen Wedemeyer

Leonardo (2011) 44 (3): 258–259.

Abstract

When the Rich Don't Get Richer: Equalizing Tendencies of Creative Networks

John Bell, Jon Ippolito

Leonardo (2011) 44 (3): 260–261.

Abstract

Model Ideas: From Stem Cell Simulation to Floating Art Work

Jane Prophet

Leonardo (2011) 44 (3): 262–263.

Abstract

Cybernetic Bacteria 2.0

Anna Dumitriu, Blay Whitby

Leonardo (2011) 44 (3): 264–265.

Abstract

The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg's Oeuvre as a Distributed Object

Sara Angel

Leonardo (2011) 44 (3): 266–267.

Abstract

Leonardo Reviews Books

Digital Apollo: Human and Machine in Spaceflight by David A. Mindell. MIT Press, Cambridge, MA, 2008. 456 pp., illus. Trade. ISBN-10: 0-262-13497-7

Maureen Nappi

Leonardo (2011) 44 (3): 269–270.

Premediation: Affect and Mediality after 9/11 by Richard Grusin. Palgrave Macmillan, Basingstoke, U.K., 2010. 208 pp. ISBN: 978-0-230-24251-7; 978-0-230-24252-4

Jussi Parikka

Leonardo (2011) 44 (3): 270–271.

Bring on the Books for Everybody: How Literary Culture Became Popular Culture by Jim Collins. Duke University Press, Durham, NC, U.S.A., 2010. 312 pp., illus. ISBN: 978-0-8223-4588-6; ISBN: 978-0-8223-4606-7

Jan Baetens

Leonardo (2011) 44 (3): 271–273.

How to Catch a Robot Rat: When Biology Inspires Innovation by AgnÈs Guillot and Jean-Arcady Meyer; translated by Susan Emanuel. MIT Press, Cambridge, London, U.S.A., U.K., 2010. 232 pp., illus. ISBN: 978-0-262-01452-6

Rob Harle

Leonardo (2011) 44 (3): 273.

Photo-texts: Contemporary French Writing of the Photographic Image by Andy Stafford. Liverpool: Liverpool University Press, U.K., 2010. 246 pp., illus. ISBN: 978-1-8463-1052-2

Jan Baetens

Leonardo (2011) 44 (3): 273–274.

Blog Theory: Feedback and Capture in the Circuits of Drive by Jodi Dean. Polity Press, Cambridge, U.K., 2010. 140 pp. ISBN: 978-0-7456-4969-6; ISBN: 978-0-7456-4970-2

Jussi Parikka

Leonardo (2011) 44 (3): 274–275.

Dara Birnbaum: Technology/Transformation: Wonder Woman by T.J. Demos. Afterall Books (One Work series), London, U.K., 2010. 112 pp., illus. ISBN-10: 1846380677; ISBN-13: 978-1846380679

Jan Baetens

Leonardo (2011) 44 (3): 275–276.

Mapping Intermediality in Performance by Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender and Robin Nelson. Amsterdam University Press, Amsterdam, the Netherlands, 2010. 304 pp. ISBN: 978-90-8964-255-4

Dene Grigar

Leonardo (2011) 44 (3): 276–277.

Designing Things: A Critical Introduction to the Culture of Objects by Prasad Boradkar. Berg Publishers, Oxford, U.K., 2010. 336 pp., illus. ISBN: 978-1-84520-427-3

John Vines

Leonardo (2011) 44 (3): 277–279.

The Object Reader edited by Fiona Candlin and Raiford Guins. Routledge Taylor Francis Group, London and New York, 2009. 576 pp. ISBN-13: 978-0-415-45229-8

Martha Blassnigg

Leonardo (2011) 44 (3): 279–280.

Leonardo Reviews Leonardo Reviews On-Line

January 2011

Leonardo (2011) 44 (3): 280.

December 2010

Leonardo (2011) 44 (3): 280.

Leonardo Transactions

A Unified View of Models

Luis O. Arata

Leonardo (2011) 44 (3): 282–283.

Abstract

Spectacle of the Masses: Characteristics of the Masses in MIOON's Works

Moonsun Choi, Joonsung Yoon

Leonardo (2011) 44 (3): 284–285.

Abstract

Contingent Rule: Information Aesthetic, Performance and Hypermediacy

Eung Suk Kim, Joonsung Yoon

Leonardo (2011) 44 (3): 286–287.

Abstract

A Grin without a Cat: The Faciality of Electronic Art

Yonggeun Kim, Joonsung Yoon

Leonardo (2011) 44 (3): 288–289.

Abstract

Social Media as a New Public Sphere

Tatiana Mazali

Leonardo (2011) 44 (3): 290–291.

Abstract

A Taste for the Beautiful

Hollis Taylor

Leonardo (2011) 44 (3): 292–293.

Abstract

Leonardo Network News

Leonardo (2011) 44 (3): 294.