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Issues

Volume 44, Issue 3
June 2011
Leonardo Cover Image for Volume 44, Issue 3
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

ArtScience: Integrative Collaboration to Create a Sustainable Future
Bob Root-Bernstein, Todd Siler, Adam Brown, Kenneth Snelson
Leonardo (2011) 44 (3): 192.
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Articles and Notes

The Art of Finance: An Artist Uses Financial Economics as Inspiration
Christophe Schinckus
Leonardo (2011) 44 (3): 195–198.
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Transmissions between Memory and Amnesia: The Radio Memorial in a New Media Age
Sarah Kanouse
Leonardo (2011) 44 (3): 200–206.
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Live Coding of Consequence
Nick Collins
Leonardo (2011) 44 (3): 207–211.
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Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives
Neil C.M. Brown, Timothy S. Barker, Dennis Del Favero
Leonardo (2011) 44 (3): 212–219.
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Fertilization Narratives in the Art of Gustav Klimt, Diego Rivera and Frida Kahlo: Repression, Domination and Eros among Cells
Scott F. Gilbert, Sabine Brauckmann
Leonardo (2011) 44 (3): 221–227.
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The Implicit Body as Performance: Analyzing Interactive Art
Nathaniel Stern
Leonardo (2011) 44 (3): 233–238.
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Color Plates

Color Plates
Leonardo (2011) 44 (3): 229–232.
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Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks

Networks of Photos, Landmarks, and People
David Crandall, Noah Snavely
Leonardo (2011) 44 (3): 240–243.
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Evolution of Romance Language in Written Communication: Network Analysis of Late Latin and Early Romance Corpora
Alexander Mehler, Nils Diewald, Ulli Waltinger, Rüdiger Gleim, Dietmar Esch ...
Leonardo (2011) 44 (3): 244–245.
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The Social Network of Dante's Inferno
Amedeo Cappelli, Michele Coscia, Fosca Giannotti, Dino Pedreschi, Salvo Rinzivillo
Leonardo (2011) 44 (3): 246–247.
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Building Network Visualization Tools to Facilitate Metacognition in Complex Analysis
Barbara Mirel
Leonardo (2011) 44 (3): 248–249.
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Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story
Michele Graffieti, Gaia Scagnetti, Donato Ricci, Luca Masud, Mario Porpora
Leonardo (2011) 44 (3): 250–251.
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Narcotic of the Narrative
Ward Shelley
Leonardo (2011) 44 (3): 252–255.
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Net-Working with Maciunas
Astrit Schmidt-Burkhardt
Leonardo (2011) 44 (3): 256–257.
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Documenting Artistic Networks: Anna Oppermann's Ensembles Are Complex Networks!
Martin Warnke, Carmen Wedemeyer
Leonardo (2011) 44 (3): 258–259.
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When the Rich Don't Get Richer: Equalizing Tendencies of Creative Networks
John Bell, Jon Ippolito
Leonardo (2011) 44 (3): 260–261.
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Model Ideas: From Stem Cell Simulation to Floating Art Work
Jane Prophet
Leonardo (2011) 44 (3): 262–263.
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Cybernetic Bacteria 2.0
Anna Dumitriu, Blay Whitby
Leonardo (2011) 44 (3): 264–265.
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The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg's Oeuvre as a Distributed Object
Sara Angel
Leonardo (2011) 44 (3): 266–267.
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Leonardo Reviews Books

Digital Apollo: Human and Machine in Spaceflight by David A. Mindell. MIT Press, Cambridge, MA, 2008. 456 pp., illus. Trade. ISBN-10: 0-262-13497-7
Maureen Nappi
Leonardo (2011) 44 (3): 269–270.
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Premediation: Affect and Mediality after 9/11 by Richard Grusin. Palgrave Macmillan, Basingstoke, U.K., 2010. 208 pp. ISBN: 978-0-230-24251-7; 978-0-230-24252-4
Jussi Parikka
Leonardo (2011) 44 (3): 270–271.
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Bring on the Books for Everybody: How Literary Culture Became Popular Culture by Jim Collins. Duke University Press, Durham, NC, U.S.A., 2010. 312 pp., illus. ISBN: 978-0-8223-4588-6; ISBN: 978-0-8223-4606-7
Jan Baetens
Leonardo (2011) 44 (3): 271–273.
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How to Catch a Robot Rat: When Biology Inspires Innovation by AgnÈs Guillot and Jean-Arcady Meyer; translated by Susan Emanuel. MIT Press, Cambridge, London, U.S.A., U.K., 2010. 232 pp., illus. ISBN: 978-0-262-01452-6
Rob Harle
Leonardo (2011) 44 (3): 273.
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Photo-texts: Contemporary French Writing of the Photographic Image by Andy Stafford. Liverpool: Liverpool University Press, U.K., 2010. 246 pp., illus. ISBN: 978-1-8463-1052-2
Jan Baetens
Leonardo (2011) 44 (3): 273–274.
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Blog Theory: Feedback and Capture in the Circuits of Drive by Jodi Dean. Polity Press, Cambridge, U.K., 2010. 140 pp. ISBN: 978-0-7456-4969-6; ISBN: 978-0-7456-4970-2
Jussi Parikka
Leonardo (2011) 44 (3): 274–275.
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Dara Birnbaum: Technology/Transformation: Wonder Woman by T.J. Demos. Afterall Books (One Work series), London, U.K., 2010. 112 pp., illus. ISBN-10: 1846380677; ISBN-13: 978-1846380679
Jan Baetens
Leonardo (2011) 44 (3): 275–276.
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Mapping Intermediality in Performance by Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender and Robin Nelson. Amsterdam University Press, Amsterdam, the Netherlands, 2010. 304 pp. ISBN: 978-90-8964-255-4
Dene Grigar
Leonardo (2011) 44 (3): 276–277.
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Designing Things: A Critical Introduction to the Culture of Objects by Prasad Boradkar. Berg Publishers, Oxford, U.K., 2010. 336 pp., illus. ISBN: 978-1-84520-427-3
John Vines
Leonardo (2011) 44 (3): 277–279.
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The Object Reader edited by Fiona Candlin and Raiford Guins. Routledge Taylor Francis Group, London and New York, 2009. 576 pp. ISBN-13: 978-0-415-45229-8
Martha Blassnigg
Leonardo (2011) 44 (3): 279–280.
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Leonardo Reviews Leonardo Reviews On-Line

January 2011
Leonardo (2011) 44 (3): 280.
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December 2010
Leonardo (2011) 44 (3): 280.
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Leonardo Transactions

A Unified View of Models
Luis O. Arata
Leonardo (2011) 44 (3): 282–283.
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Spectacle of the Masses: Characteristics of the Masses in MIOON's Works
Moonsun Choi, Joonsung Yoon
Leonardo (2011) 44 (3): 284–285.
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Contingent Rule: Information Aesthetic, Performance and Hypermediacy
Eung Suk Kim, Joonsung Yoon
Leonardo (2011) 44 (3): 286–287.
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A Grin without a Cat: The Faciality of Electronic Art
Yonggeun Kim, Joonsung Yoon
Leonardo (2011) 44 (3): 288–289.
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Social Media as a New Public Sphere
Tatiana Mazali
Leonardo (2011) 44 (3): 290–291.
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A Taste for the Beautiful
Hollis Taylor
Leonardo (2011) 44 (3): 292–293.
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Leonardo Network News

Leonardo Network News
Leonardo (2011) 44 (3): 294.
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