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Issues

Volume 45, Issue 3
June 2012
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

Art and the Brain: What Does the Evidence Tell Us?
Amy Ione
Leonardo (2012) 45 (3): 204.
View articletitled, Art and the Brain: What Does the Evidence Tell Us?
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Artist's Note

Wave Space Painting with Science
Douglas D. Peden
Leonardo (2012) 45 (3): 207–210.
View articletitled, Wave Space Painting with Science
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General Articles

A Decade of Digital Arts and Sciences at the University of Florida
Paul A. Fishwick
Leonardo (2012) 45 (3): 211–216.
View articletitled, A Decade of Digital Arts and Sciences at the University of Florida
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Moon Vehicle: Reflections from an Artist-Led Children's Workshop on the Chandrayaan-1 Spacecraft's Mission to the Moon
Joanna Griffin
Leonardo (2012) 45 (3): 218–224.
View articletitled, Moon Vehicle: Reflections from an Artist-Led Children's Workshop on the <em>Chandrayaan-1</em> Spacecraft's Mission to the Moon
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Patterns of Choice: The Prix Ars Electronica Jury Sessions
Dietmar Offenhuber
Leonardo (2012) 45 (3): 226–232.
View articletitled, Patterns of Choice: The Prix Ars Electronica Jury Sessions
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Ecological Art: A Call for Visionary Intervention in a Time of Crisis
Ruth Wallen
Leonardo (2012) 45 (3): 234–242.
View articletitled, Ecological Art: A Call for Visionary Intervention in a Time of Crisis
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Computational Aesthetics: On the Complexity of Computer-Generated Paintings
Kang Zhang, Stuart Harrell, Xin Ji
Leonardo (2012) 45 (3): 243–248.
View articletitled, Computational Aesthetics: On the Complexity of Computer-Generated Paintings
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Historical Perspective

Deciphering and Appeasing the Heavens: The History and Fate of an Ancient Greek Computer
Evaggelos Vallianatos
Leonardo (2012) 45 (3): 250–257.
View articletitled, Deciphering and Appeasing the Heavens: The History and Fate of an Ancient Greek Computer
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Color Plates

Color Plates
Leonardo (2012) 45 (3): 259–261.
View articletitled, Color Plates
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Theoretical Perspectives

Becoming Organ-ized: The Creativity of Organization, Dis-Organization and Re-Organization in Scientific and Artistic Experiments
Timothy S. Barker
Leonardo (2012) 45 (3): 262–268.
View articletitled, Becoming Organ-ized: The Creativity of Organization, Dis-Organization and Re-Organization in Scientific and Artistic Experiments
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Music and Naturoids: The Third Reality
Massimo Negrotti
Leonardo (2012) 45 (3): 269–273.
View articletitled, Music and Naturoids: The Third Reality
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Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks

Pursuing the Work of Jacques Bertin
Nathalie Henry Riche
Leonardo (2012) 45 (3): 276–277.
View articletitled, Pursuing the Work of Jacques Bertin
Supplementary data
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Artfacts.Net
Marek Claassen
Leonardo (2012) 45 (3): 278–279.
View articletitled, Artfacts.Net
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Complex Networks in Archaeology: Urban Connectivity in Iron Age and Roman Southern Spain
Tom Brughmans, Simon Keay, Graeme Earl
Leonardo (2012) 45 (3): 280.
View articletitled, Complex Networks in Archaeology: Urban Connectivity in Iron Age and Roman Southern Spain
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Sustaining a Global Community: Art and Religion in the Network of Baroque Hispanic-American Paintings
Juan Luis Suárez, Fernando Sancho, Javier de la Rosa
Leonardo (2012) 45 (3): 281.
View articletitled, Sustaining a Global Community: Art and Religion in the Network of Baroque Hispanic-American Paintings
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Network Science: A New Method for Investigating the Complexity of Musical Experiences in The Brain
Robin W. Wilkins, Donald A. Hodges, Paul J. Laurienti, Matthew R. Steen, Jonathan H. Burdette
Leonardo (2012) 45 (3): 282–283.
View articletitled, Network Science: A New Method for Investigating the Complexity of Musical Experiences in The Brain
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A World Map of Knowledge in the Making: Wikipedia's Inter-Language Linkage as a Dependency Explorer of Global Knowledge Accumulation
T Petzold, HT Liao, J Hartley, J Potts
Leonardo (2012) 45 (3): 284.
View articletitled, A World Map of Knowledge in the Making: Wikipedia's Inter-Language Linkage as a Dependency Explorer of Global Knowledge Accumulation
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The Making of Sixty-Nine Days of Close Encounters at the Science Gallery
Wouter Van den Broeck, Marco Quaggiotto, Lorenzo Isella, Alain Barrat, Ciro Cattuto
Leonardo (2012) 45 (3): 285.
View articletitled, The Making of <em>Sixty-Nine Days of Close Encounters at the Science Gallery</em>
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Culture, Data and Algorithmic Organization
George Legrady
Leonardo (2012) 45 (3): 286.
View articletitled, Culture, Data and Algorithmic Organization
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Transactions

Rainwire: Environmental Sonification of Rainfall
Dave Burraston
Leonardo (2012) 45 (3): 288–289.
View articletitled, <em>Rainwire:</em> Environmental Sonification of Rainfall
Supplementary data
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ParaSites: Initial Report and Research Context
Cécile Colle, Ralf Nuhn
Leonardo (2012) 45 (3): 290–291.
View articletitled, ParaSites: Initial Report and Research Context
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Out of Doors: Works of the Listening Eye
Fotis Flevotomos
Leonardo (2012) 45 (3): 292–293.
View articletitled, <em>Out of Doors:</em> Works of the Listening Eye
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Colour Chemigrams
Siegfried Manietta
Leonardo (2012) 45 (3): 294–295.
View articletitled, Colour Chemigrams
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Glint: Audiovisual Glitches
Funda Senova Tunali
Leonardo (2012) 45 (3): 296–297.
View articletitled, <em>Glint:</em> Audiovisual Glitches
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Leonardo Reviews

The Color of Your Socks: A Year with Pipilotti Rist by Michael Hegglin, director, producer. Catpics Coproductions Ltd, Zurich, 2009, Distributed Microcinema International Inc. San Francisco, CA, U.S.A. DVD, 53 min. Sub-titles: English, French. Distributor's website: www.microcinemadvd.com/
Mike Leggett
Leonardo (2012) 45 (3): 299–300.
View articletitled, <em>The Color of Your Socks: A Year with Pipilotti Rist</em> by Michael Hegglin, director, producer. Catpics Coproductions Ltd, Zurich, 2009, Distributed Microcinema International Inc. San Francisco, CA, U.S.A. DVD, 53 min. Sub-titles: English, French. Distributor's website: www.microcinemadvd.com/
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Through the Looking Glass by Francisco López. Kairos, Vienna, Austria, 2009. CD (box set containing five CDs), #0012872KAI. Distributor's website: http://kairos-music.com/
Eugene Thacker
Leonardo (2012) 45 (3): 300–301.
View articletitled, <em>Through the Looking Glass</em> by Francisco López. Kairos, Vienna, Austria, 2009. CD (box set containing five CDs), #0012872KAI. Distributor's website: http://kairos-music.com/
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A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961–1973 edited by Margit Rosen. MIT Press, Cambridge, MA, 2011, U.S.A.
Brian Reffin Smith
Leonardo (2012) 45 (3): 301–302.
View articletitled, <em>A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961–1973</em> edited by Margit Rosen. MIT Press, Cambridge, MA, 2011, U.S.A.
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Contemporary Art in Asia—A Critical Reader edited by Melissa Chiu and Benjamin Genocchio. MIT Press, Cambridge, MA, U.S.A., 2011. 320 pp., illus. ISBN: 978-0-262-51623-5
Ellen Pearlman
Leonardo (2012) 45 (3): 302–303.
View articletitled, <em>Contemporary Art in Asia—A Critical Reader</em> edited by Melissa Chiu and Benjamin Genocchio. MIT Press, Cambridge, MA, U.S.A., 2011. 320 pp., illus. ISBN: 978-0-262-51623-5
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Divine Machines: Leibniz and the Sciences of Life by Justin E.H. Smith. Princeton University Press, Princeton, NJ, U.S.A., 2011. 392 pp. ISBN: 978-0-691-14178-7; ISBN: 978-1-400-83872-1
Rob Harle
Leonardo (2012) 45 (3): 303–304.
View articletitled, <em>Divine Machines: Leibniz and the Sciences of Life</em> by Justin E.H. Smith. Princeton University Press, Princeton, NJ, U.S.A., 2011. 392 pp. ISBN: 978-0-691-14178-7; ISBN: 978-1-400-83872-1
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The Techno-Human Condition by Braden R. Allenby and Daniel Sarewitz. MIT Press, Cambridge, MA, U.S.A., 2011. 192 pp. ISBN: 978-0-262-01569-1
Rob Harle
Leonardo (2012) 45 (3): 304–305.
View articletitled, <em>The Techno-Human Condition</em> by Braden R. Allenby and Daniel Sarewitz. MIT Press, Cambridge, MA, U.S.A., 2011. 192 pp. ISBN: 978-0-262-01569-1
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The Deaths of the Author: Reading and Writing in Time by Jane Gallop. Duke University Press, Durham, NC, U.S.A., 2011. 184 pp. Trade, paper. ISBN: 978-0-8223-5063-7; ISBN: 978-0-8223-5081-1
Jan Baetens
Leonardo (2012) 45 (3): 305–306.
View articletitled, <em>The Deaths of the Author: Reading and Writing in Time</em> by Jane Gallop. Duke University Press, Durham, NC, U.S.A., 2011. 184 pp. Trade, paper. ISBN: 978-0-8223-5063-7; ISBN: 978-0-8223-5081-1
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A Field Guide to a New Meta-Field: Bridging the Humanities-Neuroscience Divide edited by Barbara Maria Stafford, University of Chicago Press, Chicago, U.S.A., and London, U.K., 2011. 368 pp., illus. Trade, paper. ISBN: 978-0-226-77055-0
Rob Harle
Leonardo (2012) 45 (3): 306–307.
View articletitled, <em>A Field Guide to a New Meta-Field: Bridging the Humanities-Neuroscience Divide</em> edited by Barbara Maria Stafford, University of Chicago Press, Chicago, U.S.A., and London, U.K., 2011. 368 pp., illus. Trade, paper. ISBN: 978-0-226-77055-0
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Transmission Arts: Artists and Airwaves edited by Galen Joseph-Hunter, Penny Duff and Maria Papadomanolaki. PAJ Publications, New York, U.S.A., 2011. 200 pp., illus. Trade. ISBN: 978-155554151-4
John F. Barber
Leonardo (2012) 45 (3): 307.
View articletitled, <em>Transmission Arts: Artists and Airwaves</em> edited by Galen Joseph-Hunter, Penny Duff and Maria Papadomanolaki. PAJ Publications, New York, U.S.A., 2011. 200 pp., illus. Trade. ISBN: 978-155554151-4
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remixthebook by Mark Amerika. University of Minnesota Press, Minneapolis, MN, U.S.A., 2011. 336 pp. Trade, paper. ISBN 978-0-8166-7614-9; ISBN 978-0-8166-7615-6
Jan Baetens
Leonardo (2012) 45 (3): 307–308.
View articletitled, <em>remixthebook</em> by Mark Amerika. University of Minnesota Press, Minneapolis, MN, U.S.A., 2011. 336 pp. Trade, paper. ISBN 978-0-8166-7614-9; ISBN 978-0-8166-7615-6
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Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing by Ann Cooper Albright. Wesleyan University Press, Middletown, CT, U.S.A., 2010. 100 pp., illus. Trade. ISBN: 978-0-8195-7077-2
Giovanna L. Costantini
Leonardo (2012) 45 (3): 308–309.
View articletitled, <em>Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing</em> by Ann Cooper Albright. Wesleyan University Press, Middletown, CT, U.S.A., 2010. 100 pp., illus. Trade. ISBN: 978-0-8195-7077-2
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Institutional Critique: An Anthology of Artists' Writings edited by Alexander Alberro and Blake Stimson. MIT Press, Cambridge, MA, U.S.A., 2011. 440 pp., illus. Trade. ISBN: 978-0-262-51664-8
Amy Ione
Leonardo (2012) 45 (3): 309–310.
View articletitled, <em>Institutional Critique: An Anthology of Artists' Writings</em> edited by Alexander Alberro and Blake Stimson. MIT Press, Cambridge, MA, U.S.A., 2011. 440 pp., illus. Trade. ISBN: 978-0-262-51664-8
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Spacesuit: Fashioning Apollo by Nicolas de Monchaux, MIT Press, Cambridge, MA, U.S.A., 2011. 250 pp., illus. Trade. ISBN-13: 978-0-262-01520-2
Valérie Lamontagne
Leonardo (2012) 45 (3): 310–311.
View articletitled, <em>Spacesuit: Fashioning Apollo</em> by Nicolas de Monchaux, MIT Press, Cambridge, MA, U.S.A., 2011. 250 pp., illus. Trade. ISBN-13: 978-0-262-01520-2
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January 2012
Leonardo (2012) 45 (3): 311.
View articletitled, January 2012
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December 2011
Leonardo (2012) 45 (3): 311.
View articletitled, December 2011
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Leonardo Network News

Leonardo Network News
Leonardo (2012) 45 (3): 312–313.
View articletitled, Leonardo Network News
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Erratum

Erratum (“The Tree, the Spiral and the Web of Life: A Visual Exploration of Biological Evolution for Public Murals” by Joana Ricou, John Archie Pollock, Leonardo, February 2012, Vol. 45, No. 1: 18-25)
Leonardo (2012) 45 (3): 258.
View articletitled, Erratum (“The Tree, the Spiral and the Web of Life: A Visual Exploration of Biological Evolution for Public Murals” by Joana Ricou, John Archie Pollock, Leonardo, February 2012, Vol. 45, No. 1: 18-25)
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