Skip to Main Content

Advertisement

MIT Press Direct, home
header search
Search
Advanced Search
Skip Nav Destination

Issues

Volume 49, Issue 1
February 2016
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

STEM, STEAM, STEAMS
Sheila Pinkel
Leonardo (2016) 49 (1): 2.
View articletitled, STEM, STEAM, STEAMS
Open the PDF for in another window

Special Section: Art and Biology

Art, Space and Hyperreality: An Artistic Exploration of Artificiality, Meaning and Boundaries within Astrobiological Practice
Andy Gracie
Leonardo (2016) 49 (1): 6–13.
View articletitled, Art, Space and Hyperreality: An Artistic Exploration of Artificiality, Meaning and Boundaries within Astrobiological Practice
Open the PDF for in another window
Biopaintings Produced by Filamentous Fungi
Patrícia Noronha
Leonardo (2016) 49 (1): 14–18.
View articletitled, Biopaintings Produced by Filamentous Fungi
Supplementary data
Open the PDF for in another window

Artists’ Note

Black (W)hole: An Artscience and Education Collaboration
Sara Mast, Jessica Jellison, Christopher O’Leary, Jason Bolte, Cindy Stillwell ...
Leonardo (2016) 49 (1): 19–24.
View articletitled, <em>Black (W)hole</em>: An Artscience and Education Collaboration
Supplementary data
Open the PDF for in another window

General Articles

Wave of the Future? Reconsidering the Neuroscientific Turn in Art History
Kate Mondloch
Leonardo (2016) 49 (1): 25–31.
View articletitled, Wave of the Future? Reconsidering the Neuroscientific Turn in Art History
Open the PDF for in another window
To Make Sounds inside a “Big Can”: Proposing a Proper Space for Works of Sound Art
Jing Wang
Leonardo (2016) 49 (1): 38–47.
View articletitled, To Make Sounds inside a “Big Can”: Proposing a Proper Space for Works of Sound Art
Open the PDF for in another window
Generation of Kandinsky Art
Kang Zhang, Jinhui Yu
Leonardo (2016) 49 (1): 48–54.
View articletitled, Generation of Kandinsky Art
Open the PDF for in another window

Historical Perspective

Early Digital Computer Art at Bell Telephone Laboratories, Incorporated
A. Michael Noll
Leonardo (2016) 49 (1): 55–65.
View articletitled, Early Digital Computer Art at Bell Telephone Laboratories, Incorporated
Open the PDF for in another window

Statements

Understanding the Unpredictability of Cancer using Chaos Theory and Modern Art Techniques
Dhruba Deb
Leonardo (2016) 49 (1): 66–67.
View articletitled, Understanding the Unpredictability of Cancer using Chaos Theory and Modern Art Techniques
Supplementary data
Open the PDF for in another window
Flight of the Sea Swallow: A Crossreality Telematic Performance
Roger Mills
Leonardo (2016) 49 (1): 68–69.
View articletitled, <em>Flight of the Sea Swallow</em>: A Crossreality Telematic Performance
Open the PDF for in another window

Special Section: Practice-Based Research and New Interfaces for Musical Expression

Practice-Based Research and New Interfaces for Musical Expression
Andrew Johnston, Sam Ferguson
Leonardo (2016) 49 (1): 71.
View articletitled, Practice-Based Research and New Interfaces for Musical Expression
Open the PDF for in another window
An Annotated Portfolio of Research through Design in Acoustic Sonification
Stephen Barrass
Leonardo (2016) 49 (1): 72–73.
View articletitled, An Annotated Portfolio of Research through Design in Acoustic Sonification
Open the PDF for in another window
Artefact ‘Scripts’ and the Performer-Developer
Benjamin Carey
Leonardo (2016) 49 (1): 74–75.
View articletitled, Artefact ‘Scripts’ and the Performer-Developer
Open the PDF for in another window
Designing New Musical Interfaces as Research: What’s the Problem?
Luke Dahl
Leonardo (2016) 49 (1): 76–77.
View articletitled, Designing New Musical Interfaces as Research: What’s the Problem?
Open the PDF for in another window
The Situation of Practice-Led Research Around NIME, and Two Methodological Suggestions for Improved Communication
Owen Green
Leonardo (2016) 49 (1): 78–79.
View articletitled, The Situation of Practice-Led Research Around NIME, and Two Methodological Suggestions for Improved Communication
Open the PDF for in another window
Diversity in NIME Research Practices
Michael Gurevich
Leonardo (2016) 49 (1): 80–81.
View articletitled, Diversity in NIME Research Practices
Open the PDF for in another window
Opportunities for Practice-Based Research in Musical Instrument Design
Andrew Johnston
Leonardo (2016) 49 (1): 82–83.
View articletitled, Opportunities for Practice-Based Research in Musical Instrument Design
Open the PDF for in another window
Gestural Performance of Electronic Music—A “NIME” Practice as Research
Jan C. Schacher
Leonardo (2016) 49 (1): 84–85.
View articletitled, Gestural Performance of Electronic Music—A “NIME” Practice as Research
Open the PDF for in another window

Leonardo Reviews

In Memoriam: Martha Blassnigg, 08 September 1969–27 September 2015
Michael Punt
Leonardo (2016) 49 (1): 87–88.
View articletitled, In Memoriam: Martha Blassnigg, 08 September 1969–27 September 2015
Open the PDF for in another window

Leonardo Reviews Books

An Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics
Rob Harle
Leonardo (2016) 49 (1): 88–89.
View articletitled, An Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics
Open the PDF for in another window
After Phrenology: Neural Reuse and the Interactive Brain
Amy Ione
Leonardo (2016) 49 (1): 89–91.
View articletitled, After Phrenology: Neural Reuse and the Interactive Brain
Open the PDF for in another window
Big Data, Little Data, No Data: Scholarship in the Networked World
Ana Peraica
Leonardo (2016) 49 (1): 91–92.
View articletitled, Big Data, Little Data, No Data: Scholarship in the Networked World
Open the PDF for in another window
The Emergence of Video Processing Tools, Vols. 1 and 2
Ellen Pearlman
Leonardo (2016) 49 (1): 92–94.
View articletitled, The Emergence of Video Processing Tools, Vols. 1 and 2
Open the PDF for in another window
Delete: A Design History of Computer Vapourware
Hannah Drayson
Leonardo (2016) 49 (1): 94.
View articletitled, Delete: A Design History of Computer Vapourware
Open the PDF for in another window
Federico Fellini: Making a Film
Allan Graubard
Leonardo (2016) 49 (1): 94–95.
View articletitled, Federico Fellini: Making a Film
Open the PDF for in another window
Digital Shift: The Cultural Logic of Punctuation
Jan Baetens
Leonardo (2016) 49 (1): 95–97.
View articletitled, Digital Shift: The Cultural Logic of Punctuation
Open the PDF for in another window
Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real
Giovanna Costantini
Leonardo (2016) 49 (1): 97–99.
View articletitled, Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real
Open the PDF for in another window
Why Greatness Cannot Be Planned: The Myth of the Objective
Harold P. de Vladar
Leonardo (2016) 49 (1): 99–100.
View articletitled, Why Greatness Cannot Be Planned: The Myth of the Objective
Open the PDF for in another window
World Projects: Global Information before World War I
Jan Baetens
Leonardo (2016) 49 (1): 100–102.
View articletitled, World Projects: Global Information before World War I
Open the PDF for in another window

Leonardo Reviews Leonardo Reviews Online

September 2015
Leonardo (2016) 49 (1): 102.
View articletitled, September 2015
Open the PDF for in another window
August 2015
Leonardo (2016) 49 (1): 102.
View articletitled, August 2015
Open the PDF for in another window
July 2015
Leonardo (2016) 49 (1): 102.
View articletitled, July 2015
Open the PDF for in another window

Leonardo Network News

Leonardo Network News
Nicholas Cronbach
Leonardo (2016) 49 (1): 103–104.
View articletitled, Leonardo Network News
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1530-9282
  • Print ISSN 0024-094X
A product of The MIT Press
Newsletter Sign Up

MIT Press Direct

Information

MIT Press

Contact Us

© 2023 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept