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Issues

Volume 49, Issue 3
June 2016
Leonardo Cover Image for Volume 49, Issue 3
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

Artist-Scientists Are Designers
Jack Ox
Leonardo (2016) 49 (3): 190.
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Leonardo Gallery

Scientific Delirium Madness 2.0 Introduction
Margot H. Knight
Leonardo (2016) 49 (3): 193.
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Scientific Delirium Madness 2.0: Gallery
Allison Cobb, Luca Forcucci, Deborah Forster, Christine Lee, Rachel Mayeri ...
Leonardo (2016) 49 (3): 194–202.
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Artists’ Article

Motion Tracking of a Fish as a Novel Way to Control Electronic Music Performance
Shaltiel Eloul, Gil Zissu, Yehiel H. Amo, Nori Jacoby
Leonardo (2016) 49 (3): 203–210.
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Artists’ Note

Robocygne: Dancing Life into an Animal-Human-Machine
Åsa Unander-Scharin, Carl Unander-Scharin
Leonardo (2016) 49 (3): 212–219.
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General Article

Interdisciplinary Teaching of Visual Perception through Art and Science
Leslie Welch, Carl Fasano
Leonardo (2016) 49 (3): 220–225.
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Technical Note

A Variational Art Algorithm for Image Generation
Yoon Young Kim, Jae Chun Ryu, Eunil Kim, Hyoungkee Kim, Byungseong Ahn
Leonardo (2016) 49 (3): 226–231.
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Historical Perspective: Pioneers and Pathbreakers

The Howard Wise Gallery Show Computer-Generated Pictures (1965): A 50th-Anniversary Memoir
A. Michael Noll
Leonardo (2016) 49 (3): 232–239.
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Special Section: EvoMUSART 2014

Third International Conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design
Juan Romero, James McDermott
Leonardo (2016) 49 (3): 245.
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Spatiotemporal Ideation Generation with Interactive Evolutionary Design
Jonathan Eisenmann, Matthew Lewis, Rick Parent
Leonardo (2016) 49 (3): 246–250.
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Beyond Interactive Evolution: Expressing Intentions Through Fitness Functions
Penousal Machado, Tiago Martins, Hugo Amaro, Pedro H. Abreu
Leonardo (2016) 49 (3): 251–256.
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Codeform: A Balancing Act between Variation and Utility in Evolutionary Art
Jon McCormack
Leonardo (2016) 49 (3): 257–261.
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Special Section: Trust Me, I’m an Artist

Trust Me, I’m an Artist
Bobbie Farsides, Anna Dumitriu, Annick Bureaud
Leonardo (2016) 49 (3): 262–263.
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Flesh-eaters: Notes toward a Zombie Methodology
Martin O’Brien
Leonardo (2016) 49 (3): 264–265.
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On Curating Pain: The Sick Body in Martin O’Brien’s Taste of Flesh/Bite Me I’m Yours
Jareh Das
Leonardo (2016) 49 (3): 266–267.
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The Conundrum of Plant Life
Špela Petrič
Leonardo (2016) 49 (3): 268–269.
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Statements

Flexographic Artists’ Books
Ilgım Veryeri Alaca
Leonardo (2016) 49 (3): 270–271.
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Exploring Art+Science Projects
Ariel Kupfer
Leonardo (2016) 49 (3): 272–273.
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Morphometrics Show Sam Francis’s Painted Forms Are Statistically Similar to Cells in Biological Tissues
Fayha Lakhani, Hanh Dang, Peter Selz, Tamira Elul
Leonardo (2016) 49 (3): 274–275.
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Leonardo Reviews Books

Green: The History of a Color
Giovanna Costantini
Leonardo (2016) 49 (3): 277–278.
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Atlas of Knowledge: Anyone Can Map
Brian Reffin Smith
Leonardo (2016) 49 (3): 278–279.
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Barry Le Va: The Aesthetic Aftermath
Jan Baetens
Leonardo (2016) 49 (3): 279–280.
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Strange Tools: Art and Human Nature
Amy Ione
Leonardo (2016) 49 (3): 280–283.
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What Is Landscape?
Giovanna Costantini
Leonardo (2016) 49 (3): 284–285.
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Image Science: Iconology, Visual Culture, and Media Aesthetics
Ana Peraica
Leonardo (2016) 49 (3): 285.
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An Introduction to Neuroaesthetics: The Neuroscientific Approach to Aesthetic Experience, Artistic Creativity, and Arts Appreciation
Ian Verstegen
Leonardo (2016) 49 (3): 285–286.
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Other Planes of There: Selected Writings
Edith Doove
Leonardo (2016) 49 (3): 286–288.
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Leonardo Reviews Leonardo Reviews Online

January 2016
Leonardo (2016) 49 (3): 288.
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December 2015
Leonardo (2016) 49 (3): 288.
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November 2015
Leonardo (2016) 49 (3): 288.
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Leonardo Network News

Leonardo Network News
Nich Cronbach
Leonardo (2016) 49 (3): 289–290.
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Endnote

#OSJUBA: Open Urbanism in Post-Conflict Transformation
Stephen Kovats
Leonardo (2016) 49 (3): 291–297.
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  • Online ISSN 1530-9282
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