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Volume 50, Issue 5

October 2017

Leonardo Cover Image for Volume 50, Issue 5

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ISSN 0024-094X

EISSN 1530-9282

In this Issue

Editorial
Artist’s Article
General Articles
Historical Perspectives
Special Section: Arts, Humanities and Complex Networks 2015
Special Section: Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3
Special Section: PhD in Art and Design
Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2016
Leonardo Reviews Books
The Network
Endnote

Editorial

Arts, Humanities and Complex Networks Reach Critical Threshold

Maximilian Schich, Isabel Meirelles

Leonardo (2017) 50 (5): 440.

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Artist’s Article

@Caltech: Art, Science and Technology, 1969–1971

Stephen Nowlin

Leonardo (2017) 50 (5): 443–447.

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General Articles

Reactions to Imagery Generated Using Computational Aesthetic Measures

Prasad Gade, Mary Galvin, James O’Sullivan, Paul Walsh, Órla Murphy

Leonardo (2017) 50 (5): 453–460.

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Dance Becoming Knowledge: Designing a Digital “Body”

James Leach, Scott deLahunta

Leonardo (2017) 50 (5): 461–467.

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Suggestions for a Parametric Typology of Dance

Donna Jo Napoli, Lisa Kraus

Leonardo (2017) 50 (5): 468–476.

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The Last Word Is: Imagination—A Study of the Spatial Aspects of Edgard Varèse’s Work, Part II: Visual Evidence

Roger Reynolds

Leonardo (2017) 50 (5): 477–485.

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Historical Perspectives

R. Buckminster Fuller, the Expo ’67 Pavilion and the Atoms for Peace Program

Rebecca Dalvesco

Leonardo (2017) 50 (5): 486–492.

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Holograms: The Story of a Word and Its Cultural Uses

Sean Johnston

Leonardo (2017) 50 (5): 493–499.

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Special Section: Arts, Humanities and Complex Networks 2015

Special Section: Arts, Humanities and Complex Networks 2015: Introduction

Maximilian Schich, Isabel Meirelles

Leonardo (2017) 50 (5): 500.

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Modeling Structure and Content: Socio-Semantic Network Analysis of the Mahābhārata

Frederik Elwert, Sven Sellmer

Leonardo (2017) 50 (5): 501.

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Stylometric Networks and Fake Authorships

Jeremi K. Ochab

Leonardo (2017) 50 (5): 502.

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Visualizing and Analyzing Complex and Dynamic Networks of Flemish Tapestry Entrepreneurs (1640–1720)

Koenraad Brosens, Jan Aerts, Klara Alen, Astrid Slegten, Fred Truyen

Leonardo (2017) 50 (5): 503.

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Differential Hive Plots: Seeing Networks Change

Martin Krzywinski, Ka Ming Nip, Inanc Birol, Marco Marra

Leonardo (2017) 50 (5): 504.

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Visualizing the Evolution of Programming Languages

Sergi Valverde

Leonardo (2017) 50 (5): 505.

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Special Section: Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3

Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3

Angus Forbes, Fanny Chevalier

Leonardo (2017) 50 (5): 506.

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Soybots: Mobile Micro-Gardens

Shannon C. McMullen, Fabian Winkler

Leonardo (2017) 50 (5): 507–508.

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Expressive Cartography, Boundary Objects and the Aesthetics of Public Visualization

Patricio Dávila, Dave Colangelo, Maggie Chan, Robert Tu

Leonardo (2017) 50 (5): 509–510.

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Shanghai Metro Flow: Multiple Perspectives into a Subway System

Till Nagel, Benedikt Groß

Leonardo (2017) 50 (5): 511–512.

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Hearts and Minds: The Interrogations Project

Daria Tsoupikova, Scott Rettberg, Roderick Coover, Arthur Nishimoto

Leonardo (2017) 50 (5): 513–514.

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Special Section: PhD in Art and Design

Special Section: PhD in Art and Design: Introduction

Ken Friedman, Jack Ox

Leonardo (2017) 50 (5): 515–519.

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An Alternative Approach to Establishing a Studio Doctorate in Fine Art

Virginia Maksymowicz, Blaise Tobia

Leonardo (2017) 50 (5): 520–525.

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Case Study: The Development and Evolution of the Creative Arts Practice-led PhD at the University of Melbourne, Victorian College of the Arts

Diane Zeeuw

Leonardo (2017) 50 (5): 526–527.

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Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2016

Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2016: Introduction

Sheila Pinkel

Leonardo (2017) 50 (5): 528.

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Other-Worlds: Encounters with the Visual Perception of Lungfishes through Science and Art

Audrey Appudurai

Leonardo (2017) 50 (5): 529.

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A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork

Benjamin David Robert Bogart

Leonardo (2017) 50 (5): 530.

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Bioart as a Space for Identity Conceptualization: Figuring the Human Body under the Scope of Biotechnologies

Marianne Cloutier

Leonardo (2017) 50 (5): 530.

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Postgenomic Identity: Art and Biopolitics

Heather Dewey-Hagborg

Leonardo (2017) 50 (5): 531.

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Exploring the Cognitive Correlates of Artistic Practice Using a Parameterized Non-Photorealistic Toolkit

Steve DiPaola

Leonardo (2017) 50 (5): 531.

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Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art

Helen Gregory

Leonardo (2017) 50 (5): 532.

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Digital Debris of Internet Art: An Allegorical and Entropic Resistance to the Epistemology of Search

Nils Jean

Leonardo (2017) 50 (5): 533.

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Affect and the Experimental Design of Domestic Products

Guy Keulemans

Leonardo (2017) 50 (5): 533.

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Quality of Aesthetic Experience and Implicit Modulating Factors

Wendy Ann Mansilla

Leonardo (2017) 50 (5): 534.

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The Strange Dance: 9 Evenings: Theatre Engineering as Creative Collaboration

Robin Oppenheimer

Leonardo (2017) 50 (5): 535.

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The Harmonic Pattern Function: A Mathematical Model Integrating Synthesis of Sound and Graphical Patterns

Lance Putnam

Leonardo (2017) 50 (5): 535.

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Listening Art: Making Sonic Artworks That Critique Listening

Camille Robinson

Leonardo (2017) 50 (5): 536.

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Vastal: The Vivoarts School for Transgenic Aesthetics, Ltd.

Adam Zaretsky

Leonardo (2017) 50 (5): 536.

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Leonardo Reviews Books

Imagining Extinction: The Cultural Meanings of Endangered Species

Jan Baetens

Leonardo (2017) 50 (5): 537–538.

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Rogue Archives: Digital Cultural Memory and Media Fandom

Jan Baetens

Leonardo (2017) 50 (5): 538–539.

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The Ordinary Man of Cinema

Will Luers

Leonardo (2017) 50 (5): 539–540.

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The Selected Letters of John Cage

Ellen Pearlman

Leonardo (2017) 50 (5): 540–541.

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The Hidden Third

Rob Harle

Leonardo (2017) 50 (5): 542.

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The Apparently Marginal Activities of Marcel Duchamp

Edith Doove

Leonardo (2017) 50 (5): 542–544.

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Mirror Affect: Seeing Self, Observing Others in Contemporary Art

Ana Peraica

Leonardo (2017) 50 (5): 544.

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The New Ecology: Rethinking a Science for the Anthropocene

Amy Ione

Leonardo (2017) 50 (5): 545–547.

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The Participatory Condition in the Digital Age

Gabriela Galati

Leonardo (2017) 50 (5): 547–548.

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The Ancient Origins of Consciousness: How the Brain Created Experience

Craig Hilton

Leonardo (2017) 50 (5): 548–549.

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The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction

Jan Baetens

Leonardo (2017) 50 (5): 549–550.

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Leonardo Reviews Online

Leonardo (2017) 50 (5): 550–551.

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The Network

The Network

Stacy Jerger

Leonardo (2017) 50 (5): 552–553.

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Endnote

Cognitive Innovation and the Cognitive Turn

Michael Punt

Leonardo (2017) 50 (5): 554–555.

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