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Issues

Volume 51, Issue 1
February 2018
Leonardo Cover Image for Volume 51, Issue 1
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

What Is the Evidence That Art-Science-Technology Collaboration Is a Good Thing?
Roger F. Malina, Alex Garcia Topete, João Silveira, Sead Steering Group
Leonardo (2018) 51 (1): 2.
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Artists’ Articles

Doubting Conventional Reality: Interactive Mind Works
Lynden Stone
Leonardo (2018) 51 (1): 5–10.
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Ur-writings: A Geophonographic Fiction
Will Schrimshaw
Leonardo (2018) 51 (1): 11–17.
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Artists’ Notes

Chunking and Recoding in the Al GRANO Project
Pat Badani
Leonardo (2018) 51 (1): 24–27.
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Faces in Motion: Embodiment, Emotion and Interaction
Barbara Nordhjem, Jan Klug, Bert Otten
Leonardo (2018) 51 (1): 28–32.
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General Articles

Heartbeats and the Arts: A Historical Connection
Claudia Arozqueta
Leonardo (2018) 51 (1): 33–39.
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Seeing through Camouflage: Abbott Thayer, Background-Picturing and the Use of Cutout Silhouettes
Roy R. Behrens
Leonardo (2018) 51 (1): 40–46.
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Historical Perspective

Ylem: Serving Artists Using Science and Technology, 1981–2009
Trudy Myrrh Reagan
Leonardo (2018) 51 (1): 48–52.
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Statements

Creative Media + the Internet of Things = Media Multiplicities
Oliver Bown, Sam Ferguson
Leonardo (2018) 51 (1): 53–54.
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Poem without Language: When a Writing Becomes Traceless
I-Lien Ho
Leonardo (2018) 51 (1): 55–56.
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StudioAntarctica: Embedding Art in a Geophysics Sea Ice Expedition
Gabby O’Connor, Craig Stevens
Leonardo (2018) 51 (1): 57–58.
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The Rationale for a Redefinition of Visual Art Based on Neuroaesthetic Principles
Eugen Bogdan Petcu
Leonardo (2018) 51 (1): 59–60.
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Project Amoreiras (Mulberry Trees): Autonomy and Artificial Learning in an Urban Environment
Gilbertto Prado
Leonardo (2018) 51 (1): 61–62.
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Special Section: PhD in Art and Design

Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line
Linda Candy, Ernest Edmonds
Leonardo (2018) 51 (1): 63–69.
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Special Section: Highlights from the IEEE VIS 2015 Arts Program (VISAP’15)

Highlights from the IEEE VIS 2015 Arts Program (VISAP’15)
Angus Forbes
Leonardo (2018) 51 (1): 70.
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20/X: Visuality, Representation and Epistemology in the Age of Intelligent Seeing Machines
Shannon C. McMullen, Fabian Winkler
Leonardo (2018) 51 (1): 71–74.
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A Concise Taxonomy for Describing Data as an Art Material
Julie Freeman, Geraint Wiggins, Gavin Starks, Mark Sandler
Leonardo (2018) 51 (1): 75–79.
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Deep in Poetry: Visualizing Texts’ Sonic Depths in 3D
Julie Gonnering Lein, Nina McCurdy, Amanda Hurtado
Leonardo (2018) 51 (1): 80–82.
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Special Section: Trust Me, I’m an Artist (Part 3)

Trust Me, I’m an Artist: Building Opportunities for Art and Science Collaboration through an Understanding of Ethics
Anna Dumitriu
Leonardo (2018) 51 (1): 83–84.
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What’s Art Got to Do with It? Reflecting on Bioart and Ethics from the Experience of the Trust Me, I’m an Artist Project
Annick Bureaud
Leonardo (2018) 51 (1): 85–86.
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Leonardo Reviews Books

The Ancient Origins of Consciousness: How the Brain Created Experience
Craig Hilton
Leonardo (2018) 51 (1): 87–88.
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Impersonal Enunciation, or the Place of Film
Ian Verstegen
Leonardo (2018) 51 (1): 88–89.
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Fantasies of the Library
Jussi Parikka
Leonardo (2018) 51 (1): 89–90.
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Debates in the Digital Humanities 2016
Jonathan Zilberg
Leonardo (2018) 51 (1): 90–91.
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Curated Decay: Heritage Beyond Saving
Jan Baetens
Leonardo (2018) 51 (1): 91–93.
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Future of the Brain: Essays by the World’s Leading Neuroscientists
Amy Ione
Leonardo (2018) 51 (1): 93–95.
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Red: The History of a Color
Giovanna L. Costantini
Leonardo (2018) 51 (1): 95–96.
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Leonardo Reviews Online
Leonardo (2018) 51 (1): 96.
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The Network

The Network
Stacy Jerger
Leonardo (2018) 51 (1): 97–98.
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Erratum

Erratum: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017
Roger Alsop, Alan Boldon, Yiannis Colakides, Gudrun Frommherz, Copper Frances Giloth ...
Leonardo (2018) 51 (1): 98.
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Endnote

Executive Summary of SEAD Exemplars: Evidence of the Value of Transdisciplinary Projects Report for the National Academies
Roger Malina
Leonardo (2018) 51 (1): 99.
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  • Online ISSN 1530-9282
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