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Editorial
What Is the Evidence That Art-Science-Technology Collaboration Is a Good Thing?
Leonardo (2018) 51 (1): 2.
Artists’ Articles
Artists’ Notes
General Articles
Seeing through Camouflage: Abbott Thayer, Background-Picturing and the Use of Cutout Silhouettes
Leonardo (2018) 51 (1): 40–46.
Historical Perspective
Statements
Project Amoreiras (Mulberry Trees): Autonomy and Artificial Learning in an Urban Environment
Leonardo (2018) 51 (1): 61–62.
Special Section: PhD in Art and Design
Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line
Leonardo (2018) 51 (1): 63–69.
Special Section: Highlights from the IEEE VIS 2015 Arts Program (VISAP’15)
20/X: Visuality, Representation and Epistemology in the Age of Intelligent Seeing Machines
Leonardo (2018) 51 (1): 71–74.
Special Section: Trust Me, I’m an Artist (Part 3)
Trust Me, I’m an Artist: Building Opportunities for Art and Science Collaboration through an Understanding of Ethics
Leonardo (2018) 51 (1): 83–84.
What’s Art Got to Do with It? Reflecting on Bioart and Ethics from the Experience of the Trust Me, I’m an Artist Project
Leonardo (2018) 51 (1): 85–86.
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