Issues

Artists’ Articles

Doubting Conventional Reality: Interactive Mind Works

Lynden Stone

Leonardo (2018) 51 (1): 5–10.

Abstract

Ur-writings: A Geophonographic Fiction

Will Schrimshaw

Leonardo (2018) 51 (1): 11–17.

Abstract

Artists’ Notes

Chunking and Recoding in the Al GRANO Project

Pat Badani

Leonardo (2018) 51 (1): 24–27.

Abstract

Faces in Motion: Embodiment, Emotion and Interaction

Barbara Nordhjem, Jan Klug, Bert Otten

Leonardo (2018) 51 (1): 28–32.

Abstract

General Articles

Heartbeats and the Arts: A Historical Connection

Claudia Arozqueta

Leonardo (2018) 51 (1): 33–39.

Abstract

Seeing through Camouflage: Abbott Thayer, Background-Picturing and the Use of Cutout Silhouettes

Roy R. Behrens

Leonardo (2018) 51 (1): 40–46.

Abstract

Historical Perspective

Ylem: Serving Artists Using Science and Technology, 1981–2009

Trudy Myrrh Reagan

Leonardo (2018) 51 (1): 48–52.

Abstract

Statements

Creative Media + the Internet of Things = Media Multiplicities

Oliver Bown, Sam Ferguson

Leonardo (2018) 51 (1): 53–54.

Abstract

Poem without Language: When a Writing Becomes Traceless

I-Lien Ho

Leonardo (2018) 51 (1): 55–56.

Abstract

StudioAntarctica: Embedding Art in a Geophysics Sea Ice Expedition

Gabby O’Connor, Craig Stevens

Leonardo (2018) 51 (1): 57–58.

Abstract

The Rationale for a Redefinition of Visual Art Based on Neuroaesthetic Principles

Eugen Bogdan Petcu

Leonardo (2018) 51 (1): 59–60.

Abstract

Project Amoreiras (Mulberry Trees): Autonomy and Artificial Learning in an Urban Environment

Gilbertto Prado

Leonardo (2018) 51 (1): 61–62.

Abstract

Special Section: PhD in Art and Design

Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line

Linda Candy, Ernest Edmonds

Leonardo (2018) 51 (1): 63–69.

Abstract

Special Section: Highlights from the IEEE VIS 2015 Arts Program (VISAP’15)

Highlights from the IEEE VIS 2015 Arts Program (VISAP’15)

Angus Forbes

Leonardo (2018) 51 (1): 70.

20/X: Visuality, Representation and Epistemology in the Age of Intelligent Seeing Machines

Shannon C. McMullen, Fabian Winkler

Leonardo (2018) 51 (1): 71–74.

Abstract

A Concise Taxonomy for Describing Data as an Art Material

Julie Freeman, Geraint Wiggins, Gavin Starks, Mark Sandler

Leonardo (2018) 51 (1): 75–79.

Abstract

Deep in Poetry: Visualizing Texts’ Sonic Depths in 3D

Julie Gonnering Lein, Nina McCurdy, Amanda Hurtado

Leonardo (2018) 51 (1): 80–82.

Abstract

Special Section: Trust Me, I’m an Artist (Part 3)

Trust Me, I’m an Artist: Building Opportunities for Art and Science Collaboration through an Understanding of Ethics

Anna Dumitriu

Leonardo (2018) 51 (1): 83–84.

Abstract

What’s Art Got to Do with It? Reflecting on Bioart and Ethics from the Experience of the Trust Me, I’m an Artist Project

Annick Bureaud

Leonardo (2018) 51 (1): 85–86.

Abstract

Leonardo Reviews Books

The Ancient Origins of Consciousness: How the Brain Created Experience

Craig Hilton

Leonardo (2018) 51 (1): 87–88.

Impersonal Enunciation, or the Place of Film

Ian Verstegen

Leonardo (2018) 51 (1): 88–89.

Fantasies of the Library

Jussi Parikka

Leonardo (2018) 51 (1): 89–90.

Debates in the Digital Humanities 2016

Jonathan Zilberg

Leonardo (2018) 51 (1): 90–91.

Curated Decay: Heritage Beyond Saving

Jan Baetens

Leonardo (2018) 51 (1): 91–93.

Future of the Brain: Essays by the World’s Leading Neuroscientists

Amy Ione

Leonardo (2018) 51 (1): 93–95.

Red: The History of a Color

Giovanna L. Costantini

Leonardo (2018) 51 (1): 95–96.

Leonardo Reviews Online

Leonardo (2018) 51 (1): 96.

The Network

Stacy Jerger

Leonardo (2018) 51 (1): 97–98.

Erratum

Erratum: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017

Roger Alsop, Alan Boldon, Yiannis Colakides, Gudrun Frommherz, Copper Frances Giloth ...

Leonardo (2018) 51 (1): 98.

Endnote

Executive Summary of SEAD Exemplars: Evidence of the Value of Transdisciplinary Projects Report for the National Academies

Roger Malina

Leonardo (2018) 51 (1): 99.