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Issues

Volume 51, Issue 2
April 2018
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

Art Remembering Science
István Hargittai
Leonardo (2018) 51 (2): 102.
View articletitled, Art Remembering Science
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Artists’ Articles

DreamArchitectonics: An Interactive Audiovisual Installation
Frank Dufour, Lee Dufour
Leonardo (2018) 51 (2): 105–110.
View articletitled, <em>DreamArchitectonics</em>: An Interactive Audiovisual Installation
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A-me and BrainCloud: Art-Science Interrogations of Localization in Neuroscience
Jordi Puig, Annamaria Carusi, Alvaro Cassinelli, Philippe Pinel, Aud Sissel Hoel
Leonardo (2018) 51 (2): 111–117.
View articletitled, <em>A-me</em> and <em>BrainCloud</em>: Art-Science Interrogations of Localization in Neuroscience
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Artists’ Notes

Refractive Fingerprints of Lenses: Explorations in Light Transformations
Sheila Pinkel
Leonardo (2018) 51 (2): 118–123.
View articletitled, Refractive Fingerprints of Lenses: Explorations in Light Transformations
Supplementary data
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The Virtual Reality Art Installation Endocytosis: Evolving from a Flat Land into a Three-Dimensional World
Águeda Simó
Leonardo (2018) 51 (2): 124–127.
View articletitled, The Virtual Reality Art Installation <em>Endocytosis</em>: Evolving from a Flat Land into a Three-Dimensional World
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General Articles

Biopoiesis: Electrochemical Media
Carlos Castellanos
Leonardo (2018) 51 (2): 133–137.
View articletitled, <em>Biopoiesis</em>: Electrochemical Media
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Warholian Repetition and the Viewer’s Affective Response to Artworks from His Death and Disaster Series
Jason Kass, Beth Harland, Nick Donnelly
Leonardo (2018) 51 (2): 138–142.
View articletitled, Warholian Repetition and the Viewer’s Affective Response to Artworks from His <em>Death and Disaster</em> Series
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Historical Perspectives

Digital Art: The ’60s to the ’80s, from the Point of View of an Observactor
Edmond Couchot
Leonardo (2018) 51 (2): 143–144.
View articletitled, Digital Art: The ’60s to the ’80s, from the Point of View of an Observa<em><span class="underline">c</span></em>tor
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Concrete Photography: (In-Between) Light Image and Data Image
Gottfried Jäger
Leonardo (2018) 51 (2): 146–154.
View articletitled, Concrete Photography: (In-Between) Light Image and Data Image
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The Contribution of Desmond Paul Henry (1921–2004) to Twentieth-Century Computer Art
Elaine O’Hanrahan
Leonardo (2018) 51 (2): 156–162.
View articletitled, The Contribution of Desmond Paul Henry (1921–2004) to Twentieth-Century Computer Art
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Statement

TRACES: Mobile Eye Tracking Captures User Sensory Experience in an Outdoor Walking Tour Environment
Olivia Guntarik, Jair E. Garcia, Scarlett R. Howard, Adrian G. Dyer
Leonardo (2018) 51 (2): 163–164.
View articletitled, TRACES: Mobile Eye Tracking Captures User Sensory Experience in an Outdoor Walking Tour Environment
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Special Section: ArtScience

Art in the Sciences of the Artificial
Kenneth O. Stanley
Leonardo (2018) 51 (2): 165–172.
View articletitled, Art in the Sciences of the Artificial
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Special Section: Artists and War

Are We an Intelligent Race?
Michele Emmer
Leonardo (2018) 51 (2): 173–174.
View articletitled, Are We an Intelligent Race?
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Special Section: Papers from the 4th and 5th Balance-Unbalance International Conference: Part 1

Papers from the 4th and 5th Balance-Unbalance International Conference, Part 1
Ricardo Dal Farra
Leonardo (2018) 51 (2): 175.
View articletitled, Papers from the 4th and 5th Balance-Unbalance International Conference, Part 1
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Balance-Unbalance: Transforming Paradigms (Art ↔ Environment)
Ricardo Dal Farra
Leonardo (2018) 51 (2): 176–177.
View articletitled, Balance-Unbalance: Transforming Paradigms (Art ↔ Environment)
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Water Infrastructure and New Music as Agents of Environmental Awareness
Gabriel Lubell
Leonardo (2018) 51 (2): 178.
View articletitled, Water Infrastructure and New Music as Agents of Environmental Awareness
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Climate and Music, Beyond Sonification: Balance-Unbalance 2016
Andrew Kruczkiewicz
Leonardo (2018) 51 (2): 179–180.
View articletitled, Climate and Music, Beyond Sonification: Balance-Unbalance 2016
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The Value of Waste
Michel van Dartel, Anne Nigten
Leonardo (2018) 51 (2): 181–182.
View articletitled, The Value of Waste
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Esmog Data: Interpreting Air Quality Through Media Art and Design
Julián Jaramillo Arango
Leonardo (2018) 51 (2): 183.
View articletitled, Esmog Data: Interpreting Air Quality Through Media Art and Design
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The Art and Science of Recording the Environment
Leah Barclay, Toby Gifford
Leonardo (2018) 51 (2): 184.
View articletitled, The Art and Science of Recording the Environment
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Visualizations in Economics
Fernando Carriazo, Jorge H García
Leonardo (2018) 51 (2): 185–186.
View articletitled, Visualizations in Economics
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Ontohacking: Onto-Ecological Politics in the Algoricene
Jaime del Val
Leonardo (2018) 51 (2): 187–188.
View articletitled, Ontohacking: Onto-Ecological Politics in the Algoricene
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Water Issues in Chile: How Does a Dry River Sound?
Ignacio Nieto, Marcelo Velasco, Nelida Pohl, Graciela Muñoz
Leonardo (2018) 51 (2): 189–190.
View articletitled, Water Issues in Chile: How Does a Dry River Sound?
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Relationships between Art, Science and Epistemology: The Earth as a Laboratory and the “Intruder Artist”
Paz Tornero
Leonardo (2018) 51 (2): 191–192.
View articletitled, Relationships between Art, Science and Epistemology: The Earth as a Laboratory and the “Intruder Artist”
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Listening to the Ocean in the Desert
Yolande Harris
Leonardo (2018) 51 (2): 193–194.
View articletitled, Listening to the Ocean in the Desert
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Ecocompositional and Performative Strategies for Creative Usage of Everyday Sounds: Creative Semantic Anchoring
Damián Keller, Leonardo Feichas
Leonardo (2018) 51 (2): 195–196.
View articletitled, Ecocompositional and Performative Strategies for Creative Usage of Everyday Sounds: Creative Semantic Anchoring
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Could Human Development Be the Key to Environmental Sustainability?
Ahmed Affan Adil
Leonardo (2018) 51 (2): 197–198.
View articletitled, Could Human Development Be the Key to Environmental Sustainability?
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The Drama of Dengue Fever: Civic-Oriented Journalists, Community and Artists Fighting Dengue
Tiago Franklin Rodrigues Lucena, Ana Paula Machado Velho, Vinicius Durval Dorne, Diana Maria Gallicchio Domingues
Leonardo (2018) 51 (2): 199–200.
View articletitled, The Drama of Dengue Fever: Civic-Oriented Journalists, Community and Artists Fighting Dengue
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Leonardo Reviews Books

Playback: A Genealogy of 1980s British Videogames
James Sweeting
Leonardo (2018) 51 (2): 201–203.
View articletitled, Playback: A Genealogy of 1980s British Videogames
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Across Beyond: A Transmediale Reader on Post-Digital Practices, Concepts, and Institutions
Gabriela Galati
Leonardo (2018) 51 (2): 203–205.
View articletitled, Across Beyond: A Transmediale Reader on Post-Digital Practices, Concepts, and Institutions
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Screen Ecologies: Art, Media, and the Environment in the Asia-Pacific Region
Mike Leggett
Leonardo (2018) 51 (2): 205–206.
View articletitled, Screen Ecologies: Art, Media, and the Environment in the Asia-Pacific Region
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Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age
Will Luers
Leonardo (2018) 51 (2): 206–207.
View articletitled, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age
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The Age of Lovecraft
Anthony Enns
Leonardo (2018) 51 (2): 207–208.
View articletitled, The Age of Lovecraft
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Making Trouble: Surrealism and the Human Sciences
Jan Baetens
Leonardo (2018) 51 (2): 208–209.
View articletitled, Making Trouble: Surrealism and the Human Sciences
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Institutional Critique to Hospitality: Bio Art Practice Now; Ciencia Abierta: Singularidad e Irrupción en Las Fronteras de la Práctica Artística/Open Science: Singularity and Emergence on the Boundary of Artistic Practice
Charissa N. Terranova
Leonardo (2018) 51 (2): 209–211.
View articletitled, Institutional Critique to Hospitality: Bio Art Practice Now; Ciencia Abierta: Singularidad e Irrupción en Las Fronteras de la Práctica Artística/Open Science: Singularity and Emergence on the Boundary of Artistic Practice
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The Apparently Marginal Activities of Marcel Duchamp
Giovanna Costantini
Leonardo (2018) 51 (2): 211–212.
View articletitled, The Apparently Marginal Activities of Marcel Duchamp
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Memory in Motion: Archives, Technology and the Social
Jan Baetens
Leonardo (2018) 51 (2): 212–213.
View articletitled, Memory in Motion: Archives, Technology and the Social
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The Interface: IBM and the Transformation of Corporate Design, 1945–1976
Mike Mosher
Leonardo (2018) 51 (2): 213–214.
View articletitled, The Interface: IBM and the Transformation of Corporate Design, 1945–1976
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Leonardo Reviews Online
Leonardo (2018) 51 (2): 214.
View articletitled, Leonardo Reviews Online
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The Network

The Network
Stacy Jerger
Leonardo (2018) 51 (2): 215–216.
View articletitled, The Network
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Endnote

It Is Time to Think the Anthropocene! A Manifesto
Jean-Marc Chomaz
Leonardo (2018) 51 (2): 217–219.
View articletitled, It Is Time to Think the Anthropocene! A Manifesto
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