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Volume 51, Issue 4
August 2018
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282

SIGGRAPH 2018 Art Papers and Original Narratives Art Gallery

ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art

ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art
Monika Fleischmann
Leonardo (2018) 51 (4): 330–331.
View articletitled, ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art
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Art Papers

Art Papers Jury: Introducing the SIGGRAPH 2018 Art Papers
Angus G. Forbes
Leonardo (2018) 51 (4): 332–335.
View articletitled, Art Papers Jury: Introducing the SIGGRAPH 2018 Art Papers
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Augmented Fauna and Glass Mutations: A Dialogue Between Material and Technique in Glassblowing and 3D Printing
Tobias Klein
Leonardo (2018) 51 (4): 336–342.
View articletitled, <em>Augmented Fauna</em> and <em>Glass Mutations</em>: A Dialogue Between Material and Technique in Glassblowing and 3D Printing
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Inhabitat: An Imaginary Ecosystem in a Children’s Science Museum
Haru Hyunkyung Ji, Graham Wakefield
Leonardo (2018) 51 (4): 343–348.
View articletitled, <em>Inhabitat</em>: An Imaginary Ecosystem in a Children’s Science Museum
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Cop to Conductor: Negotiating and Remapping Meaning in Existing Public Art
Todd Berreth
Leonardo (2018) 51 (4): 349–355.
View articletitled, Cop to Conductor: Negotiating and Remapping Meaning in Existing Public Art
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Diastrophisms: Visual and Sound Assembly in Remembrance of an Earthquake
Nicole L’Huillier, Valentina Montero
Leonardo (2018) 51 (4): 356–361.
View articletitled, <em>Diastrophisms</em>: Visual and Sound Assembly in Remembrance of an Earthquake
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Holojam in Wonderland: Immersive Mixed Reality Theater
David Gochfeld, Corinne Brenner, Kris Layng, Sebastian Herscher, Connor DeFanti ...
Leonardo (2018) 51 (4): 362–367.
View articletitled, <em>Holojam in Wonderland</em>: Immersive Mixed Reality Theater
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Alienating the Familiar with CGI: A Recipe for Making a Full CGI Art House Animated Feature
Paul Charisse, Alex Counsell
Leonardo (2018) 51 (4): 368–374.
View articletitled, Alienating the Familiar with CGI: A Recipe for Making a Full CGI Art House Animated Feature
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Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations
Nicolas Henchoz, Allison Crank
Leonardo (2018) 51 (4): 375–380.
View articletitled, Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations
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Data Materialization: A Hybrid Process of Crafting a Teapot
Courtney Starrett, Susan Reiser, Tom Pacio
Leonardo (2018) 51 (4): 381–385.
View articletitled, Data Materialization: A Hybrid Process of Crafting a Teapot
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Robotype: Studies of Kinetic Typography by Robot Display for Expressing Letters, Time and Movement
Yuichiro Katsumoto
Leonardo (2018) 51 (4): 386–393.
View articletitled, Robotype: Studies of Kinetic Typography by Robot Display for Expressing Letters, Time and Movement
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Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke
Brittany Myburgh
Leonardo (2018) 51 (4): 394–398.
View articletitled, Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke
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CASTING: Site-Specific Projection Mapping Installation
Yiyun Kang
Leonardo (2018) 51 (4): 399–404.
View articletitled, <em>CASTING</em>: Site-Specific Projection Mapping Installation
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Entropy and FatFinger: Challenging the Compulsiveness of Code with Programmatic Anti-Styles
Daniel Temkin
Leonardo (2018) 51 (4): 405–412.
View articletitled, Entropy and FatFinger: Challenging the Compulsiveness of Code with Programmatic Anti-Styles
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Advertising Positions: Data Portraiture as Aesthetic Critique
Daniel C. Howe, Qianxun Chen, Zong Chen
Leonardo (2018) 51 (4): 413–418.
View articletitled, <em>Advertising Positions</em>: Data Portraiture as Aesthetic Critique
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Original Narratives Art Gallery

Original Narratives Art Gallery: Introduction
Andrés Burbano
Leonardo (2018) 51 (4): 420–421.
View articletitled, Original Narratives Art Gallery: Introduction
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The Future Is Indigenous
Jason Edward Lewis, Skawennati
Leonardo (2018) 51 (4): 422–423.
View articletitled, The Future Is Indigenous
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The Computational Imagination: Notes on the Exhibition Designing the Computational Image, Imagining Computational Design
Matthew Allen
Leonardo (2018) 51 (4): 424–425.
View articletitled, The Computational Imagination: Notes on the Exhibition <em>Designing the Computational Image, Imagining Computational Design</em>
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Art Gallery
Andrés Burbano, Ernest Edmonds, Daniel Cardoso Llach, Skawennati, Nā ‘Anae Mahiki ...
Leonardo (2018) 51 (4): 426–445.
View articletitled, Art Gallery
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The Network

The Network
Stacy Jerger
Leonardo (2018) 51 (4): 446–447.
View articletitled, The Network
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  • Online ISSN 1530-9282
  • Print ISSN 0024-094X
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