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Volume 51, Issue 5

October 2018

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Cover Image

Cover Image

ISSN 0024-094X

EISSN 1530-9282

In this Issue

Editorial
Artist’s Article
General Articles
Technical Article
Historical Perspective
Statement
Extended Abstract
Special Section: Art and Atoms
Special Section: ArtScience
Special Section: Environment 2.0
Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017
Leonardo ReviewsBooks
The Network
Endnote

Editorial

Trust in Invisible Agents

Drew Hemment

Leonardo (2018) 51 (5): 450.

View articletitled, Trust in Invisible Agents

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Artist’s Article

Virtual Reality—Virtual Brain: Questioning Reality

Teresa Wennberg

Leonardo (2018) 51 (5): 453–459.

Abstract

View articletitled, Virtual Reality—Virtual Brain: Questioning Reality

Supplementary data

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General Articles

Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance

PerMagnus Lindborg

Leonardo (2018) 51 (5): 466–474.

Abstract

View articletitled, Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance

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Advanced Constructivism and Postgravity Art: Theoretical and Philosophical Implications

Mojca Puncer

Leonardo (2018) 51 (5): 475–481.

Abstract

View articletitled, Advanced Constructivism and Postgravity Art: Theoretical and Philosophical Implications

Supplementary data

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Walk-in Theater: Interaction Design for a Miniature Experience with Peripatetic Cinema

Rachel Strickland, Eric Gould Bear, Jim McKee

Leonardo (2018) 51 (5): 482–490.

Abstract

View articletitled, Walk-in Theater: Interaction Design for a Miniature Experience with Peripatetic Cinema

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Technical Article

A Virtual Three-Dimensional Model of Las Meninas: Paradox or Mirror Image?

Luis Ramón-Laca

Leonardo (2018) 51 (5): 492–497.

Abstract

View articletitled, A Virtual Three-Dimensional Model of Las Meninas: Paradox or Mirror Image?

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Historical Perspective

Sculpture in Space: Flotation and Levitation in Postwar Art

Stephen Petersen

Leonardo (2018) 51 (5): 498–502.

Abstract

View articletitled, Sculpture in Space: Flotation and Levitation in Postwar Art

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Statement

The Character Thinks Ahead: Creative Writing with Deep Learning Nets and Its Stylistic Assessment

Roger T. Dean, Hazel Smith

Leonardo (2018) 51 (5): 503–504.

Abstract

View articletitled, The Character Thinks Ahead: Creative Writing with Deep Learning Nets and Its Stylistic Assessment

Supplementary data

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Extended Abstract

Abstract of: A Geometric Surprise in Dürer’s Engraving of St. Jerome in His Study

Dennis Couzin

Leonardo (2018) 51 (5): 505–506.

View articletitled, Abstract of: A Geometric Surprise in Dürer’s Engraving of St. Jerome in His Study

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Special Section: Art and Atoms

Scanning Electron Microscope: Transmigration of Scientific Photography into the Domain of Art

Anastasia Tyurina

Leonardo (2018) 51 (5): 507–508.

Abstract

View articletitled, Scanning Electron Microscope: Transmigration of Scientific Photography into the Domain of Art

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Special Section: ArtScience

Modeling the Immune System with Gestures: A Choreographic View of Embodiment in Science

Klaus Spiess, Lucie Strecker, Michael Kimmel, Melanie Martes, Peter Pietschmann

Leonardo (2018) 51 (5): 509–516.

Abstract

View articletitled, Modeling the Immune System with Gestures: A Choreographic View of Embodiment in Science

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Special Section: Environment 2.0

Surrounded: A Series of Sound Installations That Combine Plant Electrophysiology and 3D Sonic Art

Augustine Leudar

Leonardo (2018) 51 (5): 517–523.

Abstract

View articletitled, Surrounded: A Series of Sound Installations That Combine Plant Electrophysiology and 3D Sonic Art

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Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017

Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017: Introduction

Sheila Pinkel

Leonardo (2018) 51 (5): 524.

View articletitled, Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017: Introduction

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Amplifying Ambiguities: Art on the Fringes of Biotechnology

Nora S. Vaage

Leonardo (2018) 51 (5): 525.

View articletitled, Amplifying Ambiguities: Art on the Fringes of Biotechnology

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Establishing a Critical Framework for the Appraisal of “Noise” in Contemporary Sound Art with Specific Reference to the Practices of Yasunao Tone, Carsten Nicolai and Ryoji Ikeda

Adam Collis

Leonardo (2018) 51 (5): 526.

View articletitled, Establishing a Critical Framework for the Appraisal of “Noise” in Contemporary Sound Art with Specific Reference to the Practices of Yasunao Tone, Carsten Nicolai and Ryoji Ikeda

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Transductive Praxis in BioArt

Tyler Fox

Leonardo (2018) 51 (5): 526.

View articletitled, Transductive Praxis in BioArt

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Duchamp Meets Turing: Art, Modernism, Posthuman

Gabriela Galati

Leonardo (2018) 51 (5): 527.

View articletitled, Duchamp Meets Turing: Art, Modernism, Posthuman

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Microsound, Spectra, and Objectivity: Tracing Memetics in Organized Sound

Vincent Giles

Leonardo (2018) 51 (5): 527.

View articletitled, Microsound, Spectra, and Objectivity: Tracing Memetics in Organized Sound

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Composing [De]Composition: Data Sonification for Sound Art and Music Composition

Jennifer no.e Parker

Leonardo (2018) 51 (5): 528.

View articletitled, Composing [De]Composition: Data Sonification for Sound Art and Music Composition

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When CRISPR Meets Art: The Experience of Relationality Through the Affective Agency of Matter

Lotte Pet

Leonardo (2018) 51 (5): 528.

View articletitled, When CRISPR Meets Art: The Experience of Relationality Through the Affective Agency of Matter

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Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness and Symbiosis between Physical and Virtual Media

Marco Pinter

Leonardo (2018) 51 (5): 529.

View articletitled, Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness and Symbiosis between Physical and Virtual Media

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Computer Art and Actor-Network Theory: Actants and Intersubjective Associations in Scene

Carlos C. Praude

Leonardo (2018) 51 (5): 529.

View articletitled, Computer Art and Actor-Network Theory: Actants and Intersubjective Associations in Scene

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The Practices of Art and Science

Hannah Star Rogers

Leonardo (2018) 51 (5): 530.

View articletitled, The Practices of Art and Science

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Executing Liveness: An Examination of the Live Dimension of Code Inter-actions in Software (Art) Practice

Winnie Soon

Leonardo (2018) 51 (5): 530.

View articletitled, Executing Liveness: An Examination of the Live Dimension of Code Inter-actions in Software (Art) Practice

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Contemporary Urban Media Art—Images of Urgency: A Curatorial Inquiry

Tanya Toft

Leonardo (2018) 51 (5): 531.

View articletitled, Contemporary Urban Media Art—Images of Urgency: A Curatorial Inquiry

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Live Brain-Computer Cinema Performance

Polina Zioga

Leonardo (2018) 51 (5): 531.

View articletitled, Live Brain-Computer Cinema Performance

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Leonardo ReviewsBooks

Film as Philosophy

Will Luers

Leonardo (2018) 51 (5): 533–534.

View articletitled, Film as Philosophy

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Gallery Sound

John F. Barber

Leonardo (2018) 51 (5): 534.

View articletitled, Gallery Sound

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Textures of the Anthropocene: Grain Vapor Ray

Edith Doove

Leonardo (2018) 51 (5): 535–536.

View articletitled, Textures of the Anthropocene: Grain Vapor Ray

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So Famous and So Gay: The Fabulous Potency of Truman Capote and Gertrude Stein

Jan Baetens

Leonardo (2018) 51 (5): 536–537.

View articletitled, So Famous and So Gay: The Fabulous Potency of Truman Capote and Gertrude Stein

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Patrick Tresset: Human Traits and the Art of Creative Machines

Rob Harle

Leonardo (2018) 51 (5): 537–538.

View articletitled, Patrick Tresset: Human Traits and the Art of Creative Machines

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Live Wires: A History of Electronic Music

John F. Barber

Leonardo (2018) 51 (5): 538–539.

View articletitled, Live Wires: A History of Electronic Music

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Chinese Dance: In the Vast Land and Beyond

Jonathan Zilberg

Leonardo (2018) 51 (5): 539–541.

View articletitled, Chinese Dance: In the Vast Land and Beyond

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Arthur Balfour’s Ghosts: An Edwardian Elite and the Riddle of Cross-Correspondence Automatic Writings

Anna Walker

Leonardo (2018) 51 (5): 541–542.

View articletitled, Arthur Balfour’s Ghosts: An Edwardian Elite and the Riddle of Cross-Correspondence Automatic Writings

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Code and Clay, Data and Dirt: Five Thousand Years of Urban Media

Jussi Parikka

Leonardo (2018) 51 (5): 542–543.

View articletitled, Code and Clay, Data and Dirt: Five Thousand Years of Urban Media

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Modernist Informatics: Literature, Information, and the State

Boris Jardine

Leonardo (2018) 51 (5): 543–545.

View articletitled, Modernist Informatics: Literature, Information, and the State

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Mentored by a Madman: The William Burroughs Experiment

Jan Baetens

Leonardo (2018) 51 (5): 545–546.

View articletitled, Mentored by a Madman: The William Burroughs Experiment

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ChildArt Magazine: Arts and Mind—The Brain Science of Human Experience (July–September 2017)

Amy Ione

Leonardo (2018) 51 (5): 546–548.

View articletitled, ChildArt Magazine: Arts and Mind—The Brain Science of Human Experience (July–September 2017)

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Leonardo Reviews Online

Editors

Leonardo (2018) 51 (5): 548.

View articletitled, Leonardo Reviews Online

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The Network

Stacy Jerger

Leonardo (2018) 51 (5): 549–550.

View articletitled, The Network

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Endnote

Art, Aliens and the Machine

G.W. Smith

Leonardo (2018) 51 (5): 551–552.

Abstract

View articletitled, Art, Aliens and the Machine

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Issues

Cover Image

Editorial

Artist’s Article

General Articles

Technical Article

Historical Perspective

Statement

Extended Abstract

Special Section: Art and Atoms

Special Section: ArtScience

Special Section: Environment 2.0

Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017

Leonardo ReviewsBooks

The Network

Endnote

Product(s) added to cart

Email alerts

RSS Feeds

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