Issues

Artist’s Article

Virtual Reality—Virtual Brain: Questioning Reality

Teresa Wennberg

Leonardo (2018) 51 (5): 453–459.

Abstract

General Articles

Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance

PerMagnus Lindborg

Leonardo (2018) 51 (5): 466–474.

Abstract

Advanced Constructivism and Postgravity Art: Theoretical and Philosophical Implications

Mojca Puncer

Leonardo (2018) 51 (5): 475–481.

Abstract

Walk-in Theater: Interaction Design for a Miniature Experience with Peripatetic Cinema

Rachel Strickland, Eric Gould Bear, Jim McKee

Leonardo (2018) 51 (5): 482–490.

Abstract

Technical Article

A Virtual Three-Dimensional Model of Las Meninas: Paradox or Mirror Image?

Luis Ramón-Laca

Leonardo (2018) 51 (5): 492–497.

Abstract

Historical Perspective

Sculpture in Space: Flotation and Levitation in Postwar Art

Stephen Petersen

Leonardo (2018) 51 (5): 498–502.

Abstract

Statement

The Character Thinks Ahead: Creative Writing with Deep Learning Nets and Its Stylistic Assessment

Roger T. Dean, Hazel Smith

Leonardo (2018) 51 (5): 503–504.

Abstract

Extended Abstract

Abstract of: A Geometric Surprise in Dürer’s Engraving of St. Jerome in His Study

Dennis Couzin

Leonardo (2018) 51 (5): 505–506.

Special Section: Art and Atoms

Scanning Electron Microscope: Transmigration of Scientific Photography into the Domain of Art

Anastasia Tyurina

Leonardo (2018) 51 (5): 507–508.

Abstract

Special Section: ArtScience

Modeling the Immune System with Gestures: A Choreographic View of Embodiment in Science

Klaus Spiess, Lucie Strecker, Michael Kimmel, Melanie Martes, Peter Pietschmann

Leonardo (2018) 51 (5): 509–516.

Abstract

Special Section: Environment 2.0

Surrounded: A Series of Sound Installations That Combine Plant Electrophysiology and 3D Sonic Art

Augustine Leudar

Leonardo (2018) 51 (5): 517–523.

Abstract

Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017

Leonardo Abstracts Service: Top-Rated LABS Abstracts 2017: Introduction

Sheila Pinkel

Leonardo (2018) 51 (5): 524.

Amplifying Ambiguities: Art on the Fringes of Biotechnology

Nora S. Vaage

Leonardo (2018) 51 (5): 525.

Establishing a Critical Framework for the Appraisal of “Noise” in Contemporary Sound Art with Specific Reference to the Practices of Yasunao Tone, Carsten Nicolai and Ryoji Ikeda

Adam Collis

Leonardo (2018) 51 (5): 526.

Transductive Praxis in BioArt

Tyler Fox

Leonardo (2018) 51 (5): 526.

Duchamp Meets Turing: Art, Modernism, Posthuman

Gabriela Galati

Leonardo (2018) 51 (5): 527.

Microsound, Spectra, and Objectivity: Tracing Memetics in Organized Sound

Vincent Giles

Leonardo (2018) 51 (5): 527.

Composing [De]Composition: Data Sonification for Sound Art and Music Composition

Jennifer no.e Parker

Leonardo (2018) 51 (5): 528.

When CRISPR Meets Art: The Experience of Relationality Through the Affective Agency of Matter

Lotte Pet

Leonardo (2018) 51 (5): 528.

Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness and Symbiosis between Physical and Virtual Media

Marco Pinter

Leonardo (2018) 51 (5): 529.

Computer Art and Actor-Network Theory: Actants and Intersubjective Associations in Scene

Carlos C. Praude

Leonardo (2018) 51 (5): 529.

The Practices of Art and Science

Hannah Star Rogers

Leonardo (2018) 51 (5): 530.

Executing Liveness: An Examination of the Live Dimension of Code Inter-actions in Software (Art) Practice

Winnie Soon

Leonardo (2018) 51 (5): 530.

Contemporary Urban Media Art—Images of Urgency: A Curatorial Inquiry

Tanya Toft

Leonardo (2018) 51 (5): 531.

Live Brain-Computer Cinema Performance

Polina Zioga

Leonardo (2018) 51 (5): 531.

Leonardo ReviewsBooks

Film as Philosophy

Will Luers

Leonardo (2018) 51 (5): 533–534.

Gallery Sound

John F. Barber

Leonardo (2018) 51 (5): 534.

Textures of the Anthropocene: Grain Vapor Ray

Edith Doove

Leonardo (2018) 51 (5): 535–536.

So Famous and So Gay: The Fabulous Potency of Truman Capote and Gertrude Stein

Jan Baetens

Leonardo (2018) 51 (5): 536–537.

Patrick Tresset: Human Traits and the Art of Creative Machines

Rob Harle

Leonardo (2018) 51 (5): 537–538.

Live Wires: A History of Electronic Music

John F. Barber

Leonardo (2018) 51 (5): 538–539.

Chinese Dance: In the Vast Land and Beyond

Jonathan Zilberg

Leonardo (2018) 51 (5): 539–541.

Arthur Balfour’s Ghosts: An Edwardian Elite and the Riddle of Cross-Correspondence Automatic Writings

Anna Walker

Leonardo (2018) 51 (5): 541–542.

Code and Clay, Data and Dirt: Five Thousand Years of Urban Media

Jussi Parikka

Leonardo (2018) 51 (5): 542–543.

Modernist Informatics: Literature, Information, and the State

Boris Jardine

Leonardo (2018) 51 (5): 543–545.

Mentored by a Madman: The William Burroughs Experiment

Jan Baetens

Leonardo (2018) 51 (5): 545–546.

ChildArt Magazine: Arts and Mind—The Brain Science of Human Experience (July–September 2017)

Amy Ione

Leonardo (2018) 51 (5): 546–548.

Leonardo Reviews Online

Editors

Leonardo (2018) 51 (5): 548.

The Network

Stacy Jerger

Leonardo (2018) 51 (5): 549–550.

Endnote

Art, Aliens and the Machine

G.W. Smith

Leonardo (2018) 51 (5): 551–552.

Abstract