Issues

Giorgio Scarpa’s Model of a Sea Urchin Inspires New Instrumentation

Pino Trogu

Leonardo (2019) 52 (2): 146–151.

Abstract

Computer Memoirs of Ray Lauzzana

Ray Lauzzana

Leonardo (2019) 52 (2): 191–193.

Abstract

Evaluation and Analysis of White Space in Wu Guanzhong’s Chinese Paintings

ZhenBao Fan, Kang Zhang, XianJun Sam Zheng

Leonardo (2019) 52 (2): 111–116.

Abstract

Cocurated Digital Culture: Machinima

Tracy Harwood

Leonardo (2019) 52 (2): 123–127.

Abstract

Affective Quantification of Color Gestalt: Modeling of Affective Factors for Combinative Color Design

Guosheng Hu

Leonardo (2019) 52 (2): 157–163.

Abstract

Complementary Quantitative Approach to Unsolved Issues in Art History: Similarity of Visual Features in the Paintings of Vermeer and His Probable Mentors

Minseo Kim, Jeounghoon Kim

Leonardo (2019) 52 (2): 164–174.

Abstract

How a Mathematician Started Making Movies

Michele Emmer

Leonardo (2019) 52 (2): 184–190.

Abstract

Transdimensional Space: From Moholy-Nagy to Doctor Who

Barbara L. Miller

Leonardo (2019) 52 (2): 128–134.

Abstract

Epistemic Ecology: An Artwork of Gigapixel Imagery and Ideas

Mengxing Ao, Ying-Qing Xu

Leonardo (2019) 52 (2): 175–176.

Abstract

Have You Ever Used Two Picture Planes to Draw a Single Perspective View?

Tomás García Salgado

Leonardo (2019) 52 (2): 117–122.

Abstract

Ranking Artists: An Internet-Era Analysis

Alan B. Oppenheimer

Leonardo (2019) 52 (2): 135–145.

Abstract

Immediations: The Humanitarian Impulse in Documentary

Ana Peraica

Leonardo (2019) 52 (2): 198–199.

The Collider

Ke Fang, Danqing Shi, Yunzi Qian, Yin Li, Junjie Yu

Leonardo (2019) 52 (2): 177–178.

Abstract

Super Power, Spoony Bards, and Silverware

James Sweeting

Leonardo (2019) 52 (2): 199–201.

66m Under

Shan Tu, Haipeng Mi, Feng Xian

Leonardo (2019) 52 (2): 181.

Abstract

“Manifiesto Manizales”: Una Experiencia Transdisciplinar

Juan Camilo Aguirre, Sandra Mercedes Calvachi, Andrés Felipe Gil

Leonardo (2019) 52 (2): 108.

Designed for Hi-Fi Living: The Vinyl LP in Midcentury America

John F. Barber

Leonardo (2019) 52 (2): 201–202.

Poetic Conventions as Cognitive Fossils

Rob Harle

Leonardo (2019) 52 (2): 202.

The Network

Stacy Jerger

Leonardo (2019) 52 (2): 211–212.

Tangible Tetris

Meng Wang, Haipeng Mi

Leonardo (2019) 52 (2): 182–183.

Abstract

Interactive Art—Smiling Buddha: Recording the Moment at Which an Observer Smiles through Sight Detection and Smile Recognition

He-Lin Luo, Jinyao Lin, Yi-Ping Hung

Leonardo (2019) 52 (2): 179–180.

Abstract

Aerial Aftermaths: Wartime from Above

Mike Leggett

Leonardo (2019) 52 (2): 203–204.

Extended Heredity: A New Understanding of Inheritance and Evolution

Cecilia Wong

Leonardo (2019) 52 (2): 204–205.

The Liminal Period: A Manifesto for Living Art

Felix May

Leonardo (2019) 52 (2): 213–214.

Brouhaha: Worlds of the Contemporary

Edith Doove

Leonardo (2019) 52 (2): 197–198.

Passwords: Philology, Security, Authentication

Jan Baetens

Leonardo (2019) 52 (2): 205–206.

12th Conference of the European Society for Literature, Science and the Arts: Green

Giovanna L. Costantini

Leonardo (2019) 52 (2): 208–210.

Perfection’s Therapy: An Essay on Albrecht Dürer’s Melencolia I

Mike Mosher

Leonardo (2019) 52 (2): 206–207.

Leonardo Reviews Online

Leonardo (2019) 52 (2): 210.

The Man Who Walked in Color

Stephen Petersen

Leonardo (2019) 52 (2): 207–208.