Skip Nav Destination

Issues

Select Year

Issue

Volume 52, Issue 2

April 2019

Previous Issue
Next Issue

All Issues

Cover Image

Cover Image

ISSN 0024-094X

EISSN 1530-9282

In this Issue

Art, Science, Technology: Six Exhibitions 1966–1998

Frank Popper

Leonardo (2019) 52 (2): 194–195.

Abstract

View article

PDF

Giorgio Scarpa’s Model of a Sea Urchin Inspires New Instrumentation

Pino Trogu

Leonardo (2019) 52 (2): 146–151.

Abstract

View article

Supplementary data

PDF

Computer Memoirs of Ray Lauzzana

Ray Lauzzana

Leonardo (2019) 52 (2): 191–193.

Abstract

View article

PDF

Evaluation and Analysis of White Space in Wu Guanzhong’s Chinese Paintings

ZhenBao Fan, Kang Zhang, XianJun Sam Zheng

Leonardo (2019) 52 (2): 111–116.

Abstract

View article

PDF

Cocurated Digital Culture: Machinima

Tracy Harwood

Leonardo (2019) 52 (2): 123–127.

Abstract

View article

PDF

Affective Quantification of Color Gestalt: Modeling of Affective Factors for Combinative Color Design

Guosheng Hu

Leonardo (2019) 52 (2): 157–163.

Abstract

View article

PDF

Complementary Quantitative Approach to Unsolved Issues in Art History: Similarity of Visual Features in the Paintings of Vermeer and His Probable Mentors

Minseo Kim, Jeounghoon Kim

Leonardo (2019) 52 (2): 164–174.

Abstract

View article

PDF

How a Mathematician Started Making Movies

Michele Emmer

Leonardo (2019) 52 (2): 184–190.

Abstract

View article

PDF

Transdimensional Space: From Moholy-Nagy to Doctor Who

Barbara L. Miller

Leonardo (2019) 52 (2): 128–134.

Abstract

View article

PDF

Epistemic Ecology: An Artwork of Gigapixel Imagery and Ideas

Mengxing Ao, Ying-Qing Xu

Leonardo (2019) 52 (2): 175–176.

Abstract

View article

Supplementary data

PDF

Have You Ever Used Two Picture Planes to Draw a Single Perspective View?

Tomás García Salgado

Leonardo (2019) 52 (2): 117–122.

Abstract

View article

Supplementary data

PDF

Ranking Artists: An Internet-Era Analysis

Alan B. Oppenheimer

Leonardo (2019) 52 (2): 135–145.

Abstract

View article

Supplementary data

PDF

Immediations: The Humanitarian Impulse in Documentary

Ana Peraica

Leonardo (2019) 52 (2): 198–199.

View article

PDF

The Collider

Ke Fang, Danqing Shi, Yunzi Qian, Yin Li, Junjie Yu

Leonardo (2019) 52 (2): 177–178.

Abstract

View article

PDF

Super Power, Spoony Bards, and Silverware

James Sweeting

Leonardo (2019) 52 (2): 199–201.

View article

PDF

66m Under

Shan Tu, Haipeng Mi, Feng Xian

Leonardo (2019) 52 (2): 181.

Abstract

View article

Supplementary data

PDF

“Manifiesto Manizales”: Una Experiencia Transdisciplinar

Juan Camilo Aguirre, Sandra Mercedes Calvachi, Andrés Felipe Gil

Leonardo (2019) 52 (2): 108.

View article

Supplementary data

PDF

Designed for Hi-Fi Living: The Vinyl LP in Midcentury America

John F. Barber

Leonardo (2019) 52 (2): 201–202.

View article

PDF

Poetic Conventions as Cognitive Fossils

Rob Harle

Leonardo (2019) 52 (2): 202.

View article

PDF

The Network

Stacy Jerger

Leonardo (2019) 52 (2): 211–212.

View article

PDF

Tangible Tetris

Meng Wang, Haipeng Mi

Leonardo (2019) 52 (2): 182–183.

Abstract

View article

Supplementary data

PDF

Interactive Art—Smiling Buddha: Recording the Moment at Which an Observer Smiles through Sight Detection and Smile Recognition

He-Lin Luo, Jinyao Lin, Yi-Ping Hung

Leonardo (2019) 52 (2): 179–180.

Abstract

View article

Supplementary data

PDF

Aerial Aftermaths: Wartime from Above

Mike Leggett

Leonardo (2019) 52 (2): 203–204.

View article

PDF

Extended Heredity: A New Understanding of Inheritance and Evolution

Cecilia Wong

Leonardo (2019) 52 (2): 204–205.

View article

PDF

The Liminal Period: A Manifesto for Living Art

Felix May

Leonardo (2019) 52 (2): 213–214.

View article

PDF

Brouhaha: Worlds of the Contemporary

Edith Doove

Leonardo (2019) 52 (2): 197–198.

View article

PDF

Passwords: Philology, Security, Authentication

Jan Baetens

Leonardo (2019) 52 (2): 205–206.

View article

PDF

12th Conference of the European Society for Literature, Science and the Arts: Green

Giovanna L. Costantini

Leonardo (2019) 52 (2): 208–210.

View article

PDF

Perfection’s Therapy: An Essay on Albrecht Dürer’s Melencolia I

Mike Mosher

Leonardo (2019) 52 (2): 206–207.

View article

PDF

Leonardo Reviews Online

Leonardo (2019) 52 (2): 210.

View article

PDF

The Man Who Walked in Color

Stephen Petersen

Leonardo (2019) 52 (2): 207–208.

View article

PDF

Product(s) added to cart

Go to Cart Continue Browsing

Email alerts

Latest Issue Alert

RSS Feeds

RSS Feed - Current Issue Only

Open Issues RSS Feed

Art, Science, Technology: Six Exhibitions 1966–1998

Giorgio Scarpa’s Model of a Sea Urchin Inspires New Instrumentation

Computer Memoirs of Ray Lauzzana

Evaluation and Analysis of White Space in Wu Guanzhong’s Chinese Paintings

Cocurated Digital Culture: Machinima

Affective Quantification of Color Gestalt: Modeling of Affective Factors for Combinative Color Design

Complementary Quantitative Approach to Unsolved Issues in Art History: Similarity of Visual Features in the Paintings of Vermeer and His Probable Mentors

How a Mathematician Started Making Movies

Transdimensional Space: From Moholy-Nagy to Doctor Who

Epistemic Ecology: An Artwork of Gigapixel Imagery and Ideas

Have You Ever Used Two Picture Planes to Draw a Single Perspective View?

Ranking Artists: An Internet-Era Analysis

Immediations: The Humanitarian Impulse in Documentary

The Collider

Super Power, Spoony Bards, and Silverware

66m Under

“Manifiesto Manizales”: Una Experiencia Transdisciplinar

Designed for Hi-Fi Living: The Vinyl LP in Midcentury America

Poetic Conventions as Cognitive Fossils

The Network

Tangible Tetris

Interactive Art—Smiling Buddha: Recording the Moment at Which an Observer Smiles through Sight Detection and Smile Recognition

Aerial Aftermaths: Wartime from Above

Extended Heredity: A New Understanding of Inheritance and Evolution

The Liminal Period: A Manifesto for Living Art

Brouhaha: Worlds of the Contemporary

Passwords: Philology, Security, Authentication

12th Conference of the European Society for Literature, Science and the Arts: Green

Perfection’s Therapy: An Essay on Albrecht Dürer’s Melencolia I

Leonardo Reviews Online

The Man Who Walked in Color

Email alerts

RSS Feeds

Books

Journals

US

Customer Support

Connect

Issues

Cover Image

Product(s) added to cart

Email alerts

RSS Feeds

US

Connect

This Feature Is Available To Subscribers Only