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Volume 52, Issue 2
April 2019
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282
In this Issue
Art, Science, Technology: Six Exhibitions 1966–1998
Frank Popper
Leonardo (2019) 52 (2): 194–195.
View articletitled, Art, Science, Technology: Six Exhibitions 1966–1998
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Giorgio Scarpa’s Model of a Sea Urchin Inspires New Instrumentation
Pino Trogu
Leonardo (2019) 52 (2): 146–151.
View articletitled, Giorgio Scarpa’s Model of a Sea Urchin Inspires New Instrumentation
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Computer Memoirs of Ray Lauzzana
Ray Lauzzana
Leonardo (2019) 52 (2): 191–193.
View articletitled, Computer Memoirs of Ray Lauzzana
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Evaluation and Analysis of White Space in Wu Guanzhong’s Chinese Paintings
ZhenBao Fan, Kang Zhang, XianJun Sam Zheng
Leonardo (2019) 52 (2): 111–116.
View articletitled, Evaluation and Analysis of White Space in Wu Guanzhong’s Chinese Paintings
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Cocurated Digital Culture: Machinima
Tracy Harwood
Leonardo (2019) 52 (2): 123–127.
View articletitled, Cocurated Digital Culture: Machinima
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Affective Quantification of Color Gestalt: Modeling of Affective Factors for Combinative Color Design
Guosheng Hu
Leonardo (2019) 52 (2): 157–163.
View articletitled, Affective Quantification of Color Gestalt: Modeling of Affective Factors for Combinative Color Design
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Complementary Quantitative Approach to Unsolved Issues in Art History: Similarity of Visual Features in the Paintings of Vermeer and His Probable Mentors
Minseo Kim, Jeounghoon Kim
Leonardo (2019) 52 (2): 164–174.
View articletitled, Complementary Quantitative Approach to Unsolved Issues in Art History: Similarity of Visual Features in the Paintings of Vermeer and His Probable Mentors
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How a Mathematician Started Making Movies
Michele Emmer
Leonardo (2019) 52 (2): 184–190.
View articletitled, How a Mathematician Started Making Movies
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Transdimensional Space: From Moholy-Nagy to Doctor Who
Barbara L. Miller
Leonardo (2019) 52 (2): 128–134.
View articletitled, Transdimensional Space: From Moholy-Nagy to Doctor Who
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Epistemic Ecology: An Artwork of Gigapixel Imagery and Ideas
Mengxing Ao, Ying-Qing Xu
Leonardo (2019) 52 (2): 175–176.
View articletitled, <em>Epistemic Ecology</em>: An Artwork of Gigapixel Imagery and Ideas
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Have You Ever Used Two Picture Planes to Draw a Single Perspective View?
Tomás García Salgado
Leonardo (2019) 52 (2): 117–122.
View articletitled, Have You Ever Used Two Picture Planes to Draw a Single Perspective View?
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Ranking Artists: An Internet-Era Analysis
Alan B. Oppenheimer
Leonardo (2019) 52 (2): 135–145.
View articletitled, Ranking Artists: An Internet-Era Analysis
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Immediations: The Humanitarian Impulse in Documentary
Ana Peraica
Leonardo (2019) 52 (2): 198–199.
View articletitled, <em>Immediations: The Humanitarian Impulse in Documentary</em>
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The Collider
Ke Fang, Danqing Shi, Yunzi Qian, Yin Li, Junjie Yu
Leonardo (2019) 52 (2): 177–178.
View articletitled, <em>The Collider</em>
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Super Power, Spoony Bards, and Silverware
James Sweeting
Leonardo (2019) 52 (2): 199–201.
View articletitled, <em>Super Power, Spoony Bards, and Silverware</em>
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66m Under
Shan Tu, Haipeng Mi, Feng Xian
Leonardo (2019) 52 (2): 181.
View articletitled, <em>66m Under</em>
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“Manifiesto Manizales”: Una Experiencia Transdisciplinar
Juan Camilo Aguirre, Sandra Mercedes Calvachi, Andrés Felipe Gil
Leonardo (2019) 52 (2): 108.
View articletitled, “Manifiesto Manizales”: Una Experiencia Transdisciplinar
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Designed for Hi-Fi Living: The Vinyl LP in Midcentury America
John F. Barber
Leonardo (2019) 52 (2): 201–202.
View articletitled, <em>Designed for Hi-Fi Living: The Vinyl LP in Midcentury America</em>
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Poetic Conventions as Cognitive Fossils
Rob Harle
Leonardo (2019) 52 (2): 202.
View articletitled, <em>Poetic Conventions as Cognitive Fossils</em>
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The Network
Stacy Jerger
Leonardo (2019) 52 (2): 211–212.
View articletitled, The Network
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Tangible Tetris
Meng Wang, Haipeng Mi
Leonardo (2019) 52 (2): 182–183.
View articletitled, <em>Tangible Tetris</em>
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Interactive Art—Smiling Buddha: Recording the Moment at Which an Observer Smiles through Sight Detection and Smile Recognition
He-Lin Luo, Jinyao Lin, Yi-Ping Hung
Leonardo (2019) 52 (2): 179–180.
View articletitled, Interactive Art—<em>Smiling Buddha:</em> Recording the Moment at Which an Observer Smiles through Sight Detection and Smile Recognition
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Aerial Aftermaths: Wartime from Above
Mike Leggett
Leonardo (2019) 52 (2): 203–204.
View articletitled, <em>Aerial Aftermaths: Wartime from Above</em>
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Extended Heredity: A New Understanding of Inheritance and Evolution
Cecilia Wong
Leonardo (2019) 52 (2): 204–205.
View articletitled, <em>Extended Heredity: A New Understanding of Inheritance and Evolution</em>
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The Liminal Period: A Manifesto for Living Art
Felix May
Leonardo (2019) 52 (2): 213–214.
View articletitled, The Liminal Period: A Manifesto for Living Art
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Brouhaha: Worlds of the Contemporary
Edith Doove
Leonardo (2019) 52 (2): 197–198.
View articletitled, <em>Brouhaha: Worlds of the Contemporary</em>
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Passwords: Philology, Security, Authentication
Jan Baetens
Leonardo (2019) 52 (2): 205–206.
View articletitled, <em>Passwords: Philology, Security, Authentication</em>
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12th Conference of the European Society for Literature, Science and the Arts: Green
Giovanna L. Costantini
Leonardo (2019) 52 (2): 208–210.
View articletitled, <em>12th Conference of the European Society for Literature, Science and the Arts: Green</em>
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Perfection’s Therapy: An Essay on Albrecht Dürer’s Melencolia I
Mike Mosher
Leonardo (2019) 52 (2): 206–207.
View articletitled, <em>Perfection’s Therapy: An Essay on Albrecht Dürer’s</em> Melencolia I
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Leonardo Reviews Online
Leonardo (2019) 52 (2): 210.
View articletitled, Leonardo Reviews Online
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The Man Who Walked in Color
Stephen Petersen
Leonardo (2019) 52 (2): 207–208.
View articletitled, <em>The Man Who Walked in Color</em>
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  • Online ISSN 1530-9282
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