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Volume 54, Issue 6
December 2021
Issue Cover
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

Cultivating Digital Trust in the Creative Economy
Diana Ayton-Shenker
Leonardo (2021) 54 (6): 596.
View articletitled, Cultivating Digital Trust in the Creative Economy
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Artists’ Articles

From Structure to Atoms: From Compression/Tension Systems to a Molecular Tensegrity
J. David Van Horn, Dayu Wang
Leonardo (2021) 54 (6): 599–605.
View articletitled, From Structure to Atoms: From Compression/Tension Systems to a Molecular Tensegrity
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SOS—The Space Option Star: Addressing the Energy Dilemma
Arthur R. Woods, Marco C. Bernasconi
Leonardo (2021) 54 (6): 606–610.
View articletitled, <em>SOS</em>—The <em>Space Option Star</em>: Addressing the Energy Dilemma
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General Articles

How Choreostorming Informs Thinking in Molecular Genetics and Cancer Biology
Jill Bargonetti
Leonardo (2021) 54 (6): 611–614.
View articletitled, How Choreostorming Informs Thinking in Molecular Genetics and Cancer Biology
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Slow Looking at Slow Art: The Work of Pierre Bonnard
Rebecca Chamberlain, Robert Pepperell
Leonardo (2021) 54 (6): 615–618.
View articletitled, Slow Looking at Slow Art: The Work of Pierre Bonnard
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A Neural Network Looks at Leonardo’s(?) Salvator Mundi
Steven J. Frank, Andrea M. Frank
Leonardo (2021) 54 (6): 619–624.
View articletitled, A Neural Network Looks at Leonardo’s(?) <em>Salvator Mundi</em>
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Being Formal without Being a Formalist
Steve Gibson
Leonardo (2021) 54 (6): 625–630.
View articletitled, Being Formal without Being a Formalist
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Gastronomic Algorithms: Artistic and Sensory Exploration of Alain Passard’s Michelin Plates in the Manner of Giuseppe Arcimboldo with GANs
Emily L. Spratt
Leonardo (2021) 54 (6): 631–637.
View articletitled, Gastronomic Algorithms: Artistic and Sensory Exploration of Alain Passard’s Michelin Plates in the Manner of Giuseppe Arcimboldo with GANs
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Pareidolia and the Pitfalls of Subjective Interpretation of Ambiguous Images in Art History
Raquel G. Wilner
Leonardo (2021) 54 (6): 638–642.
View articletitled, Pareidolia and the Pitfalls of Subjective Interpretation of Ambiguous Images in Art History
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The Choreography of the Creative Process: Drawing in Time and Space
Amit Raphael Zoran, Nir Dick, Naama Glauber
Leonardo (2021) 54 (6): 643–648.
View articletitled, The Choreography of the Creative Process: Drawing in Time and Space
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General Note

The Missing Female Homunculus
Haven Wright, Preston Foerder
Leonardo (2021) 54 (6): 653–656.
View articletitled, The Missing Female Homunculus
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Technical Article

Generating Rhythmic Graphic Patterns and Paul Klee’s Concept of the Active Line
Seçkin Maden
Leonardo (2021) 54 (6): 657–662.
View articletitled, Generating Rhythmic Graphic Patterns and Paul Klee’s Concept of the Active Line
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Statements

Designing Location-Specific 3D-Printed Vessels Using Mobile-Based Multisensor Data Fusion
Paul D. Found, Chun-Cheng Hsu
Leonardo (2021) 54 (6): 663–664.
View articletitled, Designing Location-Specific 3D-Printed Vessels Using Mobile-Based Multisensor Data Fusion
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Citizen Surgery: A Framework for Uncanny Operations
Kaisu Koski
Leonardo (2021) 54 (6): 665–666.
View articletitled, Citizen Surgery: A Framework for Uncanny Operations
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Special Section: Pioneers and Pathbreakers

The Second International Electrography and Copy Art Biennial, Valencia, Spain, 1988: The Beginning of the Digital Graphics Age
José-Ramón Alcalá-Mellado
Leonardo (2021) 54 (6): 667–674.
View articletitled, The Second International Electrography and Copy Art Biennial, Valencia, Spain, 1988: The Beginning of the Digital Graphics Age
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Special Section: The Science of Art

The Science of Art: Visuality at a Disciplinary Crossroads: Introduction to Special Section
Clemena Antonova, Martin Kemp
Leonardo (2021) 54 (6): 675–676.
View articletitled, The Science of Art: Visuality at a Disciplinary Crossroads: Introduction to Special Section
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Soap Bubbles Between Art & Science
Michele Emmer
Leonardo (2021) 54 (6): 677.
View articletitled, Soap Bubbles Between Art &amp; Science
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The Fragmentation of Vision
Nick Chater, Ivo Vlaev
Leonardo (2021) 54 (6): 678.
View articletitled, The Fragmentation of Vision
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How Do Competitive Neurocognitive Processes Contribute to Artistic Cognition? The Andras-Effect
Kate Schipper, Karolina Janacsek, Dezso Nemeth
Leonardo (2021) 54 (6): 679.
View articletitled, How Do Competitive Neurocognitive Processes Contribute to Artistic Cognition? The Andras-Effect
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Liquid Crystals, Theories of Life and Visual Perception in the Russian Avant-Garde
Isabel Wünsche
Leonardo (2021) 54 (6): 680.
View articletitled, Liquid Crystals, Theories of Life and Visual Perception in the Russian Avant-Garde
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Remembering “Things that Happened the Week After Next”: Reverse Time in Dreams, Art and Time Travel
Clemena Antonova
Leonardo (2021) 54 (6): 681.
View articletitled, Remembering “Things that Happened the Week After Next”: Reverse Time in Dreams, Art and Time Travel
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Special Section: Abstracts from the Spectra 2018 Symposium

Abstracts from the Spectra 2018 Symposium Part 5: Contexts
Stephen Jones, Trish Adams, Mirella Dottori
Leonardo (2021) 54 (6): 682–683.
View articletitled, Abstracts from the Spectra 2018 Symposium Part 5: Contexts
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Abstracts from the Spectra 2018 Symposium Part 6: Systems
Nigel Helyer, John Potts, Katie Dyer, Lizzie Muller, Tania Leimbach ...
Leonardo (2021) 54 (6): 684–687.
View articletitled, Abstracts from the Spectra 2018 Symposium Part 6: Systems
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Abstracts from the Spectra 2018 Symposium Part 7: Environment and Bio-Science
Leah Barclay, Helen Pynor, Niki Sperou, Svenja J. Kratz, Bill Hart ...
Leonardo (2021) 54 (6): 688–692.
View articletitled, Abstracts from the Spectra 2018 Symposium Part 7: Environment and Bio-Science
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Leonardo Reviews

Grammaire de Formes
Jan Baetens
Leonardo (2021) 54 (6): 693–694.
View articletitled, Grammaire de Formes
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The Photoromance: A Feminist Reading of Popular Culture
Jan Baetens
Leonardo (2021) 54 (6): 694–695.
View articletitled, The Photoromance: A Feminist Reading of Popular Culture
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The Farm
George Gessert
Leonardo (2021) 54 (6): 695–696.
View articletitled, The Farm
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Critical Zones: The Science and Politics of Landing on Earth
Jussi Parikka
Leonardo (2021) 54 (6): 696–698.
View articletitled, Critical Zones: The Science and Politics of Landing on Earth
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Orozco’s American Epic: Myth, History and the Melancholy of Race
Mike Mosher
Leonardo (2021) 54 (6): 698–700.
View articletitled, Orozco’s American Epic: Myth, History and the Melancholy of Race
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Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850–1950
Giovanna L. Costantini
Leonardo (2021) 54 (6): 701–703.
View articletitled, Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850–1950
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Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing
Robert Maddox-Harle
Leonardo (2021) 54 (6): 703.
View articletitled, Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing
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Pourquoi Le Style Change-T-IL?
Jan Baetens
Leonardo (2021) 54 (6): 704–705.
View articletitled, Pourquoi Le Style Change-T-IL?
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Fiction-Science—Buvard et Pichet
Edith Doove
Leonardo (2021) 54 (6): 705–706.
View articletitled, Fiction-Science—Buvard et Pichet
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Leonardo Reviews Online
Leonardo (2021) 54 (6): 706.
View articletitled, Leonardo Reviews Online
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2021 Leonardo Volume 54 Author Index

2021 Author Index: Leonardo Volume 54
Leonardo (2021) 54 (6): 707–711.
View articletitled, 2021 Author Index: Leonardo Volume 54
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The Network

The Network
Tinatswe Mhaka
Leonardo (2021) 54 (6): 712–713.
View articletitled, The Network
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Endnote

What Is at Stake in the Interaction between Media Arts and Cultural Industries in Lebanon
Ricardo Mbarkho
Leonardo (2021) 54 (6): 714–716.
View articletitled, What Is at Stake in the Interaction between Media Arts and Cultural Industries in Lebanon
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