Issues

Artists’ Articles

Nanoart and the Moving Image: Shifts in Perception from Optical Microscopy to Nanoscopy

Andrea Rassell

Leonardo (2022) 55 (3): 225–229.

Abstract

Transformation of Buddhist Mandalas into a Virtual Reality Installation

Julia A. Scott, Max Sims, Lee Harrold, Nicole Jacobus, Cecilia Avelar ...

Leonardo (2022) 55 (3): 219–224.

Abstract

Lithobox: Exploring Hybrid Crafting Practices through a Collaboration across Digital Fabrication and Fine Arts

Jennifer Weiler, Todd Ingalls, Stacey Kuznetsov

Leonardo (2022) 55 (3): 230–234.

Abstract

General Articles

Folded Electronic Textiles: Weaving, Knitting, Pleating and Coating Three-Dimensional Sensor Structures

Berit Greinke, Emma Wood, Sophie Skach, Arantza Vilas, Pauline Vierne

Leonardo (2022) 55 (3): 235–239.

Abstract

Beyond Representation in Virtual Reality: The Abstract Art of Jane LaFarge Hamill and Kevin Mack

Charlotte Kent

Leonardo (2022) 55 (3): 240–245.

Abstract

Animation, Theory of Mind and Humanoid Robots: Creating a Social Robot Video Task

Ziggy O’Reilly, David Silvera-Tawil, Ionat Zurr, Diana Weiting Tan

Leonardo (2022) 55 (3): 246–251.

Abstract

Chromatophony: A Potential Application of Living Images in the Pixel Era

Juppo Yokokawa, Nobuhiro Masuda, Kazuhiro Jo

Leonardo (2022) 55 (3): 252–257.

Abstract

Theoretical Perspective

Architecture of the Avant-Apocalypse: Preservation beyond Preservation of the Species

Tijana Vujosevic

Leonardo (2022) 55 (3): 258–262.

Abstract

Special Section: Music and Sound Art

The Soundlapse Project: Exploring Spatiotemporal Features of Wetland Soundscapes

Felipe Otondo, André Rabello-Mestre

Leonardo (2022) 55 (3): 267–271.

Abstract

Cybernetic Performance Ecosystems: The Im-Medea Cycle

Thanos Polymeneas-Liontiris, M. Eugenia Demeglio

Leonardo (2022) 55 (3): 272–277.

Abstract

Special Section: Science and Art: Understanding the Cross-Disciplinary Dialogue

Beyond Neurocinematics: Investigating Biased Social Perception through Collaboration between Neuroscience and Filmmaking

Mamdooh Afdile

Leonardo (2022) 55 (3): 278–282.

Abstract

Constructive Friction Creates a Third Space for Art/Science Collaborations

Aaron M. Ellison, David Buckley Borden

Leonardo (2022) 55 (3): 283–288.

Abstract

Special Section: Transcreation

Science and Art: Transcreation: Introduction to Special Section: Transcreation and Accessibility

Meng Ji

Leonardo (2022) 55 (3): 289–290.

Extract

The Tactile Comics of Shapereader

Ilan Manouach

Leonardo (2022) 55 (3): 291–296.

Abstract

A Visual Translation of the Pandemic

Dario Rodighiero, Eveline Wandl-Vogt, Elian Carsenat

Leonardo (2022) 55 (3): 297–303.

Abstract

Moving from Accessible Filmmaking toward Creative Media Accessibility

Pablo Romero-Fresco

Leonardo (2022) 55 (3): 304–309.

Abstract

Leonardo Reviews

Wikipedia and the Representation of Reality

Jan Baetens

Leonardo (2022) 55 (3): 310–311.

Extract

Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence

Molly Hankwitz

Leonardo (2022) 55 (3): 311–313.

Extract

The Visionary Academy of Ocular Mentality: Atlas of the Iconic Turn

Robert Maddox-Harle

Leonardo (2022) 55 (3): 313.

Extract

We are in Open Circuits: Writings by Nam June Paik

Will Luers

Leonardo (2022) 55 (3): 314.

Extract

On the Animal Trail

Gregory F. Tague

Leonardo (2022) 55 (3): 314–316.

Extract

The Value of Drawing Instruction in the Visual Arts and Across Curricula: Historical and Philosophical Arguments for Drawing in the Digital Age

Glenn Smith

Leonardo (2022) 55 (3): 316–317.

Extract

Bird Cottage

Gregory F. Tague

Leonardo (2022) 55 (3): 317–318.

Extract

Malgré La Ligne Droite : L’Écriture Américaine de Josef Albers

Jan Baetens

Leonardo (2022) 55 (3): 318–319.

Extract

Leonardo Reviews Online

Leonardo (2022) 55 (3): 319.

Extract

The Network

Jasmine Bridges

Leonardo (2022) 55 (3): 320.

Extract

Endnote

A Puzzle for Readers of Arthur Danto’s Aesthetic Theory

David Carrier

Leonardo (2022) 55 (3): 321–322.

Extract