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Issues

Volume 55, Issue 3
June 2022
Leonardo Cover Image for Volume 55, Issue 3
All Issues
ISSN 0024-094X
EISSN 1530-9282

Editorial

Together, a Beautiful and Sustainable Future Begins Today
Diana Ayton-Shenker
Leonardo (2022) 55 (3): 216.
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Artists’ Articles

Nanoart and the Moving Image: Shifts in Perception from Optical Microscopy to Nanoscopy
Andrea Rassell
Leonardo (2022) 55 (3): 225–229.
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Transformation of Buddhist Mandalas into a Virtual Reality Installation
Julia A. Scott, Max Sims, Lee Harrold, Nicole Jacobus, Cecilia Avelar ...
Leonardo (2022) 55 (3): 219–224.
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Lithobox: Exploring Hybrid Crafting Practices through a Collaboration across Digital Fabrication and Fine Arts
Jennifer Weiler, Todd Ingalls, Stacey Kuznetsov
Leonardo (2022) 55 (3): 230–234.
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General Articles

Folded Electronic Textiles: Weaving, Knitting, Pleating and Coating Three-Dimensional Sensor Structures
Berit Greinke, Emma Wood, Sophie Skach, Arantza Vilas, Pauline Vierne
Leonardo (2022) 55 (3): 235–239.
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Beyond Representation in Virtual Reality: The Abstract Art of Jane LaFarge Hamill and Kevin Mack
Charlotte Kent
Leonardo (2022) 55 (3): 240–245.
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Animation, Theory of Mind and Humanoid Robots: Creating a Social Robot Video Task
Ziggy O’Reilly, David Silvera-Tawil, Ionat Zurr, Diana Weiting Tan
Leonardo (2022) 55 (3): 246–251.
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Chromatophony: A Potential Application of Living Images in the Pixel Era
Juppo Yokokawa, Nobuhiro Masuda, Kazuhiro Jo
Leonardo (2022) 55 (3): 252–257.
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Theoretical Perspective

Architecture of the Avant-Apocalypse: Preservation beyond Preservation of the Species
Tijana Vujosevic
Leonardo (2022) 55 (3): 258–262.
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Special Section: Music and Sound Art

The Soundlapse Project: Exploring Spatiotemporal Features of Wetland Soundscapes
Felipe Otondo, André Rabello-Mestre
Leonardo (2022) 55 (3): 267–271.
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Cybernetic Performance Ecosystems: The Im-Medea Cycle
Thanos Polymeneas-Liontiris, M. Eugenia Demeglio
Leonardo (2022) 55 (3): 272–277.
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Special Section: Science and Art: Understanding the Cross-Disciplinary Dialogue

Beyond Neurocinematics: Investigating Biased Social Perception through Collaboration between Neuroscience and Filmmaking
Mamdooh Afdile
Leonardo (2022) 55 (3): 278–282.
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Constructive Friction Creates a Third Space for Art/Science Collaborations
Aaron M. Ellison, David Buckley Borden
Leonardo (2022) 55 (3): 283–288.
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Special Section: Transcreation

Science and Art: Transcreation: Introduction to Special Section: Transcreation and Accessibility
Meng Ji
Leonardo (2022) 55 (3): 289–290.
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The Tactile Comics of Shapereader
Ilan Manouach
Leonardo (2022) 55 (3): 291–296.
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A Visual Translation of the Pandemic
Dario Rodighiero, Eveline Wandl-Vogt, Elian Carsenat
Leonardo (2022) 55 (3): 297–303.
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Moving from Accessible Filmmaking toward Creative Media Accessibility
Pablo Romero-Fresco
Leonardo (2022) 55 (3): 304–309.
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Leonardo Reviews

Wikipedia and the Representation of Reality
Jan Baetens
Leonardo (2022) 55 (3): 310–311.
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Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence
Molly Hankwitz
Leonardo (2022) 55 (3): 311–313.
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The Visionary Academy of Ocular Mentality: Atlas of the Iconic Turn
Robert Maddox-Harle
Leonardo (2022) 55 (3): 313.
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We are in Open Circuits: Writings by Nam June Paik
Will Luers
Leonardo (2022) 55 (3): 314.
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On the Animal Trail
Gregory F. Tague
Leonardo (2022) 55 (3): 314–316.
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The Value of Drawing Instruction in the Visual Arts and Across Curricula: Historical and Philosophical Arguments for Drawing in the Digital Age
Glenn Smith
Leonardo (2022) 55 (3): 316–317.
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Bird Cottage
Gregory F. Tague
Leonardo (2022) 55 (3): 317–318.
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Malgré La Ligne Droite : L’Écriture Américaine de Josef Albers
Jan Baetens
Leonardo (2022) 55 (3): 318–319.
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Leonardo Reviews Online
Leonardo (2022) 55 (3): 319.
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The Network

The Network
Jasmine Bridges
Leonardo (2022) 55 (3): 320.
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Endnote

A Puzzle for Readers of Arthur Danto’s Aesthetic Theory
David Carrier
Leonardo (2022) 55 (3): 321–322.
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