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Volume 57, Issue 1
February 2024
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  • Cover Image

    Cover Image

    issue cover

    Front cover: Dario Lanza, Catharsis #821—In the Mood, 2022. Creative Commons CC BY-NC 4.0 License. See the article in this issue by Dario Lanza.

    Back cover: Damon Ayers and Tessie Word, Intransience (video still), 2015. (© Damon Ayers & Tessie Word) See the article in this issue by Zoran Poposki and Marija Todorova.

  • PDF Icon PDF LinkTable of Contents
ISSN 0024-094X
EISSN 1530-9282

Editorial

Winter Reflections: Living inside Infinite Hope
Diana Ayton-Shenker
Leonardo (2024) 57 (1): 2.
View articletitled, Winter Reflections: Living inside Infinite Hope
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Artists’ Articles

Luminous skins: Costume as a Central Element of a Swarm-Based Scenography
Iztok Hrga
Leonardo (2024) 57 (1): 5–12.
View articletitled, <em>Luminous skins</em>: Costume as a Central Element of a Swarm-Based Scenography
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Piece of Mind: Presenting the Lived Experience and Scientific Research of Parkinson’s Disease through an Artistic Lens
Naila Kuhlmann, Jérémie Robert, Aliki Thomas, Stefanie Blain-Moraes
Leonardo (2024) 57 (1): 13–17.
View articletitled, <em>Piece of Mind</em>: Presenting the Lived Experience and Scientific Research of Parkinson’s Disease through an Artistic Lens
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Designing a Long-Structure NFT Generative Art Project: Catharsis As a Case Study
Dario Lanza
Leonardo (2024) 57 (1): 18–24.
View articletitled, Designing a Long-Structure NFT Generative Art Project: <em>Catharsis</em> As a Case Study
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Cartography of Touch: Transformation of Touch through Anatomical Projections
Hana Pokojná
Leonardo (2024) 57 (1): 25–32.
View articletitled, <em>Cartography of Touch</em>: Transformation of Touch through Anatomical Projections
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Transdisciplinarity, Composition, Expression: Reflections on a Spherical Way of Thinking
Adriana Sá
Leonardo (2024) 57 (1): 33–39.
View articletitled, Transdisciplinarity, Composition, Expression: Reflections on a Spherical Way of Thinking
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The Belitung Shipwreck in Virtual Reality: Exploring the Narrative Framework of Digital Cultural Heritage
Baosheng Wang, Qing Liang
Leonardo (2024) 57 (1): 40–47.
View articletitled, The Belitung Shipwreck in Virtual Reality: Exploring the Narrative Framework of Digital Cultural Heritage
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Artist’s Note

A Lesson with Francis Bacon Forced Me to See Outside the Software Box
Nelson J. Diaz
Leonardo (2024) 57 (1): 48–50.
View articletitled, A Lesson with Francis Bacon Forced Me to See Outside the Software Box
Supplementary data
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Erratum

Erratum
Leonardo (2024) 57 (1): 51.
View articletitled, Erratum
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General Articles

One Never Knows
Mihai Nadin
Leonardo (2024) 57 (1): 52–56.
View articletitled, One Never Knows
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Mapping Cultural Flows through Contemporary Art in Translation: The Translation(s) Project
Zoran Poposki, Marija Todorova
Leonardo (2024) 57 (1): 57–63.
View articletitled, Mapping Cultural Flows through Contemporary Art in Translation: The <em>Translation(s)</em> Project
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Technical Articles

An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio
Xinran Hu
Leonardo (2024) 57 (1): 64–69.
View articletitled, An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio
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Using a Drift Diffusion Model to Validate the Quantification of Style Prototypicality as Assessed by the Viewers of Paintings
Shigen Fang Ogata, Yoshimasa Tawatsuji, Tatsunori Matsui
Leonardo (2024) 57 (1): 70–78.
View articletitled, Using a Drift Diffusion Model to Validate the Quantification of Style Prototypicality as Assessed by the Viewers of Paintings
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Special Section: Music and Sound Art

Soundscapes of a Century: The Art and Transmission of Irish Broadcasting’s 100-Year Milestone
Jimmy Eadie
Leonardo (2024) 57 (1): 83–88.
View articletitled, Soundscapes of a Century: The Art and Transmission of Irish Broadcasting’s 100-Year Milestone
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Special Section: Pioneers and Pathbreakers

When the Computer Entered the Music Scene: The Collaboration between the Centro di Sonologia Computazionale and La Biennale di Venezia
Sergio Canazza, Giovanni De Poli, Alvise Vidolin
Leonardo (2024) 57 (1): 89–94.
View articletitled, When the Computer Entered the Music Scene: The Collaboration between the Centro di Sonologia Computazionale and La Biennale di Venezia
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The *.* Group’s Contribution to the Development of Technological Art in Brazil
Artemis Moroni
Leonardo (2024) 57 (1): 95–101.
View articletitled, The *.* Group’s Contribution to the Development of Technological Art in Brazil
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Teresa Wennberg, Pioneer Video and Computer Artist: Early Experiences in Video and Computer Art
Teresa Wennberg
Leonardo (2024) 57 (1): 102–107.
View articletitled, Teresa Wennberg, Pioneer Video and Computer Artist: Early Experiences in Video and Computer Art
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Leonardo Reviews

Renaissance 3.0: A Base Camp for New Alliances of Art and Science in the 21st Century
Ingeborg Reichle
Leonardo (2024) 57 (1): 108–109.
View articletitled, Renaissance 3.0: A Base Camp for New Alliances of Art and Science in the 21st Century
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Ruth Stone’s Vast Library of the Female Mind
Mike Mosher
Leonardo (2024) 57 (1): 109–110.
View articletitled, Ruth Stone’s Vast Library of the Female Mind
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With Bodies: Narrative Theory and Embodied Cognition
Stephanie Cussans Moran
Leonardo (2024) 57 (1): 110–112.
View articletitled, With Bodies: Narrative Theory and Embodied Cognition
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The Cult of Creativity: A Surprisingly Recent History
Charles Forceville
Leonardo (2024) 57 (1): 112–114.
View articletitled, The Cult of Creativity: A Surprisingly Recent History
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Code: From Information Theory to French Theory
Jussi Parikka
Leonardo (2024) 57 (1): 114–115.
View articletitled, Code: From Information Theory to French Theory
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Art and Cosmotechnics
Glenn Smith
Leonardo (2024) 57 (1): 115–117.
View articletitled, Art and Cosmotechnics
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Saint Ghetto of the Loans: Grimoire
Jan Baetens
Leonardo (2024) 57 (1): 117–118.
View articletitled, Saint Ghetto of the Loans: Grimoire
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Hollis Frampton: Navigating the Infinite Cinema
Mike Leggett
Leonardo (2024) 57 (1): 118.
View articletitled, Hollis Frampton: Navigating the Infinite Cinema
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Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats
Jan Baetens
Leonardo (2024) 57 (1): 118–120.
View articletitled, Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats
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Leonardo Reviews Online
Leonardo (2024) 57 (1): 120.
View articletitled, Leonardo Reviews Online
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Endnote

Art as Inquiry: Theoretical Perspectives on Research in Art and Science
Kate McCallum
Leonardo (2024) 57 (1): 121–124.
View articletitled, Art as Inquiry: Theoretical Perspectives on Research in Art and Science
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  • Online ISSN 1530-9282
  • Print ISSN 0024-094X
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