Skip Nav Destination
Issues
December 2024
-
Cover Image
Cover Image
Front cover: Derek Holzer,
Isolation Portraits: Nicolina , 2020. An artistic example of scan processing’s signature video raster displacement effect. (© Derek Holzer) See the article in this issue by Holzer.Back cover: Stan Ostoja-Kotkowski beside a TV screen displaying an electronic image. (© State Library of South Australia PRG919/4/5) See the article in this issue by Chris King.
- PDF Icon PDF LinkTable of Contents
ISSN 0024-094X
EISSN 1530-9282
Editorial
Special Section: Histories, Legacies, and Futures of Image-Processing
Part I: Tools
Archaeologies and Organologies: Toward an Alternative History of Early Synthetic Video and Image Processing Practices, 1939–1969
Leonardo (2024) 57 (6): 595–603.
An Archaeology of Image Processing Tools: From the Optical Printer to the Sandin Image Processor
Leonardo (2024) 57 (6): 604–612.
Part II: Case Studies
Video as World Mandala: The Role of Nakajima Kō’s Animaker and Aniputer in Defining a Cosmic Vision of Video
Leonardo (2024) 57 (6): 635–642.
Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context
Leonardo (2024) 57 (6): 643–648.
Our Bodies Demand Their Turn!: Live Synthesizer in Shigeko Kubota’s Riverrun—Video Water Poem
Leonardo (2024) 57 (6): 649–654.
Part III: Artist’s Recollection
Part IV: Legacies and Futures
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool
Leonardo (2024) 57 (6): 674–680.
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria
Leonardo (2024) 57 (6): 681–688.
When Image Processing Becomes Image Creation: Gregory Zinman in Conversation with LoVid
Leonardo (2024) 57 (6): 689–694.
Leonardo Reviews
2024 Author Index
Email alerts
Advertisement