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Issues

Volume 57, Issue 6
December 2024
Leonardo Cover Image for Volume 57, Issue 6
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  • Cover Image

    Cover Image

    Issue cover image

    Front cover: Derek Holzer, Isolation Portraits: Nicolina, 2020. An artistic example of scan processing’s signature video raster displacement effect. (© Derek Holzer) See the article in this issue by Holzer.

    Back cover: Stan Ostoja-Kotkowski beside a TV screen displaying an electronic image. (© State Library of South Australia PRG919/4/5) See the article in this issue by Chris King.

  • PDF Icon PDF LinkTable of Contents
ISSN 0024-094X
EISSN 1530-9282

Editorial

Considering Legacies and Futures
Diana Ayton-Shenker
Leonardo (2024) 57 (6): 588.
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Special Section: Histories, Legacies, and Futures of Image-Processing

Histories, Legacies, and Futures of Image-Processing
Helena Shaskevich, Adam Hart
Leonardo (2024) 57 (6): 591–594.
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Part I: Tools

Archaeologies and Organologies: Toward an Alternative History of Early Synthetic Video and Image Processing Practices, 1939–1969
Chris Jan King
Leonardo (2024) 57 (6): 595–603.
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An Archaeology of Image Processing Tools: From the Optical Printer to the Sandin Image Processor
Kasper Lauritzen
Leonardo (2024) 57 (6): 604–612.
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A Piano for Visuals: Affordances of Scan Processing Instruments
Derek Holzer
Leonardo (2024) 57 (6): 613–621.
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Part II: Case Studies

As Freely as Picasso: Nam June Paik, WGBH-TV, and the Video Synthesizer
Helen Koh
Leonardo (2024) 57 (6): 622–627.
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Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video
Liz Kim
Leonardo (2024) 57 (6): 628–634.
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Video as World Mandala: The Role of Nakajima Kō’s Animaker and Aniputer in Defining a Cosmic Vision of Video
Nina Horisaki-Christens
Leonardo (2024) 57 (6): 635–642.
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Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context
Deanne Pytlinski
Leonardo (2024) 57 (6): 643–648.
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Our Bodies Demand Their Turn!: Live Synthesizer in Shigeko Kubota’s Riverrun—Video Water Poem
Lia Robinson
Leonardo (2024) 57 (6): 649–654.
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Carlos Trilnick: An Argentine Electronic Image-Processing Pioneer
Mariela Cantú
Leonardo (2024) 57 (6): 655–662.
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Part III: Artist’s Recollection

Raster Manipulations
Zsolt Gyenes
Leonardo (2024) 57 (6): 667–673.
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Part IV: Legacies and Futures

(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool
Monica Panzarino
Leonardo (2024) 57 (6): 674–680.
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Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria
Takumi Saeki, Nobuhiro Masuda, Kazuhiro Jo
Leonardo (2024) 57 (6): 681–688.
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When Image Processing Becomes Image Creation: Gregory Zinman in Conversation with LoVid
Gregory Zinman, Tali Hinkis, Kyle Lapidus
Leonardo (2024) 57 (6): 689–694.
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Leonardo Reviews

Leonardo Da Vinci
Amy Ione
Leonardo (2024) 57 (6): 695–697.
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Historic Avant-Garde Work on Paper
Jan Baetens
Leonardo (2024) 57 (6): 697–698.
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The Extinction of Experience: Being Human in a Disembodied World
Allan Graubard
Leonardo (2024) 57 (6): 698–699.
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I Heard Her Call My Name: A Memoir of Transition
Mike Mosher
Leonardo (2024) 57 (6): 699–701.
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Raymond Roussel et Marcel Duchamp. Enquête Sur Une Gémellité
Jan Baetens
Leonardo (2024) 57 (6): 701–702.
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Creative Simulations: George Mallen and the Early Computer Arts Society
Brian Reffin Smith
Leonardo (2024) 57 (6): 702–704.
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2024 Author Index

Leonardo Volume 57
Leonardo (2024) 57 (6): 705–710.
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