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Publisher: Journals Gateway
Leonardo (2001) 34 (5): 447–451.
Published: 01 October 2001
AbstractView article PDF
If the development of mass media utterly revolutionized the situation of art in the 20th century, current research into the technological reconfiguration and replacement of the human organism promises an even more radical disruption of art's cultural status. As engineers contemplate the creation of artificial life, artistic creation again finds its traditional values and procedures called into question. How will artists respond to the challenges posed by cyborg culture?