The concept of connection has assumed a very ambivalent status today. Being connected exposes the liberating potential of connected public participation, which has changed our understanding of political and intimate life. At the same time there is a strong fear at work that this very potential could result in a more rigid form of contemporary life. Connection, as understood in this article, is something procedural that can at the same time be disobedient to its own procedure. This disobedience can be concretely observed in certain contemporary artistic works, for example in the project ωPack from Intima Virtual Base.