In collaboration with Electronic Arts Intermix (EAI), a nonprofit video arts distributor, the author has found videos in EAI’s collection that may reflect upon themes of disability and/or engage modes of access like captioning and audio description. The video/film works referenced in conceptual and performance practices have been broadly tethered to the word “experimental” and situated in this context to engage with accessibility even for works that resist and challenge the very nature of legibility. This essay is the author’s first attempt to explore an archive to identify video artworks that represent disability (whether deliberately or not) and present alternative modes of access (whether deliberately or not) with the intent of laying a groundwork for curations that tap into possibilities within accessibility formats.