ABSTRACT This article investigates the social structures reflected in the annual jury sessions of the Prix Ars Electronica, a major media art competition—the composition, the temporal evolution and ultimately the decisions of these juries. The author focuses on three different structures: the network of co-jurors across different categories and years, the co-artist network formed by the jury decisions, and finally the interaction between these two networks. The results not only reveal different roles of individuals in the jury process but also reflect the evolution of the field in general. Based solely on public data, the results show a multifaceted picture of a dynamic field.

ABSTRACT The discourse on information visualization often remains limited to the exploratory function — its potential for discovering patterns in the data. However, visual representations also have a rhetorical function: they demonstrate, persuade, and facilitate communication. In observing how visualization is used in presentations and discussions, I often notice the use of what could be called “visual anecdotes.” Small narratives are tied to individual data points in the visualization, giving human context to the data and rooting the abstract representation in personal experience. This paper argues that these narratives are more than just illustrations of the dataset; they constitute a central epistemological element of the visualization. By considering these narrative elements as parts of the visualization, its design and knowledge organization appear in a different light. This paper investigates how the “story” of data representation is delivered. By means of ethnographic interviews and observations, the author highlights the different aspects of the visual anecdote, a specific point where the exploratory and the rhetorical functions of visualization meet.