This paper discusses the possibilities of visualizing and analyzing complex and dynamic social networks to understand the interplay between ever-changing social structure and artistic developments within the Antwerp and Brussels tapestry industry (1640–1720).

ABSTRACT This article proposes a new approach to literary hypertext, which foregrounds the notion of interrupting rather than that of linking . It also claims that, given the dialectic relationship of literature in print and digital-born literature, it may be useful to reread contemporary hypertext in light of a specific type of literature in print that equally foregrounds aspects of segmentation and discontinuity: serialized literature (i.e. texts published in installment form). Finally, it discusses the shift from spatial form to temporal form in postmodern writing as well as the basic difference between segment and fragment.