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Harkaitz Cano
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Publisher: Journals Gateway
Leonardo (2000) 33 (5): 381–385.
Published: 01 October 2000
Abstract
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Multimedia artist Jose Carlos Casado, with the assistance of writer Harkaitz Cano, discusses his work in progress, La Caja de Pandora (“Pandora's Box”), in which digital video, 3D animations, and interactivity merge in a series of installations about “reality” artificial reproduction, and sexuality. His study searches for the boundaries where belief starts and asks what makes us accept what we see. It also investigates the new relationship between the mind and the body, and its relation to technologies.