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Hyunkyoung Cho
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Journal Articles
Publisher: Journals Gateway
Leonardo (2009) 42 (3): 282–283.
Published: 01 June 2009
Abstract
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Performative art comes from two major ideas. One concerns the performativity as what happens in the collaborative action of human and computer; the other, the doubleness of technology as one insight overcoming the human-subject centered dichotomy. As the linking point where two ideas meet, performative art critiques the politics of contemporary technology-based art in the humanist context.