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Leah Buechley
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Journal Articles
Publisher: Journals Gateway
Leonardo (2015) 48 (4): 384–399.
Published: 01 August 2015
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This article introduces the Hybrid Craft exhibition, positioning 15 hybrid projects in the context of today’s Maker culture. Each project demonstrates a unique integration of contemporary making practice with traditional craft. The presenters in the show represent a wide range of professional backgrounds: independent makers, students and teachers, designers associated with research institutes, and commercial organizations. The background of Hybrid Craft, the makers and their works, including tool-making, jewelry, bowl-making and interactive design, are presented. The discussion focuses on integrating human skill and design to introduce a diverse portfolio of technologies used in this hybrid making process.
Journal Articles
Publisher: Journals Gateway
Leonardo (2014) 47 (1): 51–55.
Published: 01 February 2014
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ABSTRACT The term open source is increasingly applied to architecture, yet there is little consensus about what it means in this context. This paper explores how different literal and metaphoric interpretations of the “access to source code” principle, set by the founders of the Free and Open Source Software movements, are being applied to architecture. The authors explore several challenges that have arisen in the translation of open source rhetoric from cyberspace to architectural space and discuss paths for new conceptual and programmatic agendas promoting user empowerment and democratization in architectural design.
Journal Articles
Publisher: Journals Gateway
Leonardo (2013) 46 (1): 4–10.
Published: 01 February 2013
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ABSTRACT Digital fabrication, and especially 3D printing, is an emerging field that is opening up new possibilities for craft, art and design. The process, however, has important limitations; in particular, digitally designed artifacts are intrinsically reproducible. In stark contrast, traditional craft artifacts are individually produced by hand. The authors combine digital fabrication and craft in their work involving object destruction and restoration: an intentionally broken crafted artifact and a 3D printed restoration. The motivation is not to restore the original work but to transform it into a new object in which both the destructive event and the restoration are visible and the re-assembled object functions as a memorial.