This article examines the role of translation in contemporary art through a case study of the curatorial project Translation(s) , curated by Zoran Poposki in collaboration with Laurence Wood, realized in three editions over five years and involving more than 30 video works by international artists. By exploring the dual significance of translation as a motif and a method, this article investigates how artists engage with the complexities of communication and reinterpretation. The analysis highlights the transformative potential of translation, transcending linguistic barriers and extending into the realm of visual representation, cultural expression, and artistic practices.