This paper focuses on the author’s artistic practice and presents robotic plant creations as assemblages using robotic autonomy unities in a Small-World Network configuration. This artistic production is significantly founded on Gilbert Simondon’s philosophical concepts about Technological Beings. Understanding these communities of robotic structures as individualizations is critical to apprehending them as individuals. The paper also discusses the implications of hardware design, coding, and the concept of artificial life related to the development of such technological organisms.

The authors present a study of artistic data visualization as reflection of human emotion. They describe the sonority of movements in the stock market with real human emotions as a method to better understand this organism with wide influence in our world.