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Monica Panzarino
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Journal Articles
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool
Open AccessPublisher: Journals Gateway
Leonardo (2024) 57 (6): 674–680.
Published: 01 December 2024
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Abstract
View articletitled, (Nip)ulations: The Nipulator Electronic Bra and the
Embodiment of the Image Processing Tool
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for article titled, (Nip)ulations: The Nipulator Electronic Bra and the
Embodiment of the Image Processing Tool
The Nipulator electronic bra is a custom-built wearable device that uses two potentiometers, a hacked DJ Hero microcontroller, and Cycling ’74 software to (nip)ulate the author’s voice and image in real time. The bra functions as an instrument for live video and sound processing as well as a feminist art object. This essay discusses how the author’s work with rare and historically significant image and sound processing tools like the Sandin Image Processor, Jones Frame Buffer, and Paik-Abe Raster Manipulation Unit influenced the creation of The Nipulator , as well as her experimental media art practice. Other artistic and personal influences are also considered, and a thorough description of the bra’s design, technical evolution, and durability challenges is provided.
Journal Articles
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool
UnavailablePublisher: Journals Gateway
Leonardo 1–20.
Published: 23 September 2024
Abstract
View articletitled, (Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool
View
PDF
for article titled, (Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool
The Nipulator electronic bra is a custom-built, wearable device that uses hardware potentiometers (or knobs), a hacked DJ Hero microcontroller, and Cycling ’74 Max/MSP/Jitter software patches to (nip)ulate the author’s voice and/or image in real-time. The bra functions both as an instrument for live video and sound processing as well as feminist art object, and has been featured in several single-channel videos, and performances for an audience. This essay discusses how the author’s work with rare and historically significant image and sound processing tools like the Sandin Image Processor, Jones Frame Buffer, and Paik/Abe Raster Manipulation Unit (aka “Wobbulator”), influenced the creation of The Nipulator , as well as her experimental media art practice more generally. Other artistic, feminist, and personal influences are also considered, and a thorough description of the bra’s design, technical evolution, and challenges with regards to durability is provided.