While investigating whether neuroscience or art best corroborates the experience of immersion or reverie, the author interviews herself about how her “artist self” inquires of her “scientist self” (and vice versa). She wonders how conceptual information refracted through these “selves”—via mechanisms such as metaphor—fosters collaboration between disciplines in an intrapersonal context. She asks how epistemic value derived from mistakes and indistinctness enrich this shared imaginative space, focusing on metaphor as a conduit between elements and disciplines. Using Kafka’s mole analogy, she follows intuition as an interdisciplinary heuristic to explore reverie and the creative act.