The author describes her artistic process and works exploring the recontextualization of recorded sounds into radically different environments, such as the ocean and the desert. Such unusual juxtapositions of place aim to stimulate awareness of technological mediation and the processes we rely on to build knowledge of environmental issues. The artworks do this by focusing on a physiological experience that combines the senses, thereby activating an experiential affect that may stimulate a sense of remote presence, empathy and curiosity to more fully understand distant and diverse ecologies that we cannot otherwise access.

ABSTRACT The author discusses Scorescapes , an artistic research project that investigates how sound mediates our relationship to the environment and how contemporary multidisciplinary art practices can articulate this. Scorescapes joins the author’s own artistic practice with a theoretical analysis that highlights how relationships to the environment drawn through sound are profoundly bound up with technology. Key concepts include: making the inaudible audible; underwater sound and cetacean communication; field recordings and the contextual basis of sound; typologies of listening; the score as relationship; and techno-intuition.