Skip Nav Destination
Close Modal
Update search
NARROW
Date
Availability
1-4 of 4
Special Section: ArtScience
Close
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Journal Articles
Publisher: Journals Gateway
Leonardo (2019) 52 (3): 300–304.
Published: 01 June 2019
Abstract
View article
PDF
Human memory may be characterized by five dimensions: (1) large capacity; (2) associativity; (3) diversity of memory systems; (4) change over time; and (5) a unified memory experience. The organization and multidimensionality underlying memory can be represented with set theory. This offers a new mathematical perspective, which is the foundation for the cognitive memory architecture Ardemia. The authors present a relational database implementation of Ardemia that supports the creation of the artificial memory of Mr. Polly, the main character in H.G. Wells’s novel The History of Mr. Polly . In addition to the implementation of Mr. Polly’s artificial memory using TimeGlue, his memory is probed with a collection of everyday memory queries that are related to temporal and schema knowledge. The investigation of Mr. Polly’s knowledge suggests an alternative representation of schemas; rather than fixed structures or explicit associations, it is possible to model schemas as the results of the interaction between existing knowledge and remembering.
Includes: Supplementary data
Journal Articles
Publisher: Journals Gateway
Leonardo (2019) 52 (3): 305–308.
Published: 01 June 2019
Abstract
View article
PDF
To normalize ArtScience, examples need to be shared of its average practitioners within the sciences, in addition to its historical exemplars. Described here are two cases of arts practice informing scientific research as experienced by early-stage researchers in postdoctoral or PhD work. Each case involves different arts approaches and yields different effects on the science; both inform ideas for how to better support and institutionalize ArtScience work.
Journal Articles
Publisher: Journals Gateway
Leonardo (2018) 51 (5): 509–516.
Published: 01 October 2018
Abstract
View article
PDF
The authors describe a cross-disciplinary collaboration in which they apply both a qualitative/quantitative and a choreographic analysis to the gestures immunologists use when lecturing on immunity. They identify particular spatiotemporal features by which immunologists have mapped, embodied and blended the conceptual spaces of the molecular and cellular. The immunologists’ difficulties in integrating the differing spatiotemporal modes of observing and embodying revealed hidden policies in their concepts of immunity. The variety of modes, blending and cinematic techniques applied invite a closer cross-disciplinary look at the vivid visual scenario of gesturing in science and consideration of its potential for creating corporeal models of art and science.
Journal Articles
Publisher: Journals Gateway
Leonardo (2018) 51 (2): 165–172.
Published: 01 April 2018
Abstract
View article
PDF
This position article argues that the sciences of the artificial (artificial intelligence and artificial life) have a special relationship to art that is absent from much of science. Just as art is often a depiction or interpretation of nature, so are the algorithms in the sciences of the artificial. This observation is important because the discourse in these fields largely ignores the relevance of subjective resonance with nature to scientific progress. Yet progress is potentially stifled if scientists cannot discuss such resonance openly. To support this view, the author provides examples that illustrate how the subjective impression of such resonance led to novel encodings and algorithms in his own career. The author concludes that there may be more to gain than to lose by allowing some level of subjectivity to enter the discourse in the sciences of the artificial.
Includes: Supplementary data